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The Art of the Paradox: Massumi Speaking on Luminosity

Massumi tells us that there is a method of paradox production which he holds in contrast to the clarity aims of critique, a kind of production of Luminosity through paradoxical operators:

Generating a paradox and then using it as if it were a well-formed logical operator is a good way to put vagueness into play. Strangely, if this procedure is followed with a good dose of correction and just enough technique, presto!, the paradox becomes a well-formed logical operator. Thought and language bend to it like light in the vicinity of a superdense heavenly body. This may be an example of miraculation. (As if luminosity itself can be invented.)

Parables of the Virtual, 13

I don’t have a lot to say about this, other than the exact methodology of condensing the paradox into a light-bending black hole, the intensity of the process, its entire mechanism of pressurization, seems what keeps paradox from being mere confusion, or banal contradiction. In order for luminosity to be invented, so to speak, a great and crushing paradox has to be performed, something that (unlike the setting out of the grid, the framework, in Kant, the screen upon which the phenomenal movie is then played) does the opposite, it takes the logical nexus points, the molecular bond of our rationality, is imploded, crushed-under.

I am unsure if I agree with either the methodology, or the analogy, but something tells me that it must be put into the rhetorical (if not metaphysical) store of the arms of philosophy.