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Tag Archives: Object-Oriented Philosophy

The “sensuous vicar” of Causation

Graham Harman makes a humorous point , asking himself if he ever did use the phrase “sensuous vicar” found in the suggestive illustration I provided in my reading of his essay “On Vicarious Causation” (pictured here):

Graham writes, “I was even laughing at some of my own words as I scanned Kevin’s post quickly. Did I really say ‘sensuous vicar’ in that article? I doubt anyone else has ever used that phrase before or since.”

Illustration of The Real Object of Intention

The Vicar Abounds

I did a quick google search for the phrase “sensuous vicar,” and only his and my posts came up, though I can’t help thinking that some translation of de Sade somewhere contains the phrase, perhaps in great repetition. I then perused his article and found though Graham did not use the phrase (now wishing he had, no doubt, breaking literary ground), he did use these  phrases and which I contingently turned into the concept “sensuous vicar,” moving from sensual to sensuous.

“sensual zebra”
“sensual profile”
“sensual tree”
“sensual vicar”
“sensual noise”
“sensual neighbors”
“sensual facade”
“…the various eruptions of real objects into sensuality lie side by side”
“The confinements of sensuality to the human kingdom must be refused.”
“inflicting their mutual blows only through some vicar…”

Aside from the jest, I think that there is a powerful, perhaps telling under-association working here in Graham’s interpretation of causation, and certainly not a bad one. I had drawn out some of the more Romantic phrases of his essay, and no doubt was led to the vivid image of the “sensuous vicar” as a representative of power because of this, in part because as I have mentioned before it is the qualities themselves that Graham is sincerely interested in ennobling (and not the objects which merely serve as empty anchor points). As I suggested, his Object-Oriented Philosophy (OOP) might be better considered Quality-Oriented Philosophy (QOP). Or, perhaps, Graham’s objects are the only things that allow these qualities, these profusions of sensuality, from running over into each other too forcefully, the things that “buffer” them, as Graham says. (I think that a very strong case can be made in this direction, but also one which then turns to the modulating “buffer” of causation itself which serves as a directional coursing for qualities so profuse: accidents of intentional essences prove themselves not to be accidents at all, but results of consubstantial and causal relations).

“Merkur und Herse” Caraglio (1527)

The Vicar In Vicarious

In fact though, I had consciously latched onto the curious conflation that can be found in the titular word Graham used for his theory of causation. I never before had thought of how a priestly “vicar” resided within “vicarious” and one cannot help but think of the most common use of the word vicarious these days, our voyeuristic tendency towards the Gaze, vicarious sex, or at least having the vicarious enjoyment through others. So I must argue, just this sort of priest, the “sensuous vicar” lies directly at the molten core of Graham’s theory.

This is no small question, for just what constitutes the power of a priest is the sense that he is connected to, enjoys a connection to some power – if not Godly power, certainly an earthly one – which we do not have. The priest in his person, buffered by the restrictions of his office, enjoys God/Church which courses through him, variously. When we come into contact with the priest, we come in contact with some mediated, causal connection to something much greater than ourselves.

So when the “vicar,” the sensuous vicar comes to us in the privacy of our otherwise isolated minds, our inner cores, he is adorned with all sorts of wordly sensual characteristics, (we can see his fine robery and jewels, thing to which we imagine he is not “attached”); but Graham is looking for the means, the mechanism by which we can strip him of his gold and robes, separate out his bare essence from his otherwise taken to be qualities (for what is a priest without his collar).  What is it that connects this fantasy priest to something outside of us/it, to the outer object he represents? Graham seems to say that through the power of allurement (and metaphor), through our seduction to his lovely accoutrement, when we disrobe the sensuous vicar of his profane phantasm he is destabilized, robbed of his wholeness, not even his conceptual nudity holds him together, and the buffering between things mental is broken down…thus enabling the “real” object to poke through…causation. (If I read him correctly.)

I have already argued before that this is a pretty elaborate and fanciful explanation for inanimate causation, for how can these inner lascivious priests work their benighted magic within the horizons of cigarette butts and soda cans. In fact I suspect that it is conceptually impossible to map most of these things aspects down onto the abiotic world, no matter how fantastically or abstractly we make our mapping. But if we stay at the level of the human and the social perhaps we discover something significant in Graham’s presentation of the inner priest: the sensuous vicar who enjoys the sublunar trappings of our mental incrustations and a real, destabilizing connection to an object exterior to us, ultimately a supralunar essence which in the world of real objects is forever in retreat.

The lesson seems to be that when we take apart the intentional sensuous vicar before us, removing the incrustations of phenomena, we realize its apparitional nature, i.e., it is only made up these phenomenal glitterings and the conceptual space he has resided in. This disintegration of the sensuous vicar though does a very strange thing, Graham tells us, it allows the real object of the vicar, out there in the beyond, to actually come through and causally affect us, connecting us to it. It is by destabilizing our visiting priest’s sensuous body, we allow his “soul” (for what else is an ever-retreating, immortal essence) to come through and contact us, our surfaces having been brushed just so. If any of this is what is behind the thinking of Graham’s theory of causation, what an extraordinary, enthralling (yet perhaps absurd) theory it is!

But we need to stay with this sensuous vicar, for there are sensuous vicars of power in the real world (and literature), and how we treat him in a proposed theory of causation may be telling of how we will treat him in the world. There are priests absolving our sins, I.R.S agents negotiating our debts, officers assigning our criminality, celebrities revealing the Good Life, newsmen passing on the truth (to talk only of a class). Our concept of causation, how power connects representatives, is in part of how we read our connection to these powers. In this vein consider the master of the sensuous vicar, Marquis de Sade. His aberrant priests enact an inversion of the representational powers of Church priests. Whereas Church priests through the bufferings  of their office connect themselves to, what for Sade is an illusionary  or at least hypocritical sanctity, his priests also are instruments of another kind of God…the purely sensual and destructive power of Nature herself. Sade sees Church priests as just not instrumental enough. Perhaps de Sade’s vicars expose something about representation and accident.

De Sade’s Vicar of Sensuality

This tension and connection between kinds of priest can be seen in de Sade’s famous Dialogue between a Priest and a Dying Man , which I only briefly quote here:

PRIEST: Wretched man! I took you for no worse than a Socinian – arms I had to combat you. But ’tis clear you are an atheist, and seeing that your heart is shut to the authentic and innumerable proofs we receive every day of our lives of the Creator’s existence – I have no more to say to you. There is no restoring the blind to the light.

DYING MAN: Softly, my friend, own that between the two, he who blindfolds himself must surely see less of the light than he who snatches the blindfold away from his eyes. You compose, you construct, you dream, you magnify and complicate; I sift, I simplify. You accumulate errors, pile one atop the other; I combat them all. Which one of us is blind?

Nazarín, Luis Buñuel, (1959)

De Sade has purified the inefficiency of the priest’s instrumentation, stripped away dreams and errors, pushing towards an even greater causal expression. The debauchery riddled priests in his stories (“The Bishop” in 120 Days, or the monks of Justine, though all active characters are intercessors) have ascended to a machinery of sensuous mechanism. No longer is the sensuality of a priest an accident of his presence before it, but rather the fullness of his means. In the de Sade priest Graham’s sensuous vicar meets is logical apex.

I want to juxtapose these two:

1.Graham’s sensuous vicar whose phenomenal character disintegrates through allurement into a kind of illusion, its wholeness no longer holding, allowing a mysterious and causal connection to the vicar’s distant soul/essence.

2. De Sade’s perversely sensuous priest who is maximized through the literalizations of his causal connections to the world and other bodies, who to the victim/viewer is made as real, machined traverses of instrumental intensity, each bit of phenomenal accident something he, the victim/viewer, experiences as modulated and directed sensuous-material force.

If my thesis is correct and what Graham is after is the ennoblement of qualities and accidents (which he has provided the positive anchor point of a twin pair of objects), it would seem that de Sade’s sensuous vicar of causation proves superior to his object-orientation path. Causal paths automatically becomes sensual paths of immediate destruction and becoming. There are no shadow objects hiding behind the trappings of the priest, but rather each and every indulging satin robe or bejeweled ring is a directional expression of causal power…one that can be traced. There is no tension with the sensual, no abstraction of the essence (thus no sublunar mental realm, or a supralunar essence beyond the reach of our hands). Each object expresses itself to the maximization of its sensuous capacities, just as representatives of power do. And our mental actions (including what Graham takes to be the sensual objects of our minds), are causally expressive determinations of our own being, representative of all the forces which press down and through us. The question is just one of best, maximal modulation.

How Do the Molten Centers of Objects Touch?

Graham Harman’s Vicarious Causation

Here is a proposed solution, a critique in sympathy, to Graham Harman’s attempt to connect the cut-off but dynamic inner-cores of objects to one another.

I have just read Graham’s “On Vicarious Causation” a marvelous, twisting essay found at his weblog, loaded with original terminology and imaginative construction; not easy to read for its painted universe in which assumption after assumption follow upon each other in a fantastically stacked argument, one in which every page a reader wants to cry out, “But wait, what about…” and yet finally has to relent and just let it carry its somewhat unsatisfying course. And finally, I see what he is trying to say/construct about causation. Enchanting but perhaps absurd.

Despite my many reservations the composite of it comes into view exposing a topography not at all very foreign to my own, so as I pull back I feel that I can glimpse something of an answer to the “unicorn” that Graham seeks, and additionally how his deeply thought distinctions help guide my own attempted synthesis of Campanella toward Spinoza and then post-post-modernity.

If I were to be general about it, Graham, because he is deeply influenced and carries over along with the terms much of Husserl’s Cartesian Idealism, is concerned with the traditional problem of how the inside of our minds connects with real objects out there (just what Descartes thought on); but because he wants a de-centered, non-human ontology of effects, he is at pains to find terms which graft the poetically powerful descriptions of our internal experiences onto a concrete and real, outer-object consubstantiality. (There is also the traditional Idealist question of “other minds” haunting his project.) He wants to drive down into the vivid distinctions we can make about our internal sensuous worlds, and somehow come up on the other side in such a way that what he is saying about human beings can be said, objectively, about all things, down to the merest speck of dust.

The problem of this, the hard current he swims against as far as I can see it, is Representation (the Idol of Idealism). One gets the feeling that if he can work himself free, off from this coat-hook, he might really find a way down through the worm-hole to the inside of objects, making a poetically rich and rigorously dynamic philosophy for the world.

This difficulty of Representation, which I will return to below, is further encased by Graham in a wonderful binary which not only preserves the difficulty, but also gives it its greatest facility. Pictured above we have the two halves of an affinity, or really a complementarity between the kinds of objects that Heidegger played with (on the left) and the kinds of objects Husserl enjoyed (on the right). Deep down in the Ur-Spring of his study Graham realized that these two, Heidegger’s tool-object and Husserl’s Intentional object in a way mirrored each other (something I argued in critique of an essentialized optical centrality metaphor that they shared). What Graham faces in his prospective theory is how to reconcilethesetwo primary and incompatible world objects such that the every day sense of the causal world that we experience remains intact, but even more richly described (such that the underbelly of its relations becomes exposed, as metaphysics). What Graham realizes is that if indeed we are trapped with the still Cartesian sphere of the mental (intention), yet insideour bodies, how is it that we come in contact with the outside “real” world.

Instead of taking an approach that undercuts the very problem itself, as many lines of philosophy have arisen to deal with what has been perceived as the Cartesian problematic, we should do as Graham does, and burrow in, to the heart of the difficulty, attempting to take on as many of the assumptions and terms as possible, and see if we can come out on the other side. If we assume a Husserlian-like zebra (on the right), and a retreating Heideggerian zebra (on the left), how is it that we can drive deeply enough into the one so as to reach the other – and, to do so in a way that our description fits neatly with what non-human zoas, and inanimate objects alike all do the same thing?

I think though, the place to begin is Representation. I have written a few times recently on the question of Representation vs. Signification ( Spinoza’s Notion of Inside and Outside: What is a Passion?; The Problem with Spinoza’s Panpsychism; The “ens reale” and the “ens rationalis”: Spelling Out Differences), and much of my reading will come out of the fullness of this distinction. But I think it can be granted that fundamentally Graham’s take of causation is on based on a Representationalist conception of mental activity. This no doubt comes from his Husserlian heritage. Consciousness is defined by its capacity to form a mental “object”  (its intentionality), and this object in some sense is taken to be a representation, a Re-Presentation as some emphasize, of the external, real world. Graham is not far from this at all, and in fact seems to be at least from the start, right in the mainstream of this scheme of mind. And this representation for Graham is called a “vicar” or a “deputy” (with satisfying poetic license that nicely undercuts any pretension to a psuedo-scientific language), someone of course represents someone or something else. The mental object, what is called here also the “sensuous object” comes to be used as something of a representative in the political sense, and one cannot help but think of him as some kind of bejeweled intercessor, some decadent of the Church (or at least I cannot help it). Graham allows us to think that the external object is in some sense projected into, crossing the external boundary of the object that is “you” (or a rabbit or a tree), and enters into this rich inner realm in a specular way. The language he uses is inordinately suggestive, and I think that this is a strength of his philosophy on causation, and key to what he is driving after. He does not want simply to explain, but evoke.

So when I see a zebra (we must begin with the ideal human exemplars of consciousness, he tells us), the zebra somehow enters into our private, richly embued world, as a vicar-zebra, a representative. As such it/he is a fantastical kind of creature under Graham’s description. It shares the same “perceptual space” as the effects that seem to cover it, a shimmering “encrustation” of “accidents”, all of which could change and yet the vicar who has come to interact with us would remain the same (he gives the Husserilian example of the angles of a chair). These accidents frost over this representation, swirling in a delightful way, but due to their sharing of a “space” they do not retreat from the essence, but rather are almost magnetically attracted to it, clusting about its unique essential gravity (at least that is how I read the evocations Graham provides). These faceted accidents are to be distinguished from the vicar’s “qualities,” things that if they did change might threated the coherence of vicaras this vicar, so really we have a stabilized essential representation that has come to us, in our private inner universe, and there is a halo of effects which circulate about it at varying degrees of essentialization, until we get down to a bare sensuous core object which is composed of this interaction of satellites and encrustations.

Something should be said about the meeting of this vicar within us. It is not clear to me whether we met the vicar through the proxy of our own inner vicar (let us say, Freud’s Ego), face to face in some kind of virtual pow wow, or if it is simply a question of the vicar of the zebra interfacing with the totality of my real object. It seems to be the case of the latter for Graham, for he calls this relation an “assymetrical confrontation,” a kind of hybrid object consisting of the real object that is me, and the deputized zebra within me, but then again, he insists that there is something particular about how the zebra-duputy object and “me” remain distinct, segmented, which connotes a sensuous separation:

“For in a first sense, I clearly do not fuse with the tree in a single massive lump; it remains distinct from me in the perception. This give the strange result that in my intention of the tree, we both inhabit the interior of the total intentional relation.” 

 As far as I can tell, there is a strange conflation of the “real object” me and the “sensuous object” me in the relation that Graham proposes, or at least he does not fully discuss status of the mechanism of this interaction. In a kind of inside-outing of the glove the vicarious object and the real me are folded into a composite third object, “the intention as whole,” a whole that itself forms a real object:

“The pine tree and I are separate objects are residing on the interior of a third: the intention as a whole…we have a real intention whose core is inhabited by a real me and a sensuous pine tree.”

In this inversion there are several potential problems here, especially for a philosophy that is looking to decenter human importance. Graham seems to privilege (or at least not problemize at all) the human Subject (“me”) as an unified whole object (qualifed as”real”), residing on the inside of an asymmetrical object, also real. Why this “me” is qualified as “real” and not sensuous in its own right, I cannot tell, other than it allows Graham to construct a meeting ground of two realms he would otherwise like to think of as wholly distinct (thus this “real” status of the “me” plays something of the role that Descartes’ hallowed pineal gland, where the two symmetries of Idealism’s twin realms “touch”, albeit still locked within a third object, “the intention as a whole”). At the very least this unproblemized “me” as unified object, and then this status of “me” as real object create openings for strong critical currents for this model of the world. (A further and perhaps quite compelling consequence of this looping is that if the intention-as-a-whole is itself a real object, and every real object also can have an intentionality, what would it mean for an “intention-as-a-whole” object to itself have an intention? Perhaps I missed it, but I do not see this obvious consequence of the terms addressed.)

But if we grant Graham this apparatus of an “asymmetrical confrontation” with the real object of the intention we can go further to explore. The difficulty Graham has with his own account is the explain just how, even given the touching of two different kinds of objects (the proxy zebra and the real “me”), how is it that the real zebra actually effects the real me (a traditional problem of Idealism). That is, even if the intention is indeed an asymmetrical combination of a real “me” and a vicar zebra, how ever does the real me interact effectively with the real zebra? What is the mechanism, the means? In the political world when I interact with various deputies of power there are real channels which connect me to those that the deputies that represent real authorities. And there seems to be something of this that Graham has in mind. He does not say it but there is the sense that because I am a citizen and thus can act vicariously in that legal world of rights and procedures, my “me” can connect to things that are not of my nature, for instance, as a citizen I can vote and thus register effects on the political process. Or, I can, represented by an attorney in court sue the legal aspect another person or corporate entity. This connectivity through what-you-are-not, representatively, is what seems to be beneath how Graham is imagining  the way that “real objects” connect. And one cannot help but feel that as such he beautifully sees them as burrowing under, wormholing to the insides of each other, leaving their real object exteriors untouching. I sue you in court, legal entity to legal entity, but our real objects never come in contact, or so it goes.

I think the poetics of this are fructifying, but there are some substantial conceptual barriers. So let us go further. In order to understand this worm-holing causation, a reaching into the inside of another object, one has to see the complementary notion of real and sensuous objects that Graham assumes. Sensuous objects are rich in connections which multiply across each other on the interior, though they do not fuse into a huge blob of phenomenal effects, they are “buffered” even in their interaction we are told. Real objects though, taken from a Heideggerian notion that Graham has excavated from the German Existentialist, are marked by a failure to interact with other objects. Unlike the senuous vicars within us, clustered about with accidents and qualities, the real objects that we engage with in the world retreat ever from their qualities and accidents, tumbling away from us. As we reach for a thing, a marble, an ice cube, a woman’s hand, it falls away from whatever surface interactions we bring about with it, a blackhole of a sort. Thus, the only way that we do actually engage with it is in a subterranean fashion, from within our border. In his descriptions he is much not all that concerned with the other sideof the relationship, if indeed we do bubble up on the other “inside” of the object or not, for he is much more concerned with the problem of how our insideconnects to the outside itself, the real object, thus a question of causation and not communication (two issues I take to be inter-dependent), although he uses metaphors of communication (signals) to describe what happens in “contact”. Graham seems to have an investment in an essentially “cut off” existentialism which creates real islands of objects, each a poetic micro universe, something he would not even come out of if he didn’t have to explain something as pressingly elemental as “causation”.

