A Taxomomy of Evils and the Demoness Ontology of Powers in Vitalism

In my few past posts I have begun exploring the ideo-figural aspects of the mythological figure of Zuggtmoy, a reported Demoness Queen of Fungi (seemingly drawn from the common stock of the sexualized evil of the D&D world). First I sketched out a fictional Encyclopedia entryin the style of Borges to get a feel for the mixtures of knowledges, histories, myths and reference that make up our co-ordination upon mytho-poetic reality. Then I took her more seriously, and investigated both her ontological expansionas a principle and a kind of incarnational exemplification in the unique properties of slime molds.

To follow through though, the tug of evil, itself, remained. For in her representational quality for the powers and speech of matter (M), one cannot dismiss the host of erotic, desire-imbued machinations that such a feminine modern archetype seems to carry. If such a demoness has a message to philosophy, conceptual evil is inscribed in its flesh. Below is a diaried entry on what must only be an outline of what such a con-figuration signifies…sometimes I believe it pays to think figuratively like this, as my guidepost thoughts on Achilles (and Sloterdijk) and also Antigone might show.

Demon and Law

Under the question of Zuggtomoy, fungal darkness the issue of the “demonic” necessarily must be raised, for the very subversive, if hierarchical nature of any ontological claim of thisorder appeals to a kind of intentional and performative domain. In such a view the historical understanding of literal magic and demonology proves revelatory, seen in the West primarily in the syncretism of the Hellenic and Leventine world, eventually subsumed under a mono-ideational Orthodox whole, Judeo-Chrisitan completions of local deities, mechanisms, which really must be seen as techniques. For it is in the techniques, and thus the technologies of magus traditions that at least one strong root of the scientific laboratory can be found. In a sense, demonology in its historical form expresses scientific instrumental multiplicity (subjects, laws, means and device), a multiplicity that resists the singular moniker Science.

The Demonic as a Locality of Powers and Means

When one questions the demonological, one is ultimately questioning a locality of techniques, that is until the demon (or δαίμων) becomes elevated to the status of a god wherein it starts to operate with something of a law-universal, a universal yet still constrained and specific in its manifestation, by circumstance. So as we  approach the demonic figure of Zuggtmoy (however fantastical) and work from her the possibilities of an ontological truth, we must address her in both her local, perhaps cult-like incarnation – for instance the kinds of things we might learn  from the structures of slime molds – but also potentially law-like, and therefore god-like revelations, as we might understand her domain, her sphere of actions, so as it to be a continual and constitutive plane for the very condition of our existence and agency.

Invariably as well, the subject of evil must be taken up, for ultimately and historically the homogenization of belief under any normalization of formal practice involves, or has involved, the creation of an entire sphere into which their actions can be categorically confined. Which is to say that the supra-lunar and astral projections of a hierarchy of powers that mark the syncretization of Hellenized Egypt (PGM) upon the spread of Judaism and Christianity under the crush of Roman occupation (the destruction of the Temple at Jerusalem, and all the apocalyptic and liberation re-ordering of the universe that follows), wherein every demon or daimon – even every dead person – exudes a kind of tiered capacity of force, this is disbanded in favor of  a great domain binary of Good/Evil, Heaven/Hell, Life/Death, eventually to be purified into Presence/Absence and Being/Non-Being. When one  recognizes the historiography of demonology one appreciates the ideological use of the objective binaries that end up calculating a mirror dimension, whether or not these two dimensions are ever in theory or theology are ever reconcilable or made disjunctive.

The Legalism of Pure Affection

But if we are to take up evil we must do more than understand the historical struggle between local powers of belief and practice (expressed as technique), and the hegemonic orthodoxy of homogenization; one must also look at the very conceptual core of what seems to show itself in the Law alone. This is the way in which law determinations that regulate the bodily pleasures (and pains) of others in a register of normativity themselves necessarily embody a pleasure. That is, there is ever the pleasures of regulating pleasure, a sweetness of investment which is ever occluded in the very recursive (and body continuity) circuit of their circulation, the very “contentless” nature of their content, which for Kant is demarked by the absence of pathological self-interest, or reason. The subject reaches the intensive apogee of its pleasure capacity to the degree that it refuses pleasure, perhaps the greatest pleasure of all (theoretically at least).

We can see this of course in de Sade’s inversion of Kant (first exposed by Horkenheimer and Adorno in Dialectics of Enlightenment, and then by Lacan in “Kant avec Sade”), wherein ultimately the subject becomes the pure instrument of Nature by embodying as best one can the very disinterested destructive power of evil, accomplished through the building of bodily circuits of repetition and pleasure coursings that enact – but locally, as devices -the universal powers of Nature’s transformations: that is, the very neutral but intense for/of the law itself. You can see this measured enforcement of depersonalized traverse in the in situ figure of the Red Wax sewing thread which characterizes the narrative and argumentative acme of Philosophy in the Bedroom (published the same year, 1795, as Kant’s “Perpetual Peace: A Philosophical Sketch”), wherein disease is “rationally” and literally sewn into the very body of the mother, creating the picture of a supposed universe within the universe, a relation that ultimately shows itself as a perversity, a cruelty:

[The scene from Philosophy in the Bedroom, in which Eugenie (well-born) sews up and destroys her mother’s own womb, in a kind of even further radicalized and profane Antigone (anti-birth), if that can be imagined; not only sewing but making of the mother’s body a field of excruciating intensity, signifying the null-fruition of the act]

EUGENIE – Excellent idea! Quickly, quickly, fetch me needle and thread!… Spread your thighs, Mamma, so I can stitch you together-so that you’ll give me no more little brothers and sisters. (Madame de Saint-Ange gives Eugénie a large needle, through whose eye is threaded a heavy red waxed thread; Eugénie sews.)