For this reason he speaks of the problem of causation mostly in terms of how real objects pierce the veil of our sensous inner worlds, as he beautifully puts it:

“We must discover how real objects poke through into the phenomenal realm, the only place where one relates to another. The various eruptions of real objects into sensuality lie buffered from immediate interaction. Something must happen on the sensuous plane to allow them to make contact, just as corrosive chemicals lie side by side in a bomb – separated by a thin film eaten away over time, or ruptured by distant signals.” 

Or, drawing on the burrowing metaphor, but neglecting just what happens on the other (in)side, in the hermetic quarantine:

“There is a constant meeting of assymetrical partners on the interior of some unified object: a real one meeting the senuousvicaror deputy of another. Causation occurs when these obstacles are some how broken or suspended. In seventeenth century terms, the side-by-sideproximityof real and sensual objects is merely the occasion for a connection between a real object inside the intensionandanother real object lying outside it. In this way shaves or freight tunnels are constructed between objects that otherwise remained quarantined in private vacuums.”

One can see this one-way vision of the problem in Graham’s notion that causation can occur in simply one direction. For instance in his recent lecture on DeLanda he talks of what he imagines happens when a semi truck slams into a mosquito at high speed. Presumably the truck sends a rather powerful vicar into the internal universe of the insect, but the insect sends noneat all into the sensuous realm of the truck, for Graham. It is a one way communication. The problem as it is set forth in Vicarious Causation really seems to be: How do we get outsideofour locked in realm of richly endowed vicars and deputies, how do we get outside of the videogame of our inner worlds?

Vital to this path is the realization that there must be a bond between my inner sensuous experiences and some outer really, i.e., I am not just existing in a solipism of phenomenal affects, the swirling of frosted objects and their accidents. There must be a “connection” (one of the five kinds of relations proposed: containment, contiguity, sincerity, connection, and none), and it is this “connection” that Graham is having difficulty explaining:

4. CONNECTION. The intention as a whole must arise from a real connection of real objects, albeit an indirect connection. After all, the other possible combinations yield entirely different results. Two sensual objects merely sit side by  side. And my sincere absorption with trees or windmills is merely the interior of the intention, not the unified intention itself. Hence, a real object itself is born from the connection of other real objects, through unknown vicarious means.

At this point I’m going to try to work myself free from the imposed restrictions in order to solve this fundamental barrier, while at the same time trying to preserve as much as possible the poetics of Graham Harman’s worm-holed connections between objects. The first thing to say is that part of how we constitute mental objects is that we not only perceive them as essences under this apparition or that, but we also perceive that a real object is actively causing our “vicar” to take on one aspect or other. That is, the zebra in our mind takes on a substantive coherence due to the implicitly causal relation it has to us, in a shared world. Events that happen to the real zebra could also happen to us, the real us. If a lion leaps out at the zebra who is on the grass plain that we share, we cringe and duck not only because there is a sympathy between us, but because we also could be attacked, and we understand that. This organizational triangulation between the real object out there, and our real object out there is consubstial the core of what sensemaking is. In other words, the “connection” that Graham is trying to find in the “jigsaw puzzle” of his terms and realms is woven into the essential animal natures of nearly all living things, the understanding that “that thing out there” is reporting in an informing way about the world because it is in some vitally important way “like us” (if only capable of being attacked by a lion). This at least goes for human beings to rodents, and should form a cornerstone of any conceptual attempt to bridge the connections between inside and outside, not to mention human to lower forms of life as mutual actors in the world.

In answer to this a fundamental and imaginary perception of causation is put forth by Spinoza in his principle of the “imitations of the affects,” upon which the social realm is founded. This principle may go a ways to enrich just what causation means to us and other things:

“If we imagine a thing like us, toward which we have had no affect, to be affected with some affect, we are thereby affected with a like affect” (EIIIp27) 

To this effect and additionally, this same triangulation of report, the way that we confer importance and coherence upon objects in the world (and one would say in the Harmanian sense, their vicars in our molten, cavernous worlds), is also put forth in terms of human beliefs and the translatabilty of others in Donald Davidson’s Principle of Charity and Triangulation of Three Knowledges, something I will return to below. Objects means something to us largely because they report or reflect back significant forces in the world which pertain to us. We might allow that such objects might retreat from us ultimately in the Heideggerian sense (tool-analysis) in a vaccuum packed vertigo of essence as absence, but our attraction to them, the particular way in which they do “allure” us, is not simply that they sparkle, but that they sparkle and shine with determinations which point us to other significant aspects of the world (there is a lion in the grass with us).

This voluminous factor of just what does “matter” about an object or a situation is utterly absent from Graham Harman’s hunt for the connection between our inner worlds and real objects, the very thing that helps constitute us as real objects in the first place. I sense that this is largely due to the Idealist, binary assumptions of his starting point, one which imprisoningly conceives of knowledge as some form of representation or reflection of the world, and thus, the epistemic problematic as how to connect these two world, spirit/matter, mind/body, and now for Graham, sensuous-object/real-object. What is needed is to break out of these splitting binaries, give up the imaginative algebras that wish to balance out both sides of the equation so that we can cancel out enough of the variables and end up with what “x” is. And the first step of this is to realize that other objects appeal to us, matter to us, due to a primary assumption of connection through veritable report, as cause: events in the world (lion’s leap) co-ordinate between that object over there (zebra) and this object over here (my body). The connection is implicit and necessary (though ever under revisement and interpretation)

But this is not to say that Graham’s architecture of metaphysics does not have profound possibilities for development in my view. For one, I find his fusion of the sensuous object and real “me” into a new real object “the intention as a whole” an instructive one. While I have been perplexed why, under the categories imposed, within the intention as a whole the “me” is a “real object” and not a vicarious representation of me, creating the asynmetry that Graham wants, I believe that asserting the real object status of this “me” interaction is the right step (leaving behind any notion of the Subect though). The reason for this is that by virtue of our internal relations, the “sensuous” realm, we make real-object changes in ourselves which alter our dynamic relations with the world. The things we think are actually real material changes in our bodies, and then consubstantially change our connections to other objects (it is this connection of the connection that Graham is after).

Here I would like to bring in another Spinoza concept that is well-fitted to the question so to use it as a launch point for a possible Harmanian solution. Spinoza too asserts an entirely privatized world of inner experience and affect, one in which we do not really know objects in the world directly, but only know events within ourself, what he calls the ideas of the affections of our bodies. If I know the gentleman Peter, it is really only that I know my body as it is in various states, under certain affections, one might say, only the vicar of Peter (but not a picture of Peter). What guides us from this hermetic realm of vicar Peter to powerful action in the world? There are two things that form Spinoza’s answer. The first is Joy or Pleasure. That is, we imagine things, we form the vicar of things driven by a guideline of what feels best. The real pleasure we are feeling, as even the simplest of organisms, is that which pushes us towards the real connections with world, and in fact for Spinoza constitutes a change in these connections. There is very little of this discussed in Graham’s treatment, but there is one way in which he touches on this aspect of guiding pleasure in the vital concept of “allure”. Allure is the thing, the aspect, that erupts out on the vicar so encrusted with accidents which separates out an otherwise inseparatable “quality” from the essence of the object.

“The separation between a sensual object and its quality can be termed ‘allure.’ This term pinpoints the bewitching emotional effect that often accompanies this event for humans, and also suggests the related term ‘allusion,’ since allure merely alludes to the object without making its inner life directly present. In the sensual realm, we encounter objects encrusted with noisy accidents and relations. We may also be explicitly aware of some of their essential qualities, though any such list merely transforms the qualities into something accident-like, and fails to give us the unified bond that makes the sensual thing a single thing. Instead, we need an experience in which the sensual object is severed from its joint unified quality, since this will point for the first time to a real object lying beneath the single quality on the surface.”

Here Graham is playing with the two aspects of allure: to seduce, and to allude. We are asethetically seduced, thrown forward in pleasure toward the “real object” (we realize a disjunction, and we do so through a connection). But for Spinoza, it is not just that Pleasure and Joy push us towards the connection, but also that such experiences also form real changes in our bodies. We are given to think this thought after that thought, this rather than that because we are actively affirming aspects of our own bodies (General Defitions of the Affects), affirmations which directly confer alterations in our degrees of power, Latourian changes in degrees of Being. I have great affinity for the linking of our ability to act in the world and be constituted as objects through the power of metaphor, being allured and alluding to something beyond; but something more than this has to be at play (and the very tenousness of Graham’s solution testifies to this). For a thinker like Spinoza there are two kinds of improvements in the capacity to act. There are the moment to moment fluctuations of pleasure and pain, random increases and decreases in connection (which may fall to the feet of good and bad metaphors or jokes for Graham), a happenstance fortune, but then there are the comprehensive increases in the capacity to act which come from possessing more adequate ideas about oneself and other things in the world – connecting and building on our knowledge of those connections. The speculative imaginations and interplay between vicars and deputies all frosted over with gems or patinas of an inner world, a comes-and-goessea of rich affections, is also supplimented by a fabric of operative cohesion, the way in which we can systematically and bodily combine with other objects forming more powerful living wholes.

Containment: The Closed Loop of Mental Acts

In this way the principle of containment that Graham puts forth is an embodiment of Spinoza’s parallel postulate, that all our material constructions are also mental ones:

1. CONTAINMENT. The intention as a whole contains both the real me and the sensual tree.

As I pass from thought to thought, affirming one aspect of my body or another, giving me more or less reality than before, the “containment” of the sensuous vicar within me is simply the vectorization of the real ontological change that occurs by virtue of my intentional shiftings. And these, though enriched by metaphorical allusions to object states beyond my inadequate pictures of them, are re-anchored, are given traction by the very mutuality of world, and the power of causal explanation in the first place. The vicars of my world are vivified through their expression of the matrix of my real interactions with the world (they stand not only in the place of the real object they supposedly represent, like a local priest does the Pope, but also stand for the constitutional relations which make up that object, beyond that object). In this sense, it is not just the allure of the separation of the quality of the whole, destabilizing the vicar, that leads us forward, but also the powerful signification of accidents themselves. For as Graham states of the accidents of a sensuous object, they have a “dual status”:

“Accidents alone have the dual status of belonging and not belonging to an object, like streamers on a maypole, or jewels on a houka. Accidents are tempting hooks protruding from the sensual object, allowing it the chance to connect with others and thereby fuse two into one.”

But accidents do not simply happen, they point, they indicate. Their dual status directs us to connections and allows us to see that they are not accidents at all. The look of fear and tension that ripples across the body of the zebra is the vibrant, electric line which connects the lion mid-air to our own own selves, not to mention the vivacity of the grass plain. It is through the accident that we realize that we are already composed as a multi-object in which the accident was no accident at all, but an indication. So when Graham lays down the very reach of what his conclusion can provide, the suggestive depths of the object exposed by allure:

“The key to vicarious causation is that two objects must somehow touch without touching. In the case of the sensuous realm, this happens when I the intentional agent serve as vicarious cause for the fusion of multiple sensual objects: a fusion that remains only partial, encrusted with residue accidents. But in the case of real objects, the only way to touch a real one without touching it is through allure. Only here do we escape the deadlock of merely rolling in the perfumes of sensual things, and encounter qualities belonging to a distant signaling thing rather than a carnally present one. The only way to bring real objects into the sensuous sphere is to reconfigure sensual objects in such a way that they no longer fuse into a new one, as parts into a whole, but rather become animated by allusion to a deeper power lying beyond: a real object.”

what is not grasped hold of firlmly enough is the positive bodily assemblage of our bodies with other bodies that is continously going on through an essential perception of causation and reflectional report. If it is true that other real objects indeed retreat ever away from their qualities, and that allure and accidents to the essence of internal vicars constantly destablize our mental objects, this only provides a base ground of a much more conscienable construction of our bodies as affectively in combination. The retreat of other object/bodies provides the occasion for our mutual co-construction.

Campanella: To Know is to Be

It is here that I would like to introduce Campanella’s golden contribution to modern epistemology, a principle that has been long excluded from having influence. To know something, Campanella tells us, is to become it…literally  to become it. What is happy about Graham Harman’s reclamation of the word “essence,” rescued from its various deconstructions, is that it puts us back in touch which Late Renaissance and Late Scholastic thought which worked imaginatively and constructively with the concept. And although I have complained that Graham’s operation from pure Idealist and Representationalist assumptions, it is his embrace of the concept of “essence” that reanimates the possible importance of Campanella’s thought. In fact, his wonderfully designed “asymmetrical confrontation” between the sensuous object and the real me in a new “whole intentionality” comes very close to Campanella’s notion that we indeed, when we come to know something actually are transformed into it. In Graham’s version we are transformed into a hyper-object which is constituted of a real “me” and the sensuous vicar of another object. 

Let me present a few select quotations which include the presentation of the idea so as to give some occasion for a comparison:

“cognoscere est esse” – “Everything knows itself to be, is contrary to non-being, and loves itself. Therefore, everything knows itself through itself, and it knows other things not through itself, but inasmuch as it becomes similar to them. This similarity is so great that one thing perceives other things by perceiving itself changed into, and made, the other things, which are not what it is itself.”

– Del Senso pp. 83-4

So then with sensation [sensatio] would be assimilation, and all knowledge [cognition] is possible because of the fact that the knowing essence of a thing becomes [facio] the object to be known. Having become the object itself, it knows it perfectly, for it already is the object, therefore to know is to be; therefore anything that is multiple, the multiple knows, and what is few, few.

– Met., II, 6, 8, 1, p. 59a

“I admit that in all created things such a reflexive knowledge [of the soul], as well as the knowledge [that the soul has] of other beings, is only an accident. It comes from the outside, and the intellect understands them [i.e. other beings] insofaras it knows itself changed into, and made, them. But as far as the essential and original knowledge of one’s self is concerned, I firmly hold with Augustine that the intellect, in its act of understanding, does not differ in any way from the object of its understanding.”

– Met. II, 6, 6, 9, p. 36b

There are a few immediate challenges of vision to Graham Harman’s two-kinds-of-objectsworld, at least in terms of the direction of thought. The first is that Campanella’s process of assimilation seems to run at cross current to the Heideggerian idea of objects forever in retreat from their qualities. Instead of a world where real things tumble back into an infinite depth, human beings (and for Campanella all things) instead actively combine with and literally become the things that they come to know. Their entity is transformed into the entity of other things, thus in some sense their essence into those essences. But while this process of ontological transformation seems quite alien to Graham’s Heideggerian absences, there does seem some affinity to Graham’s inner-world sensuous/real object combinations through whole intention. At the very least we combine with and become in composite the vicars of other things, and thus to some degree with other things. In fact, I think that Graham and Campanella are saying very similar things when they talk about the creation of a change, a new intentional object. Like Graham, Campanella asserts a distinctness between oneself and what one has come to be (called by Campanella the difference between “innate” knowledge of one’s essence and “illate” knowledge of other things, including oneself reflexively), but this does not foreclose genuine transformation, the way that I combine through self-tranformation. But contrary to the difficulty of an unbridgable chasm between one’s own object and other object (how does the real touch the real), this new composite transformation, the assimilation, has genuine powers of awareness of its own, a new essence if you will. One has already become the object under contemplation and is already perceiving the world through its horizon. The separation between real objects thus in Campanella is lapped over.

Commentators have been confused by the seeming contradictions in Campanella’s metaphysics of assimulative becoming. How can one remain oneself, an essence with innate knowledge, and yet be transformed into a new thing, accidentally, forming illate knowledge, a transformation which itself has perfect knowledge. The answer to this contradiction I believe in part lies within just Graham’s own composite object he calls “the intention as a whole”. But also in part in the Spinoza advisement that such an intention-as-a-wholeis itself a real change in reality in relation to all other things. Its very affectures vectorize in real connections to other real things, and this vectorization expresseses itself in both the organisms experiences of Joy and Sadness, and in real world capacities to act. The reason why this is so is that the human boundary (or the human Subject) provides no priority of boundary in the world. It is always cross-cut and in combination with other bodies/objects with which it is in assimilation. Campanella’s view is one of expansive corporation, given the ground that each thing is already part of one great animal existence, the animal of the world.

An illustration may suffice. Instead of Heidegger’s hammer, let us speak of the surfer and his wave (the same dynamics occasion themselves). When surfing a wave to talk of the essence of the wave which is forever in retreat from its qualities is superfluous of the act. In the act, even to speak of the absolute separation of the surfer and the wave does not realy help, for, in a certain regard the surfer and the wave have become one thing, expressing mutually a series of dynamic forces. To put it in Harmanian terms, the real object of the surfer has combined through its intention with the vicar of the wave which is clustered with various accidents and qualities such that these deputized effects produce a new object real surfer/sensuous wave. I sugggest that the example shows what disservice the model does to actual human interfaces with the world. It is much more that the surfer has entered into and become the wave, been transformed into its entity to the degree that it is now reading the world beyond their combination through what Graham would otherwise call its accidents. In fact though the surfer does not likely have the object of the wave at all in his/her mind, but rather is concentrated solely on the patternings of these accidents, their readable, expressive rhythms and force which do not really constitute an object of their own. These “accidents” instead express the dynamic relations within the mutual object wave/surfer/board such that a relative stability and forward progressing vector is sought. They are internal to that kind of object, where the boundary of where one is, and through what one is reading (a limit of the board, one’s toes, one’s hamstring strength, a counter current tugging of the wave form, whitewater upsurge) is ever under negotiation, passing in and out.

This readability through other objects as also actively engaged in the world, and our ability to combine with them in telling, epistemic assemblages (harkening back to Spinoza’s notion of the imaginative imitation of the affects which grounds the social) points not only to the revelatory capacity of objects as they necessarily express their own interiors (making pale the significance of a Heideggerian retreat), but also points to the very insufficiency of the notion of “sensuous object” itself. Last night I was laying in the dark and listening to my cat purr in the dark. My mental activity was not composed of “listening to an accident of my cat’s essence” and the purr itself did not constitute own object (for it had no accidents or qualities that I held in juxtaposition), I simply was traveling along with the sound, riding out on its cadence. This turns our eye back to a criticism with which I opened this post, the idea of Representation as the exemplar of mental activity. As I have criticized elsewhere, this object-orientation of Graham’s grows from an Idealist rooting, Husserl’s outright Cartesianism, a philosophical assumption I call Central Clarity Consciousness [ Downunder: Central Clarity Consciousness (CCC) ]. Out of the presumption that intentionality is essentially the creation of a representing object comes Graham’s thinking of the vicar of some external, real thing. The true difficulty though comes in Graham’s ambition to work his metaphysical priniciples down out of the human world and end up with a world in which human actors, or even biotic actors are not the only things which have standing. If Graham would have stayed simply in the human realm he would perhaps be satisfied with something like Kant’s Idealism. But he does not:

Whereas Kant’s distinction is something endured by humans alone, I hold that one billiard ball hides from another no less than the ball-in-itself hides from humans. When a hailstorm smashes vineyards or sends waves through a pond, these relations are just as worthy of philosophy as the unceasing dispute over the chasm or non-chasm between being and thought.

The mental activity that cuts human beings off from all other objects is not to be something which only human beings are burdened with. All objects suffer from this original sin of “hiding essences”. The entire universe is alienated from all of its other parts, and the only problem is the problem of “caustion” (wherein clearly we see that the entire Universe is actually in some sense connected to the rest of itself). In this way has simply taken the chasm between human beings and all things and distributed it down through the layers of animation. And has set up for himself not only the difficulty of describing the connection between human beings and other objects (a connection which he can only allude to), but then takes this difficulty of connection down into the depths of all objects, inanimate or otherwise. How can we be generous enough notto say that Graham has begun with a simple problem, an essential conception of knowledge as representation, and then multiplied it to near infinity. Well, the answer seems lies in the obverse of Graham’s chasm, that things (and human beings) are already connected, and that the nature of this connection is key to understanding just what mental activity is. If we are to have a post-human, de-centered philosophy which does not privilege human “access” to the world, we really must let go of the notion that mental activity itself, even human mental activity, is not essentially a question of representation, and thus not certainly a question of “object”. What this does to Graham’s project I cannot tell, but if one does not make this move, one is forced to answer such questions as, “What does it mean for a oak desk to hold the ‘vicar’ of the fountain pen that lies upon it?” or, “How does a tree ‘represent’ the breeze to itself?” or “What composes the ‘accidents’ of the ‘deputy’ of my person in the rag doll I am holding?” As long as we confine ourselves to a primary notion of inner, senuous objects which either do or do not match up with external real objects we are forced to an incredible projection into depths of all kinds of inanimate materials in which there seems to be no means of giving them conceptual anchorage. Unless one pulls back into the Idealist human-centered world of Kant or Husserl or Hegel, it seems one has to give up the notion of object as representation altogether.

The Sincerity of Objects

Graham is not numb to this problem, and in his essay on vicarious causation seeks to overcome it. And he does so in an admirable way in the notion of “Sincerity”. Sincerity is the Harmanian word for Intentionality, and it is through sincerity that Graham hopes to sink the human experience of objects down into the animal world, and hopefully down into the abiotic world of material inanimate things. He defines sincerity variously, but generally as a kind of directed absorbtion, at the categorical minimum of the contact between a real object and a sensuous one (instantiating his own terms in a near defintional circle):

“For our purposes, intentionality means sincerity. My life is absorbed at any moment with a limited range of thoughts and perceptions. While it is tempting to confuse such absorption with ‘conscious
awareness,’ we need to focus on the most rudimentary meaning of sincerity: contact between a real object and a sensual one.”

I am not clear at all how “sincerity,” as it is defined as asymmetrical touching differs from “conscious awareness” for Graham, but perhaps this attempted distinction is an artifact of Graham’s resistance to panpsychism. Generally though, sincerity is a projection of human experience, marked by the expense of energy in some kind of directed attention:

 

3. SINCERITY. At this very moment I am absorbed or fascinated by the sensual tree, even if my attitude toward it is utterly cynical and manipulative. I do not contain the sensual tree, because this is the role of the unified intention that provides the theater of my sincerity without being identical to it. And I am not merely contiguous with the tree, because it does in fact touch me in such a way as to fill up my life. I expend my energy in taking the tree seriously, whereas the sensual tree cannot return the favor, since it is nothing real.

 

The question is, just how far down can the concept of sincerity go on the biotic and inanimate ladder. Is it robust and facile enough a concept to travel far enough so as to grant full nobility to (and thus also explain) the mechanism of causation of even the simplest actors in the world. In my “The Problem with Spinoza’s Panpsychism” I speak of the difficulties of reading the prospectively panpsychic actions within the most inert objects, and there seek to define these internal events semiotically, that is, as horizon-defined indications. So when there is a causal effect upon a body, events within that body perform a kind of double duty. They mutually signify actions within the horizon of the body, but also these events can be read as directed to (or the result of) external events. Do we have the barefaced minimum of Graham’s asymmetry of contact at the simplest level? Would a body defined by its horizon of closure (by Spinoza imagined to be either a ratio of motion and rest, or a pressed together layer of parts) constitute both a real object, and events within it also possess a “sincerity” of directed re-action, what Graham calls the sensuous object? There seems to be some traction here, but still the concept of internal object tugs against the grain.

This traction is not without consequence for when Graham considers the ultimate question of where or how the connection occurs, he idntifies it as sincerity, the directed expenditure of energy, that  must be the site of the answer:

This must be the site of change in the world. A real object resides in the core of an intention, pressed up
against numerous sensual ones. Somehow, it pierces their colored mists and connects with a real object already in the vicinity but buffered from direct contact. If light can be shed on this mechanism, the nature of the other four types of relation may be clarified as well.

But right here at the cusp of the inanimate Graham draws back from the potential sufficiency of this dynamic, for he finds in the human realm the allure of the aforementioned “allure,” turning to how metaphor breaks down the whole of senuous objects in a liberating sense, allowing the real object of the human being to “poke through” its senuous veil and reach the distant signals of other real things. This is a tremendously poetic and beautiful description and full of potential analysis of the relationship between metaphor, image and thought (reminding us of Nietzsche’s essay“On Truth and Lie in the Extramoral Sense”) But while we may make epistemic inroads to internal events of tennis balls, goldfish bowls and airport tarmacs using the widest notion of “sincerity” one finds it quite conceptually unlikely that the same could be said of some concept of “metaphor”.

The reason for this is obvious, and already mentioned. Mental activity, especially the breadth of which that Graham would like to populate the world, simply cannot be characterized by “objecthood,” certainly not sensuous objects of the kind that their “quality of being a whole” which metaphorical allure works to disrupt is an essential character. Here lies the poisoned pawn of Central Clarity Conciousness (CCC), an assumption which will drive Graham’s actor-theory ever back toward the realm of linguistically endowed human beings. Further complicating the issue is that Graham would like to link the disruptions of our essential objects via “allure” to the very mechanism of causation itself. As he describes them, such disruptions almost waken us from our dream of swirling, wind-blown, Lucy-In-The-Sky-of-Diamonds, accidents and strangely buffered objects, to the jutting through of the signals from afar which produce real causation. Just how does Graham see this happening? How do the metaphorical increases of connection between our own internal sensuous objects bring contact with other external objects?:

“….just as two sensual objects are vicariously linked by a real one, two real objects must be vicariously linked by a sensual one. I make contact with another  object, not through impossible contact with its interior life, but only by brushing its surface in such a manner as to bring its inner life into play. Just as only the opposite poles of magnets make contact, and just as the opposite sexes alone are fertile, it is also the case that two objects of the same type do not directly touch one another.”

By bringing about the linking of sensuous objects in our own mental life, we so to speak stir the inside of other objects so as to inspire (I can think of no better word) internal connections of other objects which would result in causation…real contact. How a bullet seduces  our bodies unto death only brushing our surface.

But what a fantastic theory. If we are to augment it to allow it to cover something more than even only a portion of human articulation we are going to have to unchain it from its object-hood bonds. When I chop at a piece of wood with my axe, I am not “brushing its surface” so as to nudge it into a metaphorizing  allurement action which then opens it up to the possibility to being cleaved in two. Even as lovely a conception this might be, there simply is not enough argumentative ligature to make it remotely hold as an explanation. If indeed we want to maintain the worm-hole conception of causation of inside of object to object, as suggestive as a metaphorical theory of causation is, we are going to have to turn to a much more polyvalent conception of internal senuous event.

First of all, in a bit of digression, we have to admit that aside from the mental object orientedness that drives Graham’s philosophical position, we are really  subject to an infinity of causations continuously. We are being radiated by solar activity, drawn to the earth in gravitous fields, struck by photons that allow us to see, soundwaves allowing us to hear, just to name a bare few of millions upon millions of forces and effects. Even in the confines of a strictly human realm, to view causation as a kind of eruption in the veil of sensuous closure, a special event of allurement, one would have to admit that this is a regular and continous process. Further so, all objects would be undergoing such sincerity driven allurements at such an enormous rate that our bodies (and all bodies) would be semiotically ripping open at the seams. Such a picture would do much to destablize any real “me” object that Graham imagines founds my causal connections to the world. The sites of “sincerity” are everywhere.

But I would like to take up another aspect of Graham’s use of Sincerity and its rather obvious psychological and ethical freight. To call a directionality of an object “sincere” is not just to distinguish it from insincerity, for how can a rose garden be “insincere,” or a dog, as Wittgenstein would like to tell us. It is also to allude to the way in which the directionality of others, and not just human others, allows us to make powerful sense of the world. Because we can see the directionality of the zebra as it reacts to the leap of a lion, the surface evidence of the expenditure of energy in orientation, we too can make ourselves directional towards an important external event. The sincerity of one object links our sincerity to the world, so that the lion, the zebra and I all are sincerely focused and in a certain kind of agreement. Interestingly the same kind of psychological/ethical frieght is carried by another philosopher’s analytical term, Charity. Donald Davidson in his theory of the radical interpreation of others (human beings), argues that we can only make sense of their behaviors if we charitably grant that they are making the most sense possible (and that they are in some way sincere). We must assume the coherence of their thought in order to be able to interpret it. [Here is a fantastically performed ten minute video explanation of the Principle of Charity, entertainingly argued if you have not seen it: Skeptism refuted in Under Ten Minutes]. I would argue that Graham has chosen just the right type of word when he is looking for what it is that reveals the mechanism of connection between sensuous and real objects. The coherent directedness of attention which marks sincerity is intimately related to the coherence of explanation which marks our charitable capacity to interpret others (even if others are lying, we locate their “lie” within a sincerely directed behavior of some kind, even if it be unconscious).

This leads us back to Campanella I believe, the way in which we literally become the things that we know. Our directed intentionality which for our purposes is not composed of objects, but merely of vectors of distinctions, directs us from within to the internal contact with other objects in such a way that we can literally feel because we are one new entity, their internal directedness. We have epistemically subsumed them, changing our own borders. In lived contact, as they are so directed, sincerely, by the order of their own internal coherence toward extra-horizon events, through our mutality of bodies we perceive through their sincerity with the world. In this way causation shoots through the entire assemblage and transformation, through the prosthetic becomings which extend our real bodies out to the furthest reaches of their terminus.

Descartes of all people (who may have been vastly misread as a Representationalist by the Idealist tradition that followed) gives us a very good example of such this kind of mutality of seeing in the figure of the blind man and his cane:

It sometimes doubtless happened to you, while walking in the night without a light through places which are a little difficult, that it became necessary to use a stick in order to guide yourself; and you have then been able to notice that you felt, through the medium of the stick, the diverse objects around you, and that you were even able to tell whether they were trees, or stones, or sand…(Treatise on Diotrics, first discourse)

…just as when the blind man of whom we have spoken above touches some object with his cane, it is certain that the objects do not transmit anything to him except that, by making his cane move in different ways according to their different inherent qualities, they likewise and in some way move the nerves of his hand, and then the places in his brain where the nerves originate. Thus his mind is caused to perceive as many different qualities in these bodies, as there are varieties in the movements that they cause in his brain…(fourth discourse)

Objects Without Sincerity

If we are to grant a sensuous relationship between a stick and its enviroment, then we must be able to say that the sincerity of a blind man’s directional attention is linked to, and signficantly knows the sincerity of the stick. In a very real sense the blind man has become his cane in knowing it. (Descartes uses this analogy to actually explain how vision works, as the rays of light which enter our eyes operate as a kind of prosthetic extension of the human body out into the world, something close in theory to a Semiotic Realism.) In this way, speaking of the cavernous retreat of the stick is a bit obscurant. Yes, the stick can break or fail and much of its reportability disabled, but because our perceptions are not object dominated, this can simply be read as a change of essence. In the end Graham’s essences of objects that fall back into vaccuums never reachable, hiding from every kind of eye, are simply objects without sincerity. And what are objects without sincerity? They are either the spectral creations of philosophers preoccupied with a CCC optical metaphor of what consciousness is, the sense that because what we think is primarily a visualization “parts” must hide, or it is merely the capacity of think of things as fundamentally distinct, made of difference, a groudwork for our own ability to make and distinguish differences.

What I propose, and I do realize that Graham could never accept this because the core inspiration of his philosophy is the matching inversion of objects accomplished by Husserl and Heidegger, one must keep sincerity by discarding the essentialization of mental activity into objects. Seeing them both as two kinds of objects, two sides of a coin, each locked away from each other simply exposes the fundamental problem of Idealism, a problem that Graham himself is locked within his philosophy when begining, rather creatively, with these ingredients. As mentioned above, if Graham were to remain within Idealism and its human-centric philosophy of access, there would be no problem with this at all. In fact he would have on his hands a beautiful, poetic ontology of animate metaphorization which would productively enrich human discriptions of themselves. The problem is that as we leave the capacities of human beings the very picture of mental activity as object representation with confined borders and bejeweling accidents breaks down (if it ever was sufficient in the first place, which I contend it was not). If we want to reach down into the authenticity of non-human and even abiotic actors and regard their own sincerities as actorly and also maintain a vigorous, vivid sense of what causation is, the illusive white shadow of un-sincere object essences as products of Representationalism must leave the stage. We can retain a strong sense of essence in the manner that Campanella and Spinoza discuss it, but this is under a process of self-transformation and assimilation (in terms of real contact, the assimilation goes both  ways!). We regularly and emphatically read the world through our embodiment of others, our prosthetic/cybernetic combination with others, divining the world, so to speak, through our sincere reading of their sincerities.

There is certainly more than enough room for Graham’s concept of Allure, the way that seeming accidents which are part of our patterned coherences and also not, the sparkle of something that catches our eye, the dark stain spreading inordinately. In fact I argue that our consciousness is not at all directed towards objects marked by their quality of wholeness, but rather is composed of the attention to allure itself. The pure center of attentive direction, of sincerity, is not an object, but a living line continually breaking open bringing the forces of coherence into play. Such allurement is not the condition for causation (for phsycial interactions is not mind-dependent), but rather the operation of dynamic coherence itself, that which makes a body a body, the way that it endures, seeking a homeostasis amid change. Thus I can embrace Graham’s praise for metaphor as means for productive connection; it is just not the only means for building the connection between objects or bodies [I discuss the possible place for metaphor in the otherwise taken to be unfriendly philosophy of Spinoza in these two posts: Spinoza’s Confusion of Ideas, and then, Metaphor ; Spinoza and the Metaphoric Rise of the Imagination ].  Metaphor, or detaching allurement, is simply not the only path to connection, and certainly not its precondition in the abiotic world. In this way we have to disagree with Graham’s ultimate conclusion that all causal events are founded upon an occasion of allurement, an allure that opens the door to causation:

The separation of a thing from its quality is no longer a local phenomenon of human experience, but instead is the root of all relations between real objects, including causal relations. In other words, allure belongs to ontology as a whole, not to the special metaphysics of animal perception. Relations between all real objects, including mindless chunks of dirt, occur only by means of some form of allusion.

We leave this conclusion as insufficient not because it is too poetic, but because it is not poetic enough, it does not touch at the heart and power of what poieõ, what “making”,  is. It does not go deep enough into the object nor the object’s composition, or the full embrace of sincerity driven down into the abiotic, non-representational levels.

Do I believe that in-animate objects can and do “read” the sincerity of other objects, and thus in some sense “become” them. I do. Air molecules that reverberate and carry a sound in some sense sincerely express their own directionality such that they read the sincerity of molecules near them. I do not include Graham’s notion that the outsides of these objects do not touch because really under these circumstances the borders of things is ever under dispute or change, and so the notion of “touching” or “contact” also is under revision. I do think though that his concept of asymmetry of intentionality, taken as a whole (I would simply prefer a horizoned direction) gives strong light to just what perplexing thing Campanella meant when he said “To know is to be” and that our entity is turned into the entity of another thing. What I would amend is that this assimilation is best seen as cybernetic/prosthetic, a communication of sincerities across bounds within new epistemic and still ontological horizons. It is not just that I am able to hear the distant signals of real objects through the veil of sensous ideas, poked through. Real power is simply not that isolative, not so pale. It is rather that my body is directly composed of such connections, the transferal of sense-making coherences, cause on cause, composed of in part my capacity to read the causal links and sincerities of others. And as a human being this consists of the very real ontological difference that causal explanation makes in my own person. If I know how something works, know it through its causes, my own capacity to act in the world  is also increased.

Related to this is something that Graham only slightly touches on in his essay, that there must be a real object on the other side of the connection otherwise it is not a connection at all. This is the important vector which distinguishes mere mental pro-fascinations from real changes in the capacity to act. If I were a racist I could be trapped in the various fantasies I generate about a particular person of color. What is it that disguishes these “sincerities” from genuine contact? This is vital distinction, one that cuts to the bone of real power in the world, but as far as I can tell it is not one that Graham wants to link to causation itself. This missing discernment is I believe related to Graham’s almost poetic notion that the real object of us is somehow always cut off from the effects of others, or that real connections are somehow mind-dependent. There is no sense from him that we are already causally bound to not only our environment and to others in such a way that our identification of the nature of these bounds is paramount in any path to greater activity or power. It is rather a philosophical picture, perhaps the picture of an artist, of how it is that I can get my isolated, cavernous, retreating self connected to the distant signals of other things. For this reason I suspect that the mechanisms for distingushing real contact from simple sincerity of attention is quite undeveloped in Graham’s theory of causation. Causation which in many normative descriptions of the world assumes a cornerstone placement if only as a barrier or limit one runs up against, in Graham’s approach becomes one of the very last things explained (and as yet remains so at least in terms of the inanimate). But this is important because we want to be able to distinguish between our mere fantasies about the world and others, and concrete possibilities of change. As such, in need  of such, we cannot simply turn to the allurement of accidents of essences, or a metaphorization of sensuous objects, for such imaginative creations on their own no more lead to an assured connection with the real objects we think we have before our Cartesian eyes.

If we are going to talk effectively about changes of power and activity in the world it is principally to the difference between a non-connective sincerity and a connective one, a difference which can only be thought of in terms of degree, for all sincerities  are connective to something I would contend (there are no brains in vats). I will leave the development of this aside, only to suggest that when we turn to what causation is, our approach to sincerity necessarily involves a charity which makes the sincerity of others readable, and if readable to any degree, inhabitable and transforming in the very real Campanella sense. Interpretation of others and the world is bodily assemblage in which what is internal to other things in some sense becomes internal to use, thus indeed, the molten centers of objects do touch.

[I want to say thank you to Graham Harman for providing one more latch-point for the thinking of Tommaso Campanella whose philosophy I seek to renew.]