EUGENIE, from time to time pricking the lips of the cunt, occasionally stabbing its interior and sometimes using her needle on her mother’s belly and mons veneris – Pay no attention to it, Mamma. I am simply testing the point…

LE CHEVALIER – The little whore wants to bleed her to death!

DOLMANCE, causing himself to be frigged by Madame de Saint-Ange, as he witnesses the operation – Ah, by God! how this extravagance stiffens me! Eugénie, multiply your stitches, so that the seam will be quite solid.

EUGENIE – I’ll take, if necessary, over two hundred of them… Chevalier, frig me while I work.

LE CHEVALIER, obeying – I’ve never seen a girl as vicious as this one!

EUGENIE, much inflamed – No invectives, Chevalier, or I’ll prick you! Confine yourself to tickling me in the correct manner. A little asshole, if you please, my friend; have you only one hand? I can seeno longer, my stitches go everywhere… Look at it I do you see how my needle wanders… to her thighs, her tits… Oh, fuck! what pleasure!…

So how do we reconcile these two aspects of evil, the historiographical understanding of demonology as local technique subsumed and normalized, and the localized device building between bodies which performs a machinic if cruel transformation (and transfiguration) of affects…of surplus?

If anything, as we grasp the possibilities of a Zuggtmonic drive in the auspice of the demonic image of Zuggtmoy herself, both the cruel inscription of affects upon bodies in evacuated regimes of formal legalism, localized historically specific machina of bodies joined, yoked, and the local power techniques that are ever under hegemonic universalization (and, it seems, binary polarization in abstraction). The Law as instantiationally and concretely cruel and effectively homogenizing.

Elevating Local Demons

Where does this leave us unto the cruelties of godlike elevation of demonic Zuggtmoy? What kind of transformations and seeing-throughs are possible through her fungal if brutal consumptions at the border of death and decay? What is gained by the elevation of her local technique to a universalized though context-bound law is the capacity to see constructives as not strict inside/outside binary machines, but as material relations established with the radiance that covers death and decay itself, ones that appreciate staged, cyclictic (and not categorical) transitions between individual and collective, ever within the halo of decay’s release of constitutive elements; but always with the risk that the identification with the demoness may take hold of your subjective boundary and transform you through decay, putrification and thereupon growth itself, creating new sites for radiance. Ever the risk if we are not to participate in totalitarian cognizance and its absolute pleasure economies.

Related commentary posts elsewhere: Naught Thought here, there and whence;  Complete Lies thence; The Whim thither; Eliminative Culinarism (6-11-09) wither.

Zuggtmoy: Demoness Ontology in Dark Vitalism

 

[illustration: Eric Deschamps]

Zuggtmoy – [syncretic; assumed from Greek ζυγόν, a yoke or joining piece (cf. ζεύγνυμι) + τμῆμα, a cut, wound or section, τμήγω] A Demoness strongly associated with fungal forms and grave mould, laymenly written to inhabit or rule the 222nd layer of the Abyss. Oldest magical reference is an example of dream summoning, (3rd century, PGM XIi 151-155):  

Spell for demanding a dream from ZUGGTMOI.

I call on you the headless goddess who has sight in her feet. You who cut and chain.

Arise, daimon. You are not a daimon but the blood of the two sperma [?] on the coffin of Osiris

I conjure you daimon by your two names: Zuggtmoi-anouth. You are the headless goddess.

Answer me.

And in an invocation (6th century, PGM XII 54-72):

SAPHPHAIOR
BAELKOTA ZUGGTMOI EKENNK LIX
the great demon and the inexorable one,
…IPSENTANCHOUCHEOUCH
_____________________

DOOU SHAMAI ARABENNAK ANTRAPHEU BALE
SITENGI ARTEN BENTEN AKRAB ENTH OUANTH
BALA SHOUPLA SRAHENNE DEHENNE KALASHOU
CHATEMMOK BASHNE BALA SHAMAI
On the day of Selene, at the first hour,
But on the (day) of deliverance, at the fifth hour,
A beetle
At the eighth, a dog

Hail, Osiris, king of the underworld,
lord of embalming,
who is south of Thinis,
who gives answer in Abydos,
who is under the noubs tree in Meroe,
whose glory is in Pashalom.

Associated with the bright yellow Plasmodial slime mold Fuligo septica, colloquially “dog’s vomit,” which in Finnish lore is called paranvoi, or “butter of the familiar,” thought used to maliciously spoil neighbor’s milk.  Gray Jay (Perisoreus canadensishe), the mould beetles Anisotoma and Agathidium are also seen as sacred to the Demoness, as they are often found in the presence and her mold form. Fuligo septica holds extreme resistance to the metal toxicity. Thought to omnipresently live on the “radiance” of decay, the demoness is the quintessential invisible deity of the grave, loathsome to mourners and keepers of the dead, upon whom she is said to unsuspectingly feed.

 – Celestial Agora of Benevolent Wisdoms [editor: J. F. I. L. B. Acevedo]