Aggregates, Groups and Trans-semiotics

The Antinomy of Objects

Levi at Larval Subjects makes an very interesting post which seeks to point out the constitutive difference between “objects” (or “groups”) and assemblages, how a Unity can be seen to come into being out its “sub-assemblages”; and how this antinomy between an Object and its parts can be best described in a kind of Logical Binary. This is a significant point:

“In this respect I’m inclined to say that every object is a split-object written as A, such that it is divided between its elements and its unity or status as One in such a way that there is a tension between parts composing an ob-ject-al and the Unity or One of the ob-ject-al that constantly needs to be reproduced in time.”

Below is my response to this love of the Object as binary constitution. I post it here because it grew in concept from a mere objection to the sufficiency of such an object reduction, to a much richer idea which I think has to be put forth. There is a chance that I am misreading Levi’s reductive talk of Unity and Aggregate under a binary logic, but at the very least it’s emphasis brought out important distinctions:

There is one great difficulty I have for the love for the binary, The thing that is and is not what it is. It is not that the United States is just an A, and then all its bubbling assemblages (composing a neat pair, the unity and its negation). Far too neat and tidy giving one the impression that logic is somehow transcending the object, getting to the underbelly of its conditions, qua logical form. It is that the borders that make up the object A are cross sectioned by the borders that make up other objects constituted by parts of its elements. That is, the elements that make up an object are not simply part of a Set Theory Relation, but polyvalent participants in other Objects (I prefer “bodies”). To speak of the Group that is not reducible to its elements is only part of the potential for description, for members of that group are participating in, making up the bodies of other groups, so that the determination of any one group is overlapped with the forces at play in another. To be simple minded about it, the “group” of African Americans is affected by legislation passed in bias against women (unspecified as Black), because African American Women help compose the group “American Women”. This consequence has ramifications on the “group” African Americans. This is so much the obvious, but any binary reduction of the “group” to a fundamental relation of “a term and its crossed out term” (nicely Hegelian or Lacanian), obscures this very important interdependency and cross semiotics of bodies (the elements in one body can be semiotically, though now non-epistemically, altered through their role in another body, such that one does not know where the change is coming from). That is, the constitutive elements start coherently acting in the epistemic service of something other than the group, without entirely betraying it either, neither purely reflecting states of the group nor states of the world, but other relations.

Here, the simple inside/outside epistemic binary is shown. Events within the group help reflect what is going on outside of it.

That is why there is something dissatisfying about speaking of merely objects (or bodies) and assemblages. It is not just that objects cohere, having bubbled up through assemblages, from the molecular to the molar, but that the reason why the molar cannot be reduced to the molecular (so to speak) is not a point of logic or Set Theory, or even a question of levels, but that the elements of a molar body are already caught up in other molarities, playing out their informing, semiotic role in those groups, often to great invisibility.

In my opinion, (and this is a reason why I find something of Graham’s object-world difficult to swallow), the failure of Identity is not the existential crisis or tension, or the mere necessity of crossing out a term, but rather the already vital and historical investment of constituent parts in other bodies.

There is a kind of blind spot that any recursively organized group suffers. There is an inside/outside epistemic boundary. Events within the boundary are taken as semiotic to the internal workings, the stability or coherent dynamism of the group, but also are readable as reflectant of events outside the group. States within the group then in a general sense “reflect” states outside the group, or when in error lead to self-criticism of elements (something within is broken, and needs to be purged). But this primary epistemic dichotomy is traversed by the fact that the elements that semiotic ally make up the group (informing it of its own states, and the states of the world beyond it) are already, often in huge veins, participant in other groups which cross section it. In this way, the semiotic dichotomy of inside and outside becomes confused (overdetermined one might say). Corporate structures which help compose the elements of the political powers of the United States but also the International economic community are both “inside” and “outside” of the group. Events outside ripple through the informing elements in a way that is not merely that of “reflection”, but affect directly the internal semiotic states, at times with great power. The cognitive boundary that makes up the informing quality of the group, allows it to be classified, can become dissolute, or momentarily possessed. Or, the very fine person that I am, let us say as a religious ethicist, my elements, could suddenly start semiotic ally behaving in a way that is incoherent with that “person” if the body of “race” (in which many of those elements are shared) suddenly is moved. The coherence of my object as an ethicist has not simply broken down into its assembled parts, but rather some of its elements are now reporting as parts of other bodies in such a way that that Identity is very hard to coherently maintain. What the simply binary of Identity and Assemblage occludes is the fundamental powershift in semiotic polyvalence.

I think that the implicit reason why we turn to Deleuzian notions of flow and assemblage is not only to eroticize energies and present a bubbling world, but also to have key to this trans-semiotics, this overdetermination of informing elements that compose a cognitive body. The constitutive parts that make up a body, an inside and an outside of epistemic division, are doing double duty (not only double, but infinite duty) to any number of informing bodies. It is not just that the molecules that make of the functioning spleen are working at a difference of molecular and molar levels, but that due to their capacity to serve as semiotic elements (sub-assemblages, perhaps), they can be and already are  taken up as informing elements of other bodies (perhaps the “body” of the auto-immune system, or the “body” of virus populations in Kansas City) Events within the horizontal body which is ever reading the world are not just reading the world, or reflecting back internal states of that body, but are also already performing epistemic virtues in cross section. This polyvalence of report, this trans-semiotic overdetermination is I believe glossed over by any logical binary appeal of irreducible Identity and elements. What makes this significant is that the failure of Identity does not direct us to an essential negation (the reality of the negation), but to the plentitude of semiotic indications and the vast overlapping, and interwovenness of bodies. It is not just a question of the boundaries of objects matching up perfectly with the boundaries of other objects (a flat notion of pure objectivity), or a question of levels of description being reducible or irreducible to other levels, but really a question of how semiotic events internal to one body are necessarily internal to other bodies which intersect one’s own cognitive boundary, lying neither within or external to it.

 

I think that this inherent essentialization of “object” (whether it be of the species that Graham Harman puts forth, or the binary logic version that Levi leans to at times), is one founded upon a primary optical metaphorization of the world, one that hides not a “hidden” never reachable shadow, in the way that the Moon always has a darkside (or an inside), but that this very notion of “hidden” negation directs one’s eyes away from the primary trans-semiotic character of cognitive bodies in the first place. An object (or as I prefer “body”) is always in part, part of another body, not to mention the ways in which a body is in whole part of other bodies, like cells in an organ. In a sense, an object can always change dimensionality or vector, when taken up by an other (or many other) semiotic regimes, over determining its informing elements. 

Perhaps an example will help clarify my point. Levi provides an illumination of something what he means by Unity and aggregate:

The film The Mist can be read as depicting the morphogenesis of groups or as being a study of the process of groups-in-formation making the transition from the status of aggregates to the status of assemblages. At the beginning of the film you have people belonging to the same town but in such a way as to primarily be an aggregate. That is, any unity or One among these people is minimal and weak, consisting of being members of the same town without these members thinking of themselves as an assemblage or One. As the film progresses and the people trapped in the store encounter more and more of the creatures in the mist, polarities begin to form within the population. The process here could be analogized to one similar to the process an egg undergoes as the yoke gets progressively differentiated over the course of development. Eventually fairly well defined assemblages are produced, consisting of secularists on the one side and the religious on the other side, as well as racial divides. These identities did not pre-exist the formation of the assemblages- or if they did it was only with a low degree of intensity. The people that side with the ultra-fundamentalist religious woman were not themselves ultra-fundamentalist at the beginning of the film. Likewise, the people that form the secularist assemblage were not significantly related to one another in any particular way. Rather, the identity that forms the aggregates instead emerges from out of the Brownian motion of this nebulous population of the city and reinforces itself as a One or Unity as it comes into being.

Unfortunately I have not seem the film The Mist  so will have to speak at the level of generalites so described. One would have to say that instead of the town operating only as a loose aggregate, it already was operating as a cognitive unity without directed intention (no firm, pressing, inside/outside epistemic directionality). But it was still a cognitive unity, one that generally read itself in terms of inside and outside. Instead of imagining this aggregate as a soupy, rather interdeterminate mix, a yoked egg, one has to realize that its semiotic elements were already trans-semotically working in other constitutive bodies. Again, I have not seen the film so I cannot comment upon the exact differentiations that begin to occur within the town “group” but all of those differentiations are expressive of the semiotic role elements were already  playing in groups, objects, bodies that constituted the town in the first place, be they race, religion, gender, class, sexuality, family, legality, biology or really any number of other unnameable bodily vectors. The Town is not JUST an egg, but is rather already a functioning inside/outside entity, cross-sectioned by other dominant bodies. Semiotic elements are already semiotic and cohering (and not just traveling in Brownian randomness). The importance of this is that if one is to understand the nature of the polarities that Levi sees rising up in the “egg” of the aggregate, understand, explain and anticipate them, it is the pre-existing functionality of elements in already cognitive bodies that determines these faultlines…they don’t just bubble up. One may not be a “religious fundamentalist” person at time x, but one’s person is already shot through with semiotic polyvalence in bodies which given new circumstances will make you one in the future. Your “religous fundamentalist,” unity status is not merely a sharpening of a vague Brownian effervecence, although this is a beautiful image, but rather the expression of so many other embodied semiotic investments, intersecting your own religious fundamental identity.

“The Mist”- like experience, like the Red Scare, is the sense of invasion that comes from strongly trans-semiotic conditions. The threat comes out of no-where because it is coming both Outside our Identity and from Within it. What is within seems to have not just the possibility to produce error, but to work with a seeming (often) pernicious autonomy. (This autonomy can be revelatory as well.) The sense becomes that one is reacting from within to coherence which is to some degree unseen.

In this way, for instance, the Obama phenomenon is not only a sudden cohension upon the great Egg of the American scene (though poetic). Obamism is not just Brownian motion suddenly producing coherent direction (I don’t even think that Levi would say this, as much as a unity/aggregate analysis might put it forth). Rather, it is the growing cognitive, self-defining object come out of so many of its polyvalent elements, the intersection of so many other bodies sharing elements, or finding agreements (when not). The real interpretive key I believe to a notion of Hegelian negation is not just that some internal part is going to betray its whole, and not quite be subsumable (although this is no doubt a useful description of some experiences). It is rather than whole cloth of constitutent elements what for some time did a very good job of reporting back states of the world, and internal states of the group, will be shown to be  already serving  as semiotic parts for other cognitive bodies, so when there is a disturbance, a real cognitive disturbance from within, it cannot be coherently located inside (as error) or outside (as event), but rather seems to be both at the same time, creating the illusion of a perfectly invading influence, (and deep malfunction).  

(Digression: This is why Hegel’s progressional sense of the State gives  a rather pale reading of the Antigone. Antigone is not simply the failure of the State to incorporate all of the ancient familial organizations and the childbirthing roles of the female into its new boundary, but rather is the presence of living, cognitive relations, whole bodies, which are not simply anterior to the State, but cutting across it. When she is buried alive in the tomb, she is not heroically outside the Symbolic, as Lacan wants to say, but rather one could say heroically manifesting the polyvalence of an incestuous semiotic power, signifying in too many tongues at once, a tragedy for the State. This capacity is not merely a perculating potentiality in the soup, or an antiquarian haunt, as some like to have it, but rather vital, tidal semiotic investments in presently existing bodies)

It is not just that the object is ever erupting from within, like an egg, never reducible to its sub-assemblages and flows, but rather that the object is always torn semiotically across itself, its parts already making up the parts of other objects (bodies). At many times these cross investments work to produce an invisible sense of stability, as external objects and our agreements with others report with an incredible transparency, but when these semiotic responsibilities shift, when our elements start reporting the world with tidal inaccuracy (according to unseen bodily investments elsewhere), otherwise assumed cognitive wholes can undergo extreme revision, and self-critique, sharpening into unexpected re-organization, sometimes desperately breaking down altogether and becoming dissolute, sometimes making new bodies and alliances out of parts which unbeseemingly are already invested in so many other bodies, as such is the case when so many political and economic forces seemed to invisibily dovetail into an apparent Obama unification, a new fabric of inside/outside (and at many times an occluded intersection).

Graham Harman’s “Evil Twin”, The Quality-Loving Positor

Shadow Jumping

Graham Harman’s embrace of what he takes to be a coin-flip reading of his project begins,

No one can jump over their own shadow, but it’s a feasible reading of me as my own “evil twin” (without the value judgment, of course).

I say, this impossibilty of jumping over one’s shadow notion may point the way forward, for one really can jump over one’s shadow if one simply moves in relation to a new light source (vocabulary set). One may then have a differently oriented shadow, but then understands the solution to such shadow-staring is keeping an eye upon a multiplicity of light sources, and the nature of their varying strengths.

I’m glad that Graham sees the possibilities of this redescription of his work, and love the notion of a philosophy Federation of “Evil Kirks and Spocks.” I say that we embrace somthing of this, but in fine Nietzschean fashion retain the value judgment, the BGE evil of it (if I recall, Evil Spock was able to think himself out of his evil universe, finding common ground with Good Kirk). What I hope is that if indeed Graham is only attempting to save Qualities, and is merely presenting an OOP as a means for a QOP intention, something more is being achieved than flipping a coin around by pointing out this fact. What Nietzsche wants us to know is that the thing that is evil, that seems like the dark side of something, is really its potentiality masked. Without Hegelian pretension, if indeed Graham is seeking to save qualities, and not objects, we can stop asking questions about the exact metaphysical nature of objects, and start asking questions about what is the best way to save, or as I say, ennoble, qualities. It may well be that positing empty, regressing objects IS the best way, that it does more for the stature of qualities than molten postmodern/post-structuralist fantasy, or even another approach, but until we get to the program itself, we can never properly frame the question.

In this way, I am saying more than the common place that makes of everything a coin. Rather, it is if we get to the real, or at least determinative motivation of a philosophical project, its “evil-twin” underside, we can then open up the project to possibilities that a blindness to that underside undershadows. In Graham’s philosophy this limit, as he admits, comes down the occasionalism-like collaspe of objects which fails to account for the nature of their change. What I would say is that it is of the very nature of the armature that Graham has passionately and insightfully constructed, so as to save qualities, that limits the force of their salvation. If he, I and others come to agree, if we make a value judgment that what we are really after is the esteem of qualities, then we can discuss more precisely the failures of esteem in others’ approaches, and invent better strategies for that esteem, rather than simply looking to shore-up and solve what we thought was the central focus of our attention.

Instead of making a nice pair of things, a doppleganger of inseperable concepts, such as those seen in Graham’s wonderfully titled Count Magnus Effect, one proposes a means for satisfying discourse, for finding agreement. There may be some fun in pointing out to others that they are accomplishing one thing when then thought they were accomplishing something else; Nietzsche had tremendous pleasure in this, and modern day Zizek just loves this game. Such a reversal is not really all that valuable unless one returns it to the question of valuation itself. Do we value the same things and just have different projects on how to achieve it? This is not to say that agreement is guaranteed, but at least the nature of disagreement changes.

Campanella: Knowing is Being

The essentializing dyads that Graham expresses himself in, come from a strong Heideggerian genus, retain a certain human-centric heritage which Graham is pushing against. But I suspect that it is the nobility of the quality that keeps Graham on this  side the panpsychist Gate. As I dig like a Latourian engineer attempting to meet up with the tunnel that Graham has dug in the same Ontological mountain, and trace out each of my excavation, and to the best that I can, his own, it is on the question of the salvation of the quality that I think we can find a common ground. What I will propose that instead of instantiating the rights of qualities upon the nothingness of a retreating and empty object, a consideration of Tommaso Campanella’s proto-Cartesian “Cognoscere est esse,” to know is to be. This a core, quality-directed principle which undercuts in history and object some of the founding theoretical dyads which inform a human-centered picture of consciousness. Much akin to the objects of Graham’s fascination with Late Scholasticism, and Late Renaissance theory (Bruno, Suarez), Campanella’s rationalization of Natural Magic, which is the attempt to synthesize the lived (Quality) emphasis of Telesio’s empiricism to the metaphysics of immanent and unified Being (Augustine), provides the substance of the rescue of Quality without the collapse into molten origins. Campanella’s metaphysics are rough-hewn, though voluminously written, and appear to modern commentators often as a hodgepodge of irreconsilable positions and influences. Campanella comes off as a pre-modern fantasticist, as confused by astrology as he was by the Political situation of which he was a victim. But rather, it is Campanella’s love for the world, its embodied, animal-like quality, its magic of effect, which produced the theoretical possibility for a contemporary salvation of qualites, of the sort that I think that Graham pursues. It is not so much that qualities are granted their rightful power because they are in a tension with Substance Objects which invariably retreat from all investigation, a mark of characterized experiences of human consciousness. It is rather, in surpass of any categorical reduction of human consciousness, that qualities has their own nobility and powers. Campanella wanted us to know that when I come to know something (an entity), I literally am transformed into it (an interesting pre-sage of Latour’s Principle of Translation). When I know a cold thing, I literally become cold. Or, if we want to postmodernize it, when I know Capitalism, I literally become Capitalism, I am transformed into that entity. How exactly to read this transformation I think comes from the notion of assemblage, of bodily (and therefore following Spinoza, ideational) combination, under a figure of power.

What I suggest is that once we identify the hidden, as Graham says, evil valuation behind his project, it is towards a panpsychism that qualitative embrace leads. That is, one needs not rent out high-priced object Real Estate on which Qualities are then permitted to live. Instead, qualities become the very mechanism for embodied agreement and power-assemblage, no more warring in tension with the landlord.

A New Aesthetic For Objects: Photosynth Defies Gravity

The above is from a Photosynth of the Muay Thai training room where my wife learns the nuances of the art under the striking personage of Master K, a 70 year old man who flies about his basement weightlessly, Cheshire cat-like with the smile he had when fighting as a young teen in Thailand. (One has to go to the site linked below to view it.) The room is a special place for us. Almost holy, made of pads and simulacrums of human bodies. An intimate space of sweat and person if there ever was one.

We made a Photosynth of it because it is precious, something to be preserved, and because the software promises to be so new, so radically different, some form of it may become a mode of human engagement and contemplation over the next decades. Profound. When choosing the place, a thing, that we should primordially record, it would be this place, before the artform becomes too honed, too inhabited, practiced, in the manner that old daguerrotypes are the only real photographs ever taken.

Muay Thai Training Room Photosynth Here

I believe you may have to download some software from the insidious-to-some, Microsoft, (and it will not work on platforms other than XP and Vista), to see our particular photosynth, but it may be worth it. There are also examples of the technological seeing here, check out the pomnik powodzianina; Floods monument.

But here I would like to post some philosophical musings about the software, in particular how the dynamics touch upon the powers and validity of my latest preoccupation, Graham Harman’s Object-Oriented Philosophy. So I will veer for a moment away from the product.

The Nostalgia for Objects, the Seating of Qualities

The more I come in contact with Graham’s ideas, in particular how they are expressed in his blog, I’m coming to realize that he is not really interested in objects at all, despite the moniker of his project. It is not objects, but qualities that fascinate Graham, the nobility of the quality, the profound substantialness of them, the way that events which are sometimes in philosophy read only at the surface of objects are significantly creative of new things. I think that there is a sense in Graham’s philosophy that qualities do not get their due in philosophy. They are merely passively “bundled” like so much loose paper, or by others turned into mere ephemera which zip into and out of existence, intensities of an unnamable moltenness. I think that (and this sense may change with further readings) for Graham the qualities of objects, if they are to maintain their nobility have to be doing something, something significant and not just passing like sheen on the surface of the soap bubble of Existence. And for this reason he postulates these infinitely disappearing “objects”  with which qualities are fundamentally, and continually in “tension”. An intuition tells me that what is behind this tension, which he has spread to the entire universe, what gives it its gravitas, is the existentialist, and very human, picture of the Self in constant struggle with its non-Being.  The stories of Sartre suddenly becomes the stories of all things. It is a human-centric, and I might say, negatively enriched, picture of personal struggle which ennobles the substantive reality of qualities. And at the center of this is the drama of the gravity of objects.

The thing is, this is something that he and I share, the real attachment to the authority of the quality, so to speak. It is just that I seem them much more redeemed and attaining their force by other conceptual paths, and part of this may be that I do not buy into the essentialized dyads of negativity and non-Being which have characterized modern Existentialism. The appeal of the quality I think is what is behind Graham’s slippery-slope resistance to panpsychism, especially of the postmodern or post-structuralist varieties. The qualities of objects cannot be simply bubbling up of intensities, or lines of force from a molten floor. They have to have something to hold onto, to pertain to. This is what lies at the “bottom” I believe of his gravity of infinitely retreating objects.

Now back to Photosynth. It would be no exaggeration to say that the history of the means of representation is the Urwork of philosophy. That is, with each historical development of a representational form in the West, philosophical concepts (and their ontologies were soon to follow). Figure/ground vase painting in Greece, a painted Acropolis, the plasticization of man in marble, or the invention of linear perspective in the Renaissance (Panofsky), optical precision and the camera obscura in the 17th century, and eventually the camera proper and cinematography. One need only look to the extraordinary Bergsonian metaphysics Deleuze invents just for the artform of film, and one must admit that the metaphysics which DeLanda puts forth, th0se which Graham finds essentially dissatisfying, are born out of the rapidity and surface of contemporary representations. In a way, there is a ubiquity of the image, and Graham is saying something like, “Hey, wait a second, we need to tie these things down to something, and not just some vast flow of amorphous Capital”  (Where in the human?, I hear, or at least, where is the Old Way, despite his position against human-centric philosophy.) Cinema did something to the image and its world. It made it flat. Out of the richness of a dimensional objectivity we were given the “recording surface”. Even a child knew that film is flat (though this is surely changing.) And not just flatness, but succession, eruption of effects, compositions, a primordial of Time over Space.

In answer to these I feel that Graham’s Object-Oriented Philosophy has some legitimate concerns, and there is something dearly Rilkean in the way that he embraces the world of hidden objects. I believe that Photosynth has an answer to Graham’s concerns, but I’m not quite sure which way the answer cuts, for it is an aesthetic answer. What Photosynth does is take our flat photographs (we still seem them as “flat” no matter how pixelated we understand them to be), the Old Fashioned way of looking at and framing the world so as to memorialize it, as spatialize them by assembling them into a weave of “recognitions”. Flat image upon flat image appears, only to be toggled around the objects (and the lived experience) that created them. It is really an extraordinary effect.

Further, they are presented in a format that is inter-active, or one might say enter-active. In a videogame-world aesthetic one traverses the object space so that there  is a legitimate experience of discovery. For instance, in the Synth of Master K’s training room (top) there is a close up of an old photograph of master K when he was a youth. You can get closer and closer to the face of the young man that is behind the entire room, until you are staring right into the past. One does not encounter it in the usual arrow-by-arrow jumps left and right, into and out. It is buried in there, behind objects, can you find it, I missed it the first few times crossed the space? The presentation is one of paths. Each time one looks at the synth one has had signficantly different experiences, and difference leads to meaning. The photograph I spoke of is the lone photograph remaining of this Thai Boxing master’s fighting days of over 70 professional fights, and here it lies within the layers of aesthetic space in a way analogous to the history which had constructed it. It is a recognizable Blade Runner effect.

I wonder how this aesthetic experience of an old form of flatness (there is no jabberwocky of Youtube camera shake) would touch upon Graham’s preoccupations with hidden objects. There is the real sense that Photosynth performs just what Graham is poetically/ontologically describing, the hiddenness of objects. Through a flat-space of real qualities one encounters objects that one feels are ever in retreat, while new objects are constantly being revealed. The entire spaces is eruptive and recessive. Further, unlike in video clips, it is not temporality or even subject matter that seem to make the best thing to capture, but objects themselves, and the space around which events happen. When thinking about what to synth, how you would point your camera if you were to film and edit something, or if you were to frame a single and telling “shot”, one realizes that these are different things.

The Aesthetic of Quality

But if I were to allow myself to consider Graham’s Object-Oriented Philosophy through Photosynth I have to say that while the aesthetic experience deals with the same concerns that Graham has, a return to the Old Fashioned photograph, like a  return to Late Scholasticism, the result is somewhat different. What one feels I think is that Photosythn makes even more apparent that lack of a need for Graham Harman’s hidden objects. Objects that recede, much as in lived life, are recoverable. They do not vanish, but rather proceed. In fact, not only are the surface effects of flat-projections (here assumed to be qualities) shown to be substantive, but rather than being engaged in a struggle with their hidden objects, are part of a spatiality of wholeness. This comes through because the view is entered into the space itself. It is a very different experience if you watch the synth that someone else is toggling through, than if you explore it yourself. This I believe is what is key to understanding the nobility of the qualities of things. This nobility is achieved not through some posited wobbling between hiddenness and manifestation (projected from our own self-negating experiences under a particular philosophy of negation), but through crafted (that is directed) combinations with the world itself, through assemblage. What one is struck with in Photosynth is how actuating and real image is, and this is come from the richness of our own bodies.

[Note, there is another sense in which Photosynth performs something of Graham’s democraticization of objects, that is, his thought that all objects are in a tension modeled on own human experiences of essentialized subjectivity…a philosopher of dyads. Obama, the first Internet President, will have his Inauguration covered by Photosynth in a dramatically ideological aesthetic of democracy. CNN and Microsoft have combined to produce a “synth” document from all the images sent from all the camera phones and video cameras of those in attendance. The phenomenal struggle with hidden objects is transferred, or one might say, translated, into a new and enactive political whole.]

Heidegger: He Who Doesn’t Enjoy God

Not a Tool

I’ve run into a wonderful article which elucidates Augustine’s and Davidson’s theories of discourse in terms of each other,  Stephen R. Yarbrough’s “The Love of Invention: Augustine, Davidson, and the Discourse of Unifying Belief,” one which I want post something of substance soon. But today it comes to me, through Yarbrough’s explication of Augustine’s De doctrina, that Heidegger’s is a world where he uses everything, but doesn’t enjoy God (perhaps too obvious an observation, but I think it has subtle consequences). We know that Heidegger was influenced by his early study of Augustine, but it is Graham Harman’s uncovery of the hidden objects of Heidegger “tool-beings” that really lead me to think in this way. Yarbrough brings out that in De doctrina everything in the world is something to be both enjoyed and used, but only one thing is only to be enjoyed, and not used, and that is God. In a provisional sense, the entire world is full of tool-beings (which we enjoy and use), but there is only one thing that is not a tool-being, only to be enjoyed, God. And it is this that makes the entire use/truth of signifying discourse function. It grounds it, and makes it immanent. This is not something I”ve thought through, but more a morning thought worth tracing, the intersection of Graham’s eternally isolated objects falling back into their own darkness, and Augustine’s signifying world. Heidegger, the thinker that does not enjoy God.

I’ll have to look at De doctrina  more closely, and become more familiar with Graham’s objects, but something to be pursued. Comments or paths welcome.

[Addendum, Graham responds: But one possible difference is that for me, God would be the ultimate example of a “tool-being”- not as a useful pragmatic instrument who helps us more than anything else, but as an especially stunning example of a withdrawn entity.

And I exchange: But Graham, that would be a kind category mistake, at least that is how Augustine, and possibly Plotinus, would like to say. It would be like saying, well, I kinda see this object and that object, but I can’t see the Light. Because God/Light, in this metaphor, is the only thing that is not truly “Looked At” (that is it is by category, the only thing not used — tools being used), it would be a mistake to talk of it as being withdrawn. In a certain sense, it is the only thing NOT withdrawn, because it is not an “object”. As Plotinus tells us, don’t look “by” light, look “with” light.

This is also a large problem in trying to interpret Anselm’s Ontological Proof. God is not a thing, but the means of things, one could say.]

The Harmanic Impassibilty of Monism…Spinoza Sails Through

Late last night Graham Harman posted his objections to monism, a Spectre that haunts his sleep. When I saw the post I was greatly relieved because I thought that finally I was to understand why Graham Harman’s Cartesian-constructed project of  post-humanism would not be better served by a turn to pre-Kantian Spinoza. It has seemed to me that this is really where Graham is heading, dragged by the specific current of his philosophical ambitions. But he has told us that he has great distain for the popularity of Spinoza who seemed to be hidden behind all kinds of postmodern metaphysical imaginations, he resists that robust, salty sea. Further, he has come down the Rhine River’s Idealist tributaries, he likes the beer-houses in local town ports where objects duck and hide, and thus has worked toward wending Intentional object-defined conceptions of consciousness, once solidly in the service of human-centric ontologies (Descartes, Husserl, and even Heidegger), out towards a post-human future. Can it be that all of the nobility of the object will be lost in a philosophical absorbtion into Deleuze and DeLandian “molten slag”? I mean where will the rights  of the object (formerly postulated as the rights of man), stand, if we cannot make objects themselves (and their consciousness partner) the ontological center of philosophy? I was excited because I felt I was really going to have an answer to the question, Why should the “hiddenness” of the object stop there, at the object, and not be read more fully in the hidden Immanence of Spinoza’s Substance, especially if we are going to propose a post-human philosophy that does not privilege the specific conceptual phenomenological reductions of human experience. Is it true that the Rhine only flows into the sea (and if in the sea, does that mean that all is lost, or are there some very good things one can do at sea, as any good maritime adventure knows)?

Here I’d like to take up in more detail the objections I raised in response. My comments there were quick-fire and I believe that restating them with greater context them will bring their argumentative force into even greater relief. Mostly at the time I simply was responding to the disappointment I felt that when Graham took on “monism” he seemed to be taking on everything but Spinoza. He somehow steered either right into the Scylla of undarable Parmenides (the only “real” monism he would grant), or the Charybdis of Spinoza influenced  post-structuralist thinking like Deleuze and DeLanda (D & G’s Thousand Plateaus is actually quite far from Spinoza, though he does get mentioned in interesting ways there, while his monographs on Spinoza are fairly close to text). Straight through, between these rocks, he never goes.

This may be because he is most familiar with both the pre-Socratic and the “molten slag” versions, and less with Spinoza himself, but I suggest, in that as Spinoza offered the most incisive correction of Descartes right at the root of Descartes human-centric theorizations, it is really to Spinoza, to Spinoza’s Monism, he should go. Here I’d like to present his points against monism, piece by piece, and put them in juxtaposition to Spinoza himself, and see how they stand.

1. There are two ancient monisms, that of Parmenides and that of Plotinus.

Graham counts between these only Parmenides’s “being is, non-being is not” the only real monism of the two. The Hen (One) of Plontinus is not a true monism in Graham’s mind because the Hen is only  the source of things. I’m not sure that I follow his thinking here. The way that Plontinus argues his point, the Hen radiates out like a light source, ebbing as it goes, the closer to the source (the greater the Nous union of things as one thing), the greater reality one has, but in many ways there is no Being other than this light, radiation. The relatively isolated parts of the world that appear to not be part of the One, indeed are part of the one, as its emanation. Their isolation from the One is really a kind of illusion of perspective (despite Graham’s insistence that they are not). That is, their existence is that of entirely being an emanation of the One, and as distinctly separate things, this separation is an expression of their non-Being. Thus, insofar as there is One thing, only one thing has being. Separations from the One are simply compositions of Being and Non-Being, a kind of relative, non-Noetic illusion. It is a real noetic difference, expresses as the nature of the radiation of the One, but in terms of Being itself, the separation is an illusion. Now is this a “monism”? Well it depends how you define monism. There is only one thing that has Being, and non-Being has no Being (it works like the outer reaches of the ebbing of the One). But Plotinus puts the One even above the Being/Non-Being distinction (this would already involve Nous), and he is inconsistent as to how he treats matter, either as a kind of substrate of absolute (metaphorical) darkness, or as an illusion of non-Noetic perception, for there is only the One. So let us say, a kind of monism, depending on how you qualify Being.

I go into the nature of Plotinus’s monism because it will be within the concept of a Degree of Being ontology that Spinoza will operate. I don’t know if he picked up the fundamental idea from Augustine who made strong use of it to defend against essential, heretical Dualisms, or from other Neo-Platonic sources, but Spinoza leverages his entire metaphysics upon a degree of Being (expressed as the power to act, the adequacy of idea, a degree of perfection) conception of modal expression. But he does this through an inclusion of the old-fashioned Parmenidean claim, “Being is, non-Being is not,” which in Spinoza reads as the illusion of privation and all determination is negation (letter 21), or “There is nothing positive in ideas on account of which they are called false” (E2p33), “falsity consists in the privation of knowledge…” (E2p35). It was Hegel who was struck by the power of the phrase “all determination is negation” as found in Spinoza’s letter 21, and it was he who took up the reality of the negation into a progressive, and human-centric concept of Consciousness, leaving behind the other half of Spinoza’s Plontinian proviso, that all privation is illusion. As I will mention later, Hegel feared that without a progressive march toward the powers of negation human beings simply would not be significant in their conscious powers when placed before the universe. The small compliment Spinoza pays to Man, that he is relevantly more active (and real) than tables and rocks and mice, was simply not enough. Man must be the center of the entire march of history’s progress. Failing this centricity and direction, it was for Hegel that all of Spinoza collapsed into an acosmism, all of creation being merely an illusion.

2. Levinas proposes a qualitiless “there is” (a version of monism perhaps).

“1940’s. Emmanuel Levinas. Insomnia (from which I now suffer) reveals that the world itself is an inescapable, rumbling il y a (“there is”) without any specific qualities.”

Well in terms of Spinoza, this is simply not the case. Right away Graham has passed from ancient monisms to postmodern vagaries of Being, steered from Parmenides into the whirling Abyss. While Spinoza’s Substance does not have “qualities” per se, it expresses itself in Attributes (of an infinite number), and through those Attributes, in an infinity of real modes. And all of these modes are fully actualized, concrete things (though like with Plotinus, their conceptual isolation from Substance which “exists and acts” through them, can bring on a perspective of relative non-Being). Even the remotest speck of particle in the furthest reaches of the universe has complete Being, but when considered apart from Substance and other modal compositions of cause, its Being is to a very small degree.

Graham’s objection to Levinas’s indeterminate “lump”: “For if the il y a is a single lump, how is it meaningful to say that the mind can break it into parts?”  is answered by Spinoza by saying that we can break the world into parts because it is expressed in the two Attributes of Thought and Extension, and the mind as a determined, thinking thing, following from that order, through the affects of its body/ideas, its imagination and rational thought can distinguish the determinations of Being.

3. Jean-Luc Nancy, “Corpus¨:  Reality itself is an indeterminate “whatever”…

Clearly these two matching points are Graham’s personal engagement with the outer-reaches of what really is not much of a monism at all. They are quite far from Spinoza, and even quite far from Deleuze’s imaginative refashioning of Spinoza. The incredible unexplainable, one might say non-Noetic, character of this thinking perhaps explains the great trepidation Graham holds for monism (and its swarthy postmodern cohorts).

4. There is an intellectual momentum against “objects”.

This may be in the circles that Graham has come from, clearly the moiling Continental waters of the Rhine dumping into the sea, but if we understand “intellectual” to include scientific pursuits, and even Analytical philosophy, the war against the “object” does not have quite the same character. As far as Spinoza goes, indeed there are objects, what he calls bodies, as Substance is expressed into two discernable Attributes, Thought and Extension. Every body has its parallel idea (and may have ideas which are expressions of its power to act). In a certain sense, because it is not clear at all that any human being can have a completely adequate idea, the adequate idea of any object whatsoever, even the idea of one’s own “object” (body) is actually to some degree hidden from the mind of human beings, one might say that the idea of the object retreats (this proposes a heretofore unmentioned close parallel perhaps to Graham’s hidden object, in a different systematic context).

5. The world is either homogeneous or it is heterogeneous, you can’t have both.

Because this is the most substantial of Graham’s claims against monism, at least insofar as they can be directed against Spinoza, his point is worth quoting in full:

*If the world is a whole, then either it is utterly homogenous, or it is not. If yes, then particular things will tend to be viewed as delusions.

*If the world is *not* viewed as homogeneous, then it must consist of various zones that differ from each other in some way. These can either be called individual objects, or something pre-individual. If they are objects, then my point has been conceded and monism has been rejected.

There are two ways that Spinoza counters this emphatic either/or. The first is that there is both a homogeneity and a heterogeneity built into the expression of Substance. (Remember, Substance does not float out there beyond actuality for Spinoza, but “exists and acts” modally.) Spinoza argues that Substance is expressed in only two Attributes that the human Mind can comprehend, as mentioned, Thought and Extension. In the hands of the modern Analytic philosopher Donald Davidson, who professes a monism of Concept Dualism (Anomalous Monism) these are simply the two concepts of the physical and the mental. They are not reducible to each other, and there is no causation between the one and the other. Spinoza tells us that there is a fundamental homogeneity between Attributes (understanding the actual number of these to be infinite), and that is “the order and connection” of their expression (E2p7). In the case of the two Attributes we can perceive, things and ideas are expressed in parallel. This is a fundamental homogenity in the expression of Substance, it is the same across  Attributes. But, this Attributive expression is distinct in the very differences of the Attributes themselves, that is, the conceptual order of the mental, descriptions of thoughts, beliefs, ideas, is different from the descriptions of objects, things, bodies. And even greater than this, Substance expresses itself in the real determinations of an infinity of modes, granting full reality to any aspect of existence, no matter who flimsy you want to make it. 

6. There is a tendency these days to find some comtemporary philosopher who tries to have it both ways.

This is an odd sounding point. I assume that he is referring to the dissatisfactory “molten slag,” ‘intensity” versions he has already dismissed. But one wonders if merely by trying to solve Graham’s proposed dilemma disqualifies the solution? It seems to me that it is not some contemporary philosopher who solved this cake and eat-it-too  difficulty of monism, but Spinoza himself, who closed the Idealist, human-centered breach right after Descartes opened it. There are of course many contemporary, creative things being done with Spinoza, and I can see why some of them collapse in a dissatisfying way for Graham, but these are not properly Spinoza’s thought. (I should add as well, that the monist Analytic philosopher Davidson, who has some largely unstated metaphysical differences with Spinoza, also seem to evade both horns of Graham’s impossibility: there is one kind of thing: matter; and two different fundamentally conceptual kinds of ways of describing it, concepts that are a product of our evolution). 

7. The status of pre-individuals needs to be explained.

Another point worth quoting in full:

*But the status of these pre-individuals needs to be further explained. Either they are fully deployed in their mutual relations, or they hold something in reserve that is non-relational. If the latter, then they are objects and you’re simply trying to avoid using the name; my point has been conceded.

As Spinoza answers this question of the pre-individual, if I read him correctly, the essence of any modal expression already is in Substance (the Mind of God), but has not necessarily come into existence through the mutuality of (horizontal, transitive) modal causes (causes that will be extrinsic to it). To qualify this existence in the Mind of God sub specie aeternitas  as a kind of “reserve,” I’m not sure what this means, other than to say as Spinoza does, that God is the efficient cause of the essence of things and not just their existence. In a sense, the “reserve” is the immanent, causal power of Substance itself.

But if they are fully exhausted by their mutual relations, then there are really no firewalls of any sort between the various zones of this “pre-individual” kingdom, and you end up with monism. You can’t have an intermediate position.

Spinoza’s ends up with monism. Individuals, objects, thoughts, ideas, relations, each thing, is explained by (which means understood through) both a reference to horizontal transitive causation and Substance’s immanent causation.

8. Latour holds something that might appear to be an intermediate position.

As Graham explains, this appearance is undone by the fact that any change produces a change in object:

Even though Latour is a relationist, his actors are always trapped in a specific set of relations, here and now. A thing cannot change even the least important of its relations even one iota and still remain the same thing.

Now the first aspect is the very same thing for Spinoza’s monism. Each modal expression is (well, not trapped), but determined, expressed, in a very specific set of relations. This determination is both a delineation and an expression of its power. There is not any vagary to this in the least. The question as to whether something remains the same thing or not in Spinoza is an open one. There is the theoretical framework though to argue that Latour’s position is tenable. Spinoza defines a body as a ratio of moving parts that stay in communication with each other, expressing an essence (conatus). The sameness of an object is a factor of both this ratio and the communication (not very Latourian at face value, though one could call this communication a network). The status of this ratio is indeterminate in Spinoza, for ultimately there is only one thing that persists and that is Substance (so any ratio of parts in communication is part of a far greater ratio 0f parts in communication). The ratio of “same” is both real (that is determined and reference-able), but ultimately is it explainable in term of other parts. In this way perhaps (and others) Spinoza is able to achieve something Latour’s occasionalism cannot.

9. Graham’s Model involves an intolerable retreat of every object  into darkness.

The problem with my model, of course, is that with so many different entities withdrawing from each other into an apparently non-relational darkness, one wonders why anything happens at all. But I spend lots of time trying to solve this problem- the problem seems to me inevitable.

I appreciate Graham’s candidness here. But to my ear this is a huge problem for a model that wants to explain the nature of reality. If you can’t explain why anything happens at all, the entire explanatory apparatus of your model is paralyzed. Instead one is left with something perhaps more poetic and epiphanic, than explanatory. In confessing that it is inevitable, one assumes he means of his philosophical position, and perhaps this why he is haunted by monism, the instinctive appeal that if he is ever going to get his cut-off, darkness imploding objects to go anywhere, and do anything, for any reason, he has to fundamentally connect them.

For Spinoza, as I wrote in my response to Graham, “This is not a problem at all…for the change between concrete states is a function of the conatus of each essence striving to persist, the contingency of modal transitive causes, and the degree of power which is expressive of its adequacy of ideas. Nothing is in isolation of anything else, events, objects, bodies, thoughts, emotions are understood through the knowledge through their causes, so the path towards more powerful change is always open, ready to be caused.” What it comes down to is the power and real freedom of a good, rational explanation of events, understood as a linking action, or the consideration of explanation as some kind of contingency, some bubbling up of events.

10. Monism is the cheap way out.

This is how Graham expresses the dodging the snatch-and-run  of monims, (something to be contrasted with his very expensive inability to explain why anything happens at all):

Monism, in short, is a cheap way of trying to avoid the communication problem that may be the central paradox of philosophy: ” a thing is itself, yet it is also another insofar as it affects others and becomes something other.” Monism is a way of saying “it’s a false problem; everything’s already interconnected anyway, so why do you artificially divide it?”

I still can’t tell if when Graham mentions “monism” he is thinking of the most vague of all Being declarations, like “there is something there” or of a particularly rigorous monism. But if we take up his objection, I would tell him that Spinoza’s philosophy would suggest that the path forward is not just that a thing becomes “something other” when it effects others, but that in understanding how it combines with others, that it cybernetically becomes something more, when it effects others (or they affect it), the thing becomes more powerful and free. This change is a real, ontological change, and it is achieved through explanation. Spinoza’s monism is a far cry from some kind of loving, “Hey man, we are all one big piece of Somethin’,” rather it provides the conceptual framework for a cartography of Being, inviting the very particular study of the exact ways in which determinatively we are connected (and determinatively not connected). Only by understanding your causes do you leverage yourself into combination with more things, actively. It is learning to cut so as to not dull your knife, at the joints of Being, so to speak (as the Daoist said, and then Lacan). 

I appreciate Graham’s thoughts on monism, and he has expressed in the past fundamental resistance to Spinoza’s thinking. There may be grounds for his disfavor, but none of them fall on his so-far-expressed  objections to monism. In fact, by my lights, Spinoza slips right through the two fearsome dangers that he poses on each side of the monist tendency, and he does so with Plontinian aplumb, that swashbuckler! Oh, Spinoza, the Odysseus of Being, polútropos ! Perhaps he has never been better described. Now only if I write the Achilles of Being, that is really what I will someday do.

[I thought I would return to the vital question of Hegel’s accusation of Spinoza’s acosmism, but the post did not lead that way, as I have put forward before, following Gatens and Lloyd, Hegel’s accusation stems from his only thinking of Spinoza vertically, and failing to understand the full horizontal reality of the modes for Spinoza: determinations by which God “exists and acts”. I bring something of this argument to bear in my earlier post Harman Brings Central Clarity to the Issue (wink, nod), coupled with a nice diagram]

Downunder: Central Clarity Consciousness (CCC)

The Series of Objections to “Object” Consciousness

Larval Subjects posted a round-up of the latest OOP (Object-Oriented Philosophy) weblog discussion, as everyone seems to be seeking the “New” metaphysics (one if reminded of Nietzsche’s clever, and unfortunately philosophical reminder that one should hate the “Good” that is in the mouth of one’s neighbor [BGE 43]). Cordiality all around, but metaphysics (the logical necessities) in the mouth of another invites objection. These were my three posted objections, in their order:

1. The “Picture” behind Intention: What Lies at the Center of Perception

2. The Bounce of the Being of Beings

3. Harman Brings Central Clarity to the Issue (wink, nod)

Larval Subjects though finds my main objection to Graham Harman’s ontology of necessarily hidden objects as they are caught in a Husserlian/Heideggerian Four Fold, not even remotely applicable, (how can hidden objects be a product of optical metaphorization?). This is surely a clue that I have done a very poor job of making the nature of my point clear for each time I see it summarized, the nature of my point seems to not be there in the mouths of my summarizers. This is my fault. The purpose of this post is to set some of the history backdrop for the nature of my critique, a backdrop which may make my critique more plain, at least in concept. Then, when plain, it can be debated whether it applies.

Part of the problem with my critique is that it cuts so broadly across the swathe of Philosophy, hitting at all the fibers of terms that have developed from Descartes on, that arguing about it within the vocabularies of those derived terms is counter-productive. It touches such elementary philosophical analytics dyads Self/World, or subject/object, and even Being/Non-Being, overturning something of the each of these terms even when separated out from their traditional dyad partner.

And part of the problem is that my point is a historical one, that is, I am tracing the genaology of a thought back to a moment in theory, and perhaps it requires that one understand this moment in theory in order to understand the subtle perniciousness of the continuity. It is for this reason that I’ll summarize something about what was going on when the exact anatomical nature of the eye meet the Cartesian idea of the ideal shape of a lens, all brought in metaphor to a concept of consciousness itself, the Cartesian concept of Will organized around the idea of a Central Clarity of Object.

The Hyperboliod Lens, Bending Rays Toward the Center of the Eye

Come out of the Perspectivist Tradition of a Theory of Vision which for centuries thought that vision consisted of a point by point correspondence of rays coming from a place in the object directly to the back of the eye, like so many uninterrupted strings, Kepler was the first to make rigorous discovery of how rays radiated out in all directions from all the points of an object, and were generally refracted and refocused on the back of the eye (to over-simplify the history). Part of this discovery was his proposal/discovery that the lens of the eye was hyperbolic in shape, a shape which focused dispersing rays from a central point toward a perpendicular which was the lens’s axis, as the illustration shows:

This meant that by the very nature of the hyperboloid lens of the eye (it turns out it is not a hyperbola), rays coming from a central point are most perfectly focused, and those coming from cones at angles which are not on the axis of the lens, are confusedly focused to the edges of vision, as he explains in his Paralipomena:

All the rays of the direct cone are gathered together at one point in the retina, which is the chief thing in the process; the lines of the oblique cones cannot quite be gathered together, because of the causes previously mentioned here, as a result, the picture is more confused. The direct cone aims the middle ray at center of the retina; the oblique cones aim the rays to the side…

…so the sides of the retina use their measure of sense not for its own sake, but whatever they can do they carry over to the perfection of the direct vision. That is we see an object perfectly when at last we perceive it with all the surroundings of the hemisphere. On this account, oblique vision is least satisfying to the soul, but only invites one to turn the eyes thither so that they may be seen directly (174).

As you can see, he goes further than simply stating this relative confusion of the border, but tells us that the sides of the border “carry over” their measure of sense to the perfection of the central vision, a central object. And this physics of sense is seen in the very satisfactions of the soul. That is, the soul and Nature are in agreement.

Descartes though was the first scientist/philosopher to actually do the mathematical work which shows the refracting powers of hyperbolic lenses (having discovered the Law of Refraction, a fact of discovery still under dispute). The precise gradation of hyperbolic lenses were impossible to make the time, and Descartes became fairly obsessed with making an automated machine which would be capable of grinding them, a doomed endeavor. Spherical lenses suffered from aberrations, which after Descartes were generally presumed to be solved with the Ideal Hyperbolic Lens. But Descartes did something more to Kepler’s notion of natural, hyperbolic center of object focus. He made the benefit of the periphery a quantitative measure (one sees more things via the periphery), but not a qualitative measure. He attaches to a concept of qualitative central clarity his most important concept of Will. The relatively confused border only serves help us direct our free Will in the right direction (oddly, this contradicts the sheerly quantitative measure of the periphery, for numericity alone is not helpful); the clarity in a way seems to speak for itself:

There is only one other condition which is desirable on the part of the exterior organs, which is that they cause us to perceive as many objects as possible at the same time. And it is to be noted that this condition is not in any way requisite for the improvement for seeing better, but only for the convenience of seeing more; and it should be noted that it is impossible to see more than one object distinctly at the same time, so that this convenience, of seeing many others confusedly, at the same time, is principally useful only in order to ascertain toward what direction we must subsequently turn our eyes in order to look at the one among them which we will wish to consider better. And for this, Nature has so provided that it is impossible for art to add anything to it. Seventh Discourse

One can see that Descartes rather easily transfers this notion of central object clarity to central idea clarity. The quelling of confusion comes from separating out the lone clear thing (object/idea) from the many things you might be confusedly taking in. Interestingly, he appeals to the precision vision of the craftsman whose “delicate operations” are supposed to reflect this intentionality principle of consciousness clarity. Ignored is that the craftsman is able to narrow his/her attention due to the very clarity of perceptions of the entire border of the process (the process borders are not confused, but stable); and even more so, it should be pointed out that if one really notices what a craftsman is attending to, it is not a central object, or a central idea, but rather the potentiating dissonance at the center of the project. At the center of the craftsman’s gaze is not a clarity, but an eruption:

Rule 9: We must concentrate our mind’s eye totally upon the most insignificant and easiest matters, and dwell upon them for long enough to acquire the habit of intuiting the truth distinctly and clearly.

…We can best learn how mental intuition is to be employed by comparing it with ordinary vision. If one tries to look at many objects at one glance, one sees none of them distinctly. Likewise, if one is inclined to attend to many things at the same time in a single act of thought, one does so with a confused mind. Yet craftsmen who engage in delicate operations, and are used to fixing their eyes on a single point, acquire through practice the ability to make perfect distinctions between things, however minute and delicate. The same is true of those who never let their thinking be distracted by many different objects at the same time, but always devote their whole attention to the simplest and easiest of matters: they become perspicacious.

– Descartes, The Regulae, Rule 9

Narrow or Broad?

That is the historical stage. From here I will move faster. While many did embrace both the physical theory that hyperbolic lenses would solves all the aberrations of spherical lenses, and the metaphysical theory that central clarity of an object/idea is constitutive of a directed, Willing consciousness, and key to truth pursuits, Spinoza who was a lens-grinder, and designer of optical instruments and as he will become known as, a metaphysican, did not.

In two letters Spinoza discusses the insufficiency of Descartes’ hyperbolic lenses (which again, did not exist). From his objections we get a firm clue into the nature of his metaphysical objections to Descartes, objections which cut the very nature of how consciousness, the mind, and the Will is conceived. Spinoza’s objection to the hyperbolic lenses is simple:

“Moreover, it is certain that, in order to see an entire object, we need not only rays coming from a single point but also all the other rays that come from all the other points” (Letter 40).

He draws a diagram to illustrate the problem, and its solution. A hyperbolic lens can concentrate rays only come perpendicular to its axis, a spherical lens has an infinity of axes, so despite a small amount of aberration, clarity is achieved broadly, by bringing as much relational clarity together across the full breadth of the retina. (I superimpose a red-line hyperbola to illustrate Spinoza’s point.)

Now the facts of optics are not ultimately important here. Indeed Descartes and Spinoza were both wrong for a variety of reasons. What is significant is the way that opticality and focus as they are theoretically conceived work to ground fundamental conceptions of how consciousness is. As we can see, Descartes notion of an object/idea centered free Will and consciousness was foregrounded upon first Kepler’s idea that the eye itself had a lens of the shape that Descartes had theorized would be best for the improvement of magnified vision. The question is, once this anatomical, naturalizing foundation is kicked away, and once Descartes’ theological imperative for an essentialized Freedom of the Will is let go of, what has come of the picture of consciousness itself as essentially a Central Clarity Consciousness. Spinoza, as he does away with the Freedom of the Will, does so by dismissing the notion of a pictorial Mind, in which Ideas of varying clarity play like objects of varying clarity:

E2p48 – In the mind there is no absolute, or free, will, but the Mind is determined to will this or that by a cause which is also determined by another, and this again by another, as so to infinity.

Scholium – We must investigate, I say, whether there is any other affirmation or negation in the Mind except that which the idea involves, insofar as it is an idea – on this see the following Proposition [49] and also D3 – so that our thought does not fall into pictures. For by ideas I understand, not the images that are formed at the back of the eye (and, if you like, in the middle of the brain), but concepts of Thought [NS: or the objective Being of a thing insofar as it consists only in Thought]; – trans. Curley

Ultimately for Spinoza as he minimizes the human in the universe, an idea of the mind is only an expression of Substance, and has for its object a state of its body. It is not composed of something that is Intentionality, an object of thought. But more than this, Spinoza’s panoramic understanding of clarity, that object clarity comes from the relative clarity of the entire field of vision, and not from some core surety, reveals the very comprehensiveness of his metaphysical approach. It is not that a single, central proposition “Cogito ergo sum” or any other that could provide real clarity, but rather the entire interlocking breadth of coherence (it is for this reason that some contemporary philosophers have found Spinoza to be a Coherence Theorist of Truth). The clarity comes from abroad, so to speak. It is for this reason that he calls his propositions of the Ethics “the eyes of the mind” (in a very rare metaphor). No one proposition could function as a clarity, just as no central rays from an object could. It is the width of them that brings clarity (and it is for this reason that he argues that one in reasoning must pass as fast as possible to the Idea of God, Substance, and Idea of comprehensivity of cause and explanation, a field upon which any proposition then considered may receive its own sharpness).

How Can Not-Seeing the “object” Come from CCC?

Now briefly Larval Subjects (and probably Graham Harman and many others) does not see how Cartesian Central Clarity Consciousness pervades Graham’s hidden object ontology. As a brief answer, one must not just look at Graham’s conclusions, but also the constituent parts of his conclusion. As Graham himself put forth, he relies upon Husserl’s Cartesian “intentional object” to make up his Four Fold, from which his “hidden objects” are derived:

My own concept of objects is of a fourfold tension that erupts into view most clearly when you look at the two domains of intentional objects (Husserl) and real objects (Heidegger, in my reading at least).

Perhaps this is a misreading on my part, but I do not consider Husserl’s split of the object within consciousness to have removed him from the Intentionality of Consciousness composed of a Central Clarity picture which Descartes put forth. By my accounting, to rely upon this conceptual designation, even in part, is to partake in a mistaken and oversimplified view of the nature of Mind. (And to no small point, in partaking of it, one brings the human-centricist aspects which brought it into view in the first place.) So, for those confused as to why I could claim that Graham is offering up a wrongful optical metaphor when he is asserting objects which cannot be seen at all, one has to keep track of the foundations of the “hidden object” (its place in the Intentionality reduction of Consciousness). It is not just that Graham’s ontology is caught up in an opticality (a general metaphorization of mental clarity with optical clarity), but rather is caught up in a specific model of opticality and consciousness, that clarity is CENTRALIZED (sorry for the caps, but his point seems to be slipping out summaries). This problematic central object of consciousness be it a phenomenological object, or an idea, composes several again essentialized dyads. Upon it is grafted a primary (clear) figure/(confused) ground distinction, a Being/Non-Being binary, and ultimately even a Self/World problematic (to name a few). Once Consciousness is assumed to be CCC, much binary machination can be performed. By simply crossing out the object, through the reflections of Non-Being, pointing to its insufficiency, saying that the object is forever in retreat from this constitutive relations (and thus “hidden”) becomes simply a product of the this mistaken object-centered characterization of consciousness itself.

It is to the periphery that philosophy must look, I suggest, to the connectives. Much as in Spinoza’s diagram of the optics of the human eye, it is the field of (mental) vision which provides any such clarity experienced to be towards the center. And beyond this, if one is to embrace a post-human, or pre-post-Kantian philosophy of mind and object, one really should look right towards the center of vision, where a functioning dissonance, a living eruptive line forces itself up, in the midst of the object and between them. Attentiveness to the phenomenology of consciousness, the nature of the center, is what displaces the very essentialized notion of object (as privileged ontological unit), and as Spinoza would tell us, this living line is constituted by the very thought to thought affirmations of our Body under fluctuating degree of Being and Power…In a sense, Graham retreats from the human, but stops at the object because of a mistaken (and historically human-centricist) conception of consciousness. He simply does not go far enough. There is no reason to stop at the object as the final ontological stop. The fullness, the breadth of what we can do under that trajectory toward the ultimately unknown X, is not the hidden object, but Spinoza’s Substance.

Graham though now suggests that he is coming closer to embracing panpsychism (I believe he restricts his position to an essential dyad endo-panpsychism), so it may be that we will eventually come to find ourselves in agreement, perhaps as I come to better understand him.

[Addendum: Graham responds:

“Kevin thinks the periphery is where the action is. But I’m not sure what to say in response to this aside from what has already been written… Within the intentional sphere, it is simply the case that we do perceive objects and not fuzzy horizons. And within the real sphere, it can be logically deduced that the world is object-oriented, since the alternative is a slippery slope through fields of pre-individual intensities all the way to outright monism.”

My thoughts: The problem is not whether we do perceive objects, of course we do. The question is what is the means by which we do so, and what is their metaphysical grounding. That is, not only do we perceive objects, but our cognition is composed of many other aspects, and reliant upon a wide coherence of beliefs (and ideas are not clear in the same way that objects are clear).  And as I point out, unless you want to pre-posit the “intentional sphere” as defined by its object, a category of reduction that I challenge, a close attention to the phenomenology of what we are aware of is not SIMPLY an object, but a dissonance within and across objects, not to mention aspects of the entire field. My entire point that the concept of the “intentional spheres”  is miscontructed, both in terms of concept and in terms of phenomenal observation. By invoking the “intensional sphere” as a self-evident, and self-defined essentialization of consciousness, Graham simply performs the point I am making, that is, his “hidden objects” ontology is based upon the CCC conception, inherited from Descartes, and cannot operate without it.

As to the other horn of the dilemma that Graham proposes, “Either accept my hidden objects or slide into lump intensities (or monism)” the general conflation of lump intensities, what he elsewhere calls a “molten slag”, and monism is unwarrented, for Spinoza’s monism is not molten and not much of a slag. In fact it contains a vertical dimension carefully constructed along a degree of Being analysis along a vector of power. I don’t know if “Outright monism” is supposed to carry the rhetorical weight of something like “Outright Anarchy” or worse “Outright Balderdash,” but I would think that outright monism is preferable to implicit or only evocative monism. I have yet to read his objection to Spinoza’s notion to Substance, so I cannot really respond to this deadend. There are objects in Spinoza, and they even have essences. It is just that they have no ontological priority, as objects, over the expression of Substance, which they are.]

Here is Spinoza’s much neglected optical letters with commentary, if interested:

Deciphering Spinoza’s Optical Letters

And a Word.doc version: Spinoza’s Optical Letters: Redux

Harman Brings Central Clarity to the Issue (wink, nod)

 

Looking Beneath Being

When reading Graham’s latest thoughts on the nature of my objection to his Husserlian/Heideggerian universe I got the warm feeling that we are getting closer to the crux (a Four Fold extraordinare) of our incommunication. And I am very glad that he quoted my email to him, as it really did a better job of honing my much broader conceptualization. The best part of his post is where he again characterizes my own position, for here is where I think we can find valuable differences (what he thinks I am saying, and what I think I am saying), which might open up what is possible between our thoughts:

But on to one other issue… Kevin’s main point, if I understood him correctly, is that the concept of objects per se is implicated in presuppositions of a lucid human clarity. He sketched an alternative model, which seemed to hold that qualities or accidents were the real stuff of the world and objects were merely posited in that stuff by a human. Perhaps I’m misunderstanding, but that’s what I made of his model. Assuming that that really is his model, I oppose it for two reasons…

 It has caused some problems in the past when I too exactly take apart a claim, people can get a sense that I am being uncharitable, but I know no other way as to get right to what is being said, by literalizing it. The first correction I would make is that the concept of objects is found in the presumptions of a “lucid human clarity”. This deviates from a very particular analytic wedge that I would like to drive into both the Continental and the Analytic schools. It is not simply “human clarity”, but it is specifically “central clarity” that I read as an inheritance of Descartes. As I have pointed out elsewhere, Spinoza, perhaps the ultimate philosopher of clarity, and a grinder of lenses, maker of optical instruments and theorizer of dioptrics, built his entire philosophy on the notion of clarity. But as he argued in his treatment of lenses and vision, it is not from a “central clarity” that truth comes, but through a composite clarity. For Spinoza human beings are clear to the degree that they participate in and express clarity (if we can say it that way). We are lucid to the degree that we think from a greater lucidity (hence his PSR rationality). The objects that I critique in Descartes, and then Husserl and lastly in their negation in Heidegger, are products of, presuppositions of “central clarity” (and this central clarity is upturned if we pay attention to either the phenomenological quality of perception and thought, attending to exactly what is at the center, or to the way that clarity stretches out conceptually beyond any border).

But more important than this correction is his summation:

He sketched an alternative model, which seemed to hold that qualities or accidents were the real stuff of the world and objects were merely posited in that stuff by a human.

I can’t really see where I called anything the “real stuff of the world”. I know of a fair number of positions which might say this, some of them very interesting, but I did not put them forth. (I must also clarify that talking of “qualities” or “accidents” in dichotomy to “objects” is already granting a distinction I don’t find helpful, since the very notion of “object” is one that is under critique from my side). I have two responses in mind to this. The first is that I am pretty comfortable with a Spinozist vision in which the “real stuff” is seen as first of all Substance (which is the totality of nature in all its manifestions), and that all of modal expressions of the “real stuff” are themselves real TO THE DEGREE (forgive the caps), that they are active. Being is best seen as Being in terms of Degree (an idea derived from Plotinus). So to speak of the “accidents” or “qualities” being the “real stuff” is a very odd thing to say in my model. But the second point, which is where I think that Graham got this characterization, is that it is what he wants to call “accidents/qualities” which are the important stuff, that is, what consciousness attends to are the eruptive aspects which then direct the mind to various states of the world or itself (also part of the world). The reason why we care about an object (in the loose sense of the word) is the way that it interacts with the rest of things (among which we are included), and this interaction is found in its “accidents/qualities”. But in no way do I want to ontologize these features as more or less real. The mind attends to them, but their ultimate reality is constitutive of complexes. As to the reality of objects, indeed there are objects. But they are not hidden (what is behind an object is not another hidden, shadow object which refuses to disclose itself to our central clarity), they are there, manifesting. Objects are what is related to “objectivity”, and objectivity requires a sharing of criteria and is largely based on ostensive defintion.

That is a “object” because we can we can both point to it, and if we cannot point to it already starts to lose its literal objecthood (it becomes more and more a metaphorical object). When we set up criteria which we agree on, we can point to, or refer to, the criteria when discussing a non-present object (but we can set up criteria for all sorts of things /conditions which are not best thought of as objects). When criteria breakdown, so too does objecthood. But there is another sense of object, and that is that we necessarily assume that states in the world cause us (and others) to experience things. This is an anchor point for object as well. That very epistemologial grounds by which we read the world and others is that mutally the world that we share has causal effects upon not only us, and our friends and enemies, but also causal effects on other parts of the world. So “object” has a double sense to it, typified by criteria reference and causal effect. That thing there is a table, not only because we can reference shared criteria which make it a table, but also because it is taken to have a causal effect on criteria users (giving them experiences, causing their beliefs), and also upon all other living things and otherwise considered inanimate states of the world (colloquially). To ask if it is the objects that are being referred to or their qualities is to divide something that has no need to be divided. Its like asking if mathematical objects are real and trying to separate out the state of the world from its description or effects, I don’t think a fruitful enterprise (its outcome influences little). To talk of internal objects is to risk playing too close to “central clarity” metaphors which assume that the world is made up of nouns alone, and that noun perception is what makes up what consciousness is (centrally so). One should also point out that the conceptual causal relationship to objects is not only a human capacity, that is a great majority of animal life regularly organize themselves through an understanding that states of the world cause experiences in themselves and others, and that orienting themselves in the world depends on this coherence. To speak of the “mere positing” of humans would have to include the “mere positing” of sentient life. Again, the very notion of “object” starts to break down and one gets the sense that we are starting to use the wrong word, perhaps even generally.

It must be admitted that there is a sense in which Graham’s characterization of the “concept” object as human is right, that is, as linguistic beings, following Davidson’s Conceptual dualism, there are two main conceptual ways of describing the world, the physical and the mental. These coincide with Spinoza’s two Attributres of Extension and Idea (and might have parallel in Latour’s material and semiotic, I have not looked deeply into it). As I have begun to suggest elsewhere there is a sense in which there may even be a third, found in the way that Spinoza treats the conatus and joy, and the way that Davidson ends up with a “prescription proceeds description” ethics which undercuts Hume’s Fork. But I cannot see that this ends up with the conclusion that objects are only conceptual posits of humans, but rather with the sense that the distinction of the physical and the mental (and the moral) which runs through language is perhaps better understood ontologically, as modes of expression in the Spinozist sense, and as such only understood by humans by degree.

When it comes to the reasons why he objects to critique then, I think each of them fall to a misunderstanding of my point and position (perhaps understandable, because I have not presented everything at once). His first objection is an objection to Hume, whose position I do not hold at all. I sense though that he is heading towards the horns of a bull that cannot be avoided unless one embraces his objects beneath objects. His second objection is more interesting to me, for it does touch on the nature of my position:

2. On the level of withdrawn reality itself, if you deny objects, then you’re probably headed toward either the doctrine of the monolithic world-lump, or a subtler variant that argues for a field of pre-individual intensities arranged in a continuum (Manuel DeLanda defends such a model fairly well). My claim is that neither of these work. Both of them will tend to fuse the world into a ball of molten slag without parts, and once that’s done, individuals can never be accounted for. They are buried in the rubble.

From my Spinozist position this is essentially Hegel’s critique of Spinoza, calling his view an acosmism. The entire universe does not even really exist, but is only collapsed into an undifferentiated Substance (or indeterminately in the DeLanda version, a “molten slag”. We know that Hegel applied this critique of Spinoza because he was driven by the need to have human consciousness (and Germany) at the center of an ontological development. Spinoza gave no special place for the human being, the human being was like a stone that thinks it is free, flying through the air. And one wonders has Graham reaches towards a de-centralization of the human why he has an instinctive appeal to Hegel’s objection (reliant upon the the newly acclaimed reality of the negation, the one thing that Spinoza missed).

But what Hegel missed, because he was thinking in terms over verticals, was the horizontal dimension of causation (term drawn from Gatens and Lloyd), that is, the modes as they transitively cause each other are God as it “exists and acts”. That is, the reality of comisism, is God seen under horizontal causation, and a product of its vertical causation. When Graham sees only the “lump” world of DeLanda (objected to though fairly well defended, in Graham’s point of view), perhaps we can join him in some of this criticism. Much as Hegel missed the reality of horizontal causation, perhaps DeLanda misses (or minimizes) the reality of the vertical causation. This is the missing “depth” that I believe Graham wants to bring to Latour. But while Graham would like to instantiate it at the level of a ubiquitous object that forever hides (under an opticality metaphor), each objecting being an eddying pool of objecthood, in my view this partakes too much in the Central Clarity conception of conciousness, or in another vein, too much in the reality of the Negation which Hegel supplied in the service of centralizing human beings. How Heidegger loves his non-Being. Instead the solution is, I suggest, that the depth that Graham calls for is supplied not in pockets, but in Substance, the reality of  which is discerned in degrees of Being which reveal the power of explanation and communication. Stopping at objects is does not seem defensible.

Lastly, I want to return to the very useful reduction that Graham supplies of his own point about the kinds of objects he believes in,

My own concept of objects is of a fourfold tension that erupts into view most clearly when you look at the two domains of intentional objects (Husserl) and real objects (Heidegger, in my reading at least). Each of those kinds of objects turns out to be involved in an analogous thing between its unified reality and the plurality of its traits. My thesis is that all of what we know as the universe is generated by the fourfold tension between these two kinds of objects- artworks, emotions, causal relations, time and space, essence and eidos, etc.

Firstly, his complaint that it is the difference in object between Husserl and Heidegger which makes him immune to my criticism of Central Clarity Consciousness seems to have no play here, for distinctly he builds his view using Husserlian intentional objects wholesale. IF my objection to Husserlian objects indeed has deep traction (a point that need have nothing to do with Heidegger which is another question), then the fundamentally inclusion of these objects in his model would be highly flawed. That is, if Husserl’s objects are conceptualized through the retention of a mistaken view of consciousness come from Descartes’ treatment of hyperbolic lenses and doubt, their employ for me us under acute questioning.

But following this, Graham sets up a kind of analogy for perception, that is real Heideggerian objects (as he find them) are doing something analogous to what intensional Husserlian objects are doing (both exhibiting a tension), and one presumes that perception is constituted by a seconary analogous process, or even deeper symmetry, a reflection, of these two objects upon each other. Well, we all love symmetry (or at least I do). It compells our thought. But the primary reduction of consciousness to a kind of object-staring (as it seems to be) is highly problematic. As mentioned, Graham imports the Cartesian metaphor of central clarity, upending one half of the analogy process. (And I still call Heidegger into question on the same issue, seeing a negation of object which perhaps also is the very thing that helps Graham make this analogy between inside and outside objects in the first place.)

I like very much Graham’s extension of his categories to the realm of the arts and the emotions but it is precisely here, where Graham expects to find primordial objects, buried beneath objects that I think that the very problem of presumed central clarity of consciousness becomes unhinged. Can the world of the arts and emotions be a world only of nouns, of names? What of verbs, adjectives, conjunctions, gasps, sighs, pauses?

The Bounce of the Being of Beings

 All things Great and Unmeasured [anaríthmêtos] Time

Births [phúei] unseen & having appeared [phanénta], hides [krúptetai];

(Sophocles, Aias; lines 646-647) 

Graham Harman’s Response: The Lock on Objects

Sorry that I have been out-of-computer for a day or so, for when I first read Graham Harman’s response to my earlier questioning of his work and term “Object-Oriented Philosophy,” I wanted to enter in quickly so that the tempo between us could produce some clarity, for it seemed off-hand that Graham did not address my thought too directly, and a quick up-take of his points would prove light-shedding. But given that circumstances have driven some distance, it was my sincere hope that by spinning his response over in my mind, turning its being-of-being center, looking at every angle, I could come clear to a positive relation to what he is saying.

But this has not happened. That is, as I have more than absent mindedly contemplated his response, this thoughts remain distinctly apart from much of the point I was making, not only about Husserl’s notion of intentionality, Heidegger’s opticality, but most importantly, his own return to object-centrality…that all stem from one Cartesian picture of how consciousness operates, a picture come at least in part from the new science of dioptrics and the metaphors of lenses.

What is nice though is that I have time now to engage his response piece by piece, and as is sometimes the case with a text, by teasing out its directions, woof and warp, one may come to feel what is being said more directly, more positively.

A Trinity of Points

The best thing is perhaps to begin with Graham’s three-point assessment of my questioning. As an excellent writer he gives me something to hold onto right off. And if we are to find the source of a misunderstanding, it likely would be here. These are the three points he feels that I am making:

1) Harman’s focus on objects represents a typical rut of the tradition that needs to be overcome

(2) it comes from a desire for a “central clarity” (rather than, I suppose, a comfort with the inevitable lack of such clarity)

(3) instead of the “game” of trying to recapture the essence of things, we should realize that accidents are the name of the game

Right off at number one it seems that we are in the same ballpark. But something in the rhetoric, in the words, tells me that he is hearing something I do not intend. “Rut,” what a wonderful word. Do I mean that those sons of Descartes that have taken the Central Clarity image of consciousness are in a rut? We can see the groves worn into the path, as the centuries of wagons carrying their ontic weight to argument market, the praxis of human habit has philosophical steered just where such wagons can go, is this what I mean? Yes, I can see that. But I do not see this “rut” as typical  in the sense that it is somehow mindlessly banal, as in the phrase, “oh, he’s so typical,” and nor do I want to be thinking of “types” or even of “the tradition” as if there is a necessary iconoclastic movement that has to be started. It is rather for me that there is an inheritance of an image, an expectation of the sufficiency of a take, what Wittgenstein would sometimes call a “picture,” and that this picture of consciousness (though it has its roots in the misty past of Greek Ur-texts, the kind of which Heidegger loved to play with) at modern times grounds itself in a particular moment in history: the development of optical prosthetics, and the experience of images seen through theoreticized lenses, which were taken to be models of consciousness itself. That is, the over-riding optical metaphors of Western Philosophy, in the person (and scientist) of Descartes, took on a very specific character as to how consciousness was to be “pictured,” carried forward through his metaphysics. When one realizes the origin of such framing, then the framing itself can at least be questioned. And I would say that at least as far as I read him, Harman’s work seem to be tensioned both inside and outside of this frame.

That is, like the tension that I read within Harman’s own work (soon to be noted), Descartes’ centrality of focus notion of consciousness was actually a concept which ran counter to his much wider semiotic Realism treatment of mind wherein ideas were thought of as actions. His philosophy of a sensing, communicating mechanism grew out of his main ambitions as a natural philosopher which likely superceded his interest in metaphysical grounds. It was Descartes’ theological need for a free, independent Will, (that is, an accountable soul), which lead him to insert into consciousness this notion of central clarity. The central clarity is what the Will (Soul) focuses on. And so too, as Graham Harman strains towards a post-human Husserl and Heidegger, one that does not privilege the human relation above all others, he (at least in my opinion) drags with him the heritage of the prime metaphor of consciousness as optical central clarity which Descartes originally inserted in order to privilege the human in the first place. Descartes’ semiotics of mind wherein the mind perceives the world directly through its bodily senses in the same (decentralized, non-optical) way that a blind man perceives the world through a stick, becomes a human soul which directs its Will, like a spotlight, on some core clarity…or really object.

His secondly summation,

(2) it comes from a desire for a “central clarity” (rather than, I suppose, a comfort with the inevitable lack of such clarity)

I like Graham’s second point, at least how it starts, but I am unsure where he got the sense that I am arguing for an inevitable lack of clarity (though I may suggest that in theories which I did not include in my response to Object-Oriented Philosophy). I suppose though this may be due to me not putting proper emphasis in my disagreement. My problem was not with a reduction of consciousness to Central Clarity, but to Central Clarity. Indeed there is clarity in consciousness (Descartes’ trope would not even function if there were not), and there may even be a Central Clarity (that is, there is a figure/ground feature to consciousness that is quite significant, and we say things like “can you make your point more clear?” or, “I can’t quite make out the bird in the bush”). But consciousness is not reduced to (or even super-achieved by) this centralization: no object constitutes it. The reason for this is primarily two-fold. The first is that I contend that if one looks to the very center of consciousness (that is, under the spotlight picture which imagines that consciousness is like something that shines out onto the world in some fashion, and reveals Being of whatever status at its center, leaving Non-Being at its wake or at its border), there in the center, the point of attention, is not a “clarity”. And there at the center is not an “object,” or even a “concept”. There is not even the apideîn of Heidegger’s Platonic abstractive seeing. If we are to think in terms of centers, the center of consciousness is a dissonance, an eruptive line. The second reason is that even if we cluster this dissonance center (might we say a laser center) with a broader object or concept center (the spotlight), this contrast in clarity is dependent upon the sense of all the lies beyond it…that is, the “clarity” would not even be restricted to this center (its object), but is spread upon a web of perceptions and beliefs, from which no dividing line can be taken. It is my point, at least insofar as I respond to Graham’s orientation towards the “object”, is that centrality itself (intention) when applied undermines the pure notion of clarity, but also, insofar as there is clarity, it is not centralized. The very character of consciousness is lost in the push towards central clarity.

Graham’s third point is an important one, because here at least I get the sense that he understands the very crux of argument against his treatment of “accidents” to essence, what he approvingly says Husserl calls the “gems” of a object:

(3) instead of the “game” of trying to recapture the essence of things, we should realize that accidents are the name of the game

What I would like to bring out is why the “accidents” are the name of the game. They are not the name of the game because they are more important than the essence (against which we are supposed to realize their very accidentally), but rather because in Graham Harman’s very dichotomy, the significance of what he calls accidents becomes lost. It is not that the accidents are what we should philosophically keep our eye upon, though I do insist that what Graham calls “accidents” are what our living line of consciousness is already on. It is that our very epistemic way of understanding bodies and relating to the world is one in which the contingent effects upon things in the world, and our ability to read those effects sensibly and make powerful, meaningful determinations, arises out of those effects. When a tree shakes unexpectedly, this is not an occasion of the essence of the tree suddenly exhibiting a new “gem”. We look into the air and at other trees, and may even attend to our own skin, searching for breeze. Then we narrow our gaze up into the branches, perhaps change our position unto the tree, and then see a squirrel flitting its tail energetically, perhaps territorially. We are not engaging a “real” object that is ever in retreat from us. The shaking of its leaves was not some apparitional shimmer of an essence caught on the intentional object of our minds. The shaking of the trees leaves was what directed our attention towards the shared world, towards a cause that has a bearing upon us (what shook the tree could shake us). The sound and spasm of the tree caught our attention because it was dissonant to our expectations and beliefs; not because the essence of the tree had acquired new gems. The accidents are the name of the game because events that catch our attention are those same events which direct us toward understanding the world better. Our “clarity,” far from being centralized, is composed and provisional. The world is largely transparent to us. We are not cut off from it, but are part of it.

Are Two Kinds of Objects Still Objects?

After these three digestions Graham goes onto make some important points, unfortunately these are directed more towards interpretations of Husserl and Heidegger, and spend less time on his own notion of the importance of “objecthood”. But because I link my trouble with his philosophical aim to a continuity in a tradition, perhaps this is fair. It is best then to see to what degree Graham is sipping from the Cartesian waters of consciousness as a Central Clarity insofar as he leans back on Husserl and finds objects in Heidegger.

He first finds a difficulty in a tendency he sees in me to treat “the theme of objects as if it were the same strategy” in both Husserl and Heidegger. Try as I might, I can’t quite see where he finds this, for I did not speak of the strategies of each thinker. Clearly Heidegger is in response to Husserl, and is not using the same strategy. What I do claim though is that the same fundamental optical metaphor for Being is exhibited in both, and this metaphor is one of central clarity. In Husserl this metaphor is taken to be definitive for consciousness (however then analyzed), in Heidegger, in a kind of Negative Theology, it is indicative of the failings of consciousness. The spotlight of the mind cannot see under  being. In both cases the metaphor is that which sets the pragmata, the issues at hand.

Graham wants to tell us that the “objects” in Heidegger (which he himself as unearthed) are very different than Husserl’s. Of course they are. We are in infinite agreement. The point is that the very characterization of object as object, (that is, in some implicit way as the central focus of a clarity of consciousness), whether it be the intentional “over-arching” object or the object/thing/being that hides, is an adoption of this rutting motif. Even where Heidegger crosses out the object altogether in its hiddenness, as he toggles optically between alêtheia and lêthê (preferring the outright visual trope of “coveredness” rather than the more readily “forgottenness” or even dull “obscurity” which are perhaps closer to the feeling of the word in the Greek), he is still enrapture by a primary aim of consciousness that is of Central Clarity. It is just a Central Clarity which is perpetually denied of us…we can never really see the object before us. I think that Graham is quite right to rescue the notion of object from Heidegger and to place it in front and center, but in so doing, I believe he is calling attention to a history of thinking about consciousness as defined by a Central Clarity (perhaps CCC). By crossing out this Central Clarity, imposing Non-Being over its Being, so to speak, one is still in the game of CCC. That Heidegger’s objects hide and that Husserl’s objects don’t hide at all really are effects of the same diagnosis.

Edge of Philosophy

Graham then says something else which puzzles me a bit,

But what I most object to is the idea that Husserl’s eidos is some sort of traditional game, and that rejecting it immediately stations one on the cutting edge of philosophy in our time.

First of all, I have not so much interest of getting to the “cutting edge” of philosophy, if by this one means a newness that is marked by its newness. I am interested in philosophy that is germane to our time, and as he knows, my reinvigoration of Campanella (via Spinoza) means for me that the “cutting edge” may involve some very sharp edges from the past. (Nexus points of historical change often involve philosophical branchings which were not taken up in the mainstream, branching which may prove rich in conceptual possibility when paths taken deadend: argued for in terms of Spinoza here.) Graham here seems to feel that I think that just by making iconoclastic gestures, jettisoning some tradition, one gets to hop their place to the front of the line. My critique of Graham’s Object-Oriented Philosophy (again, still a surface critique), is not that it is not “on the cutting edge of philosophy in our time,” but that the very post-human aims of his philosophy are not served well by the object-orientation he wishes to retain, in fact, emphasize. That is, historically and conceptually, the centrality of the object is what has been most in the service of centralizing what is human — as I said, this can be dated back to a fundamental tension between Descartes Natural Science and his Christian Theology. Where Graham identifies the object buried in Heidegger, and returns to Husserlian intentionality to speak of a fundamental dyad of the intentional and real objects to give the Heidegger objects life, he takes with him the poisoned-pawn of human centrality (despite his every intention not to). When Graham speaks of these objects, or the tool-beings which are never seen fully, as they hide from our spotlight consciousness, the dyad is set up once again, one which fundamentally mischaracterizes (or oversimplifies into a picture) consciousness. And there are two levels of this problem, the first is the presumed authority of the optical metaphor in the very concept of “hiddenness,” and secondly that the very nature of opticality as a central clarity is already flawed, because at the center of optical perception is a living line of dissonance.

For me, at least insofar as I share Graham’s post-human aims, the very notion of a hidden tool is missing what is happening in tool use. When using a tool we inhabit a tool, we join a tool, we become it… we do not strictly “use” it (wherein at some level we are “beholding” it, or attempt to “use it up”). Drive a car and the car is not “hiding from us”. In fact, the car and us become a pansensual revelation of the states of the road, an assemblage of collaborative and really cybernetic perceptions. The fullness of the car is there, as well as the fullness of the road. Because we leave behind opticality, it is not that the road is hiding from us at all, but rather, the road, the car and us are expressing themselves in a consonance, one might say, a degree of power. Could the expression be more powerful? Sure. But opticality, the missingness of the rest of the object (be it the road, the car or me) is not the best characterization of the optimalization of an expression. Our communications can be increased. The shocks could be replaced, I might have studied a map before I left, I might wear glasses, the road engineers might have banked the turns more, I might obey the speed limit, I might have put better gas in the car, I might have better driving music on the mp3 player, but none of these increases have to with whether the object of the road is more or less hidden from us. Opticality simply is not the best trope. In fact, the accidents of the road, the “phenomenal qualities” of it are the very things which direct us to a conceptual understanding and increase in our ability to act. If ice is clinging to the trees in a beautiful glassiness about every branch, as it was here last week after an Ice Storm, I am notified that the road might have “black ice”. I touch my break, I feel the road. I slow down, I drive more freely, with greater control and expression. Where there is a philosophical concern it is how taking a position, an orientation towards these qualities which compose the very changes in power and freedom that make up the most important things in our lives. I believe though that indeed it is in the direction of tools and use we must turn, as Graham tells us, but our very notion of tool must change from an object used (which remains hidden from our view) to an thing inhabited and combined with, to a degree of power.

Graham claims that the “upper-hand” tradition is the tradition of empiricism, and it is this tradition which Husserl leads us away from. (Is there the suggestion that if we overcome this tradition we have come to the cutting edge?) But this is an odd response to my claim that Husserl is in the Cartesian tradition. In fact, both the empiricists and the idealists are largely under the Consciousness as Central Clarity picture, come from Descartes. The idealism/empiricism divide (with Graham firmly, and properly, replanting Husserl in the Idealist camp) is already structured by the CCC. Husserl is argued by Graham to have been the very first to have placed a schism that formerly fell outside the Idealist realm, within the Idealist realm itself, what he calls a “true distinction”. This may well be that Husserl invented a distinction within the distinction, but my point is that he is already operating within a mistaken conception of consciousness itself, the very notion of central clarity as reductive of consciousness. To divide a mistaken category is not in my view helpful.

But because Graham spends so much time speaking about Husserl (and Heidegger) and not his own notion of the Objects which should make up the orientation of Philosophy, I am left unsure if he is defending their positions or his own (insofar as he has appropriated them). I have no desire to get bogged down into Husserlian and Heideggerian hermeneutics, two thinkers, on which if 9/10ths of the literature written were lost in a fire I’m not sure how much would be lost to Western Civilization (one can say this about any of the heavy weights, Spinoza included). I would much rather entertain what Graham means by the importance of the Object, at least enough for me to dispel my strong suspicion that by rescuing the object from Heidegger and combining it with Husserlian Intentionality, he has also rescued an implicit CCC and homo-centricism, which he then hopes to throw back out. Or at the very least, the way that he is going about it is the long way around, one which will eventually leave him with no choice but to embrace a panpsychism of such objects.

The Central Paradox of Objects?

Graham then ends with the imagination of the ironic:

The irony is that all the people who reject objects because they think they’re beyond traditional notions of identity, or whatever, are thereby missing the central PARADOX of objects: that they exist in constant tension with their accidents, relations, qualities, and moments. Objects are always sliding away from themselves in two directions along two separate axes. It is those who reject objects who lessen the tension and offer some crude simplicity in its place

I cannot tell if this is directly precisely towards me, for I am unsure what “crude simplicity” I would have put in place of objects. Rather I embrace the very eruptive qualities of things when engaged, but certainly deny that it is objects themselves that are either “splitting” or “in tension with” something or “sliding away” from themselves. It is a beautiful, indeed poetic picture. But it is a picture that is misleading in two ways. The first is that it is the eruptive that is the indicative of consciousness. The center of consciousness is the living line of dissonance. Nothing is ontologically sliding away from itself, there is no object wobbling which works as a cause directing our attention to something important (one might say conditions can wobble, erupt, fraction, expections, tempo, loose emotions, textures, so many things that are not proper objects of consciousness). It is not a paradox of objects, but a fabric of the very nature of what perception (and conceptualization) is. Our attention is directed towards things, features, elements, qualities, events, differences, and these differences indicate (sêmainein), they direct our attention outwardly towards the causes of these events. The book has that color now because of the angle of the sun. The room has that sound now because a book just fell from its shelf. That face has that expression because he just heard the news. To locate these accidents within the very object, as a kind of tension, a paradox is to loose what “accidents” do…they indicate and expand. Part of this reading of objects through their accidents (or qualities) is also a fundamental ability to place ourselves in the bodies of them. I understand why you are saying the things you are saying, why your arms are moving the way they are moving, because I know (as Wittgenstein would tell us) that you are in pain, or that you believe such and such to be the case (as Davidson would say). I inhabit you, and read the world through you, as you do through me, and it is this very readability, this affective reflection or imitation which becomes truly cybernetic, which denies the ultimate opacity of objects. Objects combine with us, and we to they. If they only combine to a certain degree of optimality at a certain moment, this degree is what is possible at that moment in time (strictly, there is no such thing as the McCain Victory Coalition, I would say). If we are to speak of optimal combinations of objects, or, simply things, res, then the very distinction of objecthood (in any notion of hiddenness) is forced to vanish. That is, it is only One Thing that is combining with itself, what Spinoza would call Substance, Nature or God. In a sense, it is not the object which is wobbling or splitting, but our very degree of the power to act freely. The second thing wrong with this picture is that the very notion of a central object that does all these things [before our implicit and floating, unstated gaze] trades upon a notion of consciousness as Central Object Clarity. The reason why the object bucks and sways is that the very frame under which we look to uncover the nature of such an object is a simplification.

As opposed to what Graham calls “lessening the tension” that is supposed to exist in every object [a kind of jouissance of the object perhaps], I suggest that one recast one’s eye to where this tension lies. It is not in the object itself (whatever its status), but in the living line of dissonance at the center of consciousness. What this does is open up the direction towards which the eruption points, and I might say naturally points, It points to other things, to other persons (there is a reason why Heidegger’s obsession with the peek-a-boo object never lead him to any theory of friendship or an richly interpersonal groundings of meaning). When the tension is taken out of the object (which is either rattling around eruptively in our heads, like a piece of radioactive yellow cake, or incandescing there in the grass), it is redistributed in our relationship to the world, the choices we make, the alliances we form (epistemic and otherwise), the bodily assimilations we bring about. The vibrancy of the object is our vibrancy, across domains. Graham, yes, I agree, the object shimmers. In fact the world shimmers. But its shimmer is always indicative, opening, expanding, couched in our felt combination with other things and people that we read as inhabited.

Essential Dyads, May They Never Die

Lastly Graham makes an appeal to the soterial benefits of his dyads, something that preserves something at the heart of objects:

In Prince of Networks, the final chapter (which no one but me has seen yet) begins with a criticism of “radical” philosophies, where “radical” means the attempt to reduce one aspect of entities out of existence. The “dyads” criticized by Kevin are not fossilized relics of olden times, but are the only way to preserve the weird ambiguity in the heart of objects.

Beside the obvious appeal that the heart of something should always be saved (we even, or especially, wince when the vampire gets the stake driven in), there is a curious recursivity to this thinking. One must have fundamental dyads because they save the heart of objects. This is suppose to counter my claim that the very notion of a (split) heart of object is generated by the dyads themselves, itself a product of Central Clarity Consciousness. It is not the case that such dyads are dead bones, but rather they are living generators of the very thing that are necessarily imposed to protect. In fact, Graham’s choice of words here is I believe telling. I think he does see the dyads as relic-ous, or at least, he sees them as preserving a heart of things which resistant to what we can say about them, turning objects into relics. The saint’s finger bone has something in it other than all the properties that seem to be external to it. The whole world is filled with saint-finger bones. I don’t even wish to reduce this resistance quality out of existence. I wish rather to place it in a living service of ever-renewed combination, the increase of our power to act and understand ourselves and things in the world. Perhaps we can say that objects are not living-dead secret-keepers, but living secret-tellers. Because I see this tension not as an irreducible property of objects (or of consciousness), locked in a eternity of ontology, but as part of the connective between bodies, the very notion of entities has changed. The dyad between me and my car is productive of a reading of a triad me-car-road. But me-car-road can become part of a dyad me-car-road/rain, which in turn can read eruptively into a third. There is no limit to the dexterity or subtlety with which these combinations can be, and are daily, momently being made. The wanted resistant holiness of saint-bones is spread everywhere in directions of power, freedom and knowing. If one is argue that there are the saint-bones of “real objects” in tension with their qualities, and then the unreal saintbones of “intentional objects” which ally uneasily with their accidents, and somehow our getting along in the world is explained, made more vivid, more dynamic through these two “objects” furtively matching up, one is really left to explain the role these objects play in the mechanism by which knowledge as power enables us to become more free, more transparent, more fathomable, but also more dexterous, more articulate, more resonant, more intense, more maliable by degrees, and the question of complete transparency falls to a change in the picture of consciousness itself.

This being said, I do consider Graham’s philosophy to be on the cutting edge, in the positive sense. It is engaging. I have to confesss that I did not matriculate (at) through endless quibbles over Continental texts as Graham has endured. His vision is no doubt hard-won, and I do not aim, nor even suspect I would be able to shake it. But discussions are fruitful. What is one to do when one has found their own “tool analysis” concept of Being quite apart from Heidegger when discussing things with someone who traces nearly every philosophical position theyhave back towards Heidegger’s influence? Unlike Graham (at least it seems) who traces the path forward on mainly  Continental terms, I see an synthesis of Analytic and Continental as the most opportune way forward, to work both before and after the breach. My encounters with Heidegger and Husserl were personal encounters. And like Graham, I was put off by the human-centric auras of these philosophers. And when I read Latour I too was struck by the deep metaphysical possibilities of his work. (But admittedly I was largely taken by the sense that all of this could be put in a much more usable philosophical framework, and Heidegger was not the philosopher I thought of, Spinoza was.) In fact I admire Graham’s renewal of Heidegger through a vigorous post-human inter-indices. I have yet to read his Prince of Networks to see fully what he does with it, perhaps it is convincing. I would want to add to all these thoughts that there is a very real and artistic sense in which objects do defy us, that they radiate, perculate, evanesce. I do not find this to be an ontological category, that is, a category which we must logically consider real in order to make sense of how we make sense of the world. The sculpter feels the radiation of the grains of marble, the traffic controller feels the tremble of the computer grid at a vital moment, just before snow fall there is such a terrible silence. Even a common water glass, if we hold it in our hand can strike us so weirdly. None of these do I mean to deny. This is a product of our cathexis of objects, that is the affective way we extend ourselves to them (and they to us). But instead of stopping their, and thinking, feeling that the “swerve” is in the object, pay closer attention to where your attention is going. It is not that the object is jumping, traveling away, wrargling, slipping. Your attenuation is traveling. And to where it is specifically going is something that is lost when it stops at the object, at something the object itself is doing. One can of course use the soft-focus of an emanating object as a crafting tool. One can get accustomed to its presence, its rise and fall. Like seeing gods in all things, there is something to it, but non-being is not there. Take it in your hand and do something with it, I say.

[Followed up here: Harman Brings Central Clarity to the Issue (wink, nod) ]