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Massumi’s Cognitive Doubling, Spinoza’s Numerical Affectivity

I have to admit that the first essay that confronted me in Massumi’s book has really stymied me. The difficulty comes at several levels, not the least of which that I had read this essay before in other contexts, not realizing it, and the deep disappointment with it from the past echoes back up through time like a dark, and somewhat intellectually fetid tide. The staining feeling that Massumi gets is it all wrong, terribly wrong in his attempted synthesis of Bergson and Spinoza, washes back up over my contemporaneous reading, and frankly left me very frustrated with my attempt to initiate an innocent engagement with the collection. (I am hoping that I had not amnesiacally run into Massumi’s other essays in the past.) One if left with the unenvied task of critically breaking apart Massumi’s experimental expositions, a very unkind and in fact unpleasant thing to do to such beautifully attempted and articulated readings in the realm of philosophy I appreciate, or…simply passing over what for me has been something of an infuriating encounter. I’m going to have to do much more of the latter, and less of the former for the essay “The Autonomy of Affect”, for the sake of preserving the right aptitude for the rest of what Massumi has to say. My responses will have to remain gnomic.

Numericity of Connections

First of all Massumi opens with the report of an experiment which involved a film that narratively told the story of a melting snowman. Massumi notes the variety of assessments of versions of the film (some without words, some factually descriptive, some emotionally keyed), coupled with seeming disparities of the autonomic effects of heartrate and skin galvinization, etc. From this he draws, as he is want to do, a radical, disjunctive contrast between affect responses (intensity) and literal comprehension (signifying comprehension). I know that this is his goal, to create a fundamental dichotomy, but, at least from a Spinozist perspective (which he attempts to appropriate), he’s got it all wrong. Factual descriptions are not necessarily in disjunction with affective responses…rather they set up their own affective responses in a variety of strengths. It is not the factuality of a narrative reading that confuses assessment of the film’s quality, but rather, I would suggest, the attempted synthesis of the viewer of their own projective interpretations of the reality of the images, and the viewer’s projective interpretation of the narrator’s reality. This is not intensity vs. signification at all, but a question of strength of image association, best seen in Spinoza’s reading of how images grow stronger through a numerical relation to causes:

5p8 – The greater the number of causes that simultaneously concur in arousing an emotion, the greater the emotion.

5p10 – As long as we are not assailed by emotions that are contrary to our nature, we have the power to arrange and associate affections of the body according to the order of the intellect.

5p11 – In proportion as a mental image is related [refertur] to more things, the more frequently does it occur – i.e., the more often it springs to life – and the more it engages the mind.

Proof : In proportion as an image or emotion is related to more things, the more causes there are by which it can be aroused and fostered, all of which the mind, by hypothesis, regards simultaneously as a result of the emotion. And so the emotion thereby occurs more frequently – i.e., springs to life more often – and engages the mind more (5p8).

The factality of a narration of an emotional cinematic scene simply sets up another vector of causes, but not one that is necessarily disjunctive at all. In fact Spinoza’s entire prescription is in finding the nexus between both vectors of causes. Massumi is quite good at drawing our attention to intensity, and in fact the autonomy of affect, but it is in my mind the equal need to find a doubling reflexive between the immanent and the actual, a necessary disjunction, that runs simply in the wrong direction.

Spinoza Does Not Double

One can see this in his outright appeal to Spinoza, how he torques Spinoza’s reading of mind to accomodate an abstraction of mind, a move that is really antithetical to Spinoza’s own project:

In Spinoza, it is only when the idea of the affection is doubled by an idea of the idea of the affection that it attained the level of conscious reflection. Conscious reflection is a doubling over of the idea upon itself, a self-recursion of the idea that enwraps the affection or impingement at two removes. For it has already been removed once by the body itself. The body infolds the effect of the impingement – it conserves the impingement minus the impinging thing, the impingement abstracted from the actual action that caused it and actual context of that action. This is a first-order idea produced spontaneously by the body: affection is immediately, spontaneously doubled by the repeatable trace of an encounter, the “form” of an encounter, in Spinoza’s terminology (an infolding, or contraction, of context in the vocabulary of this essay).

Parables for the Virtual, 32

First of all, because Massumi does not cite any Spinoza is pretty hard to find out just where he is coming from, and this frustrates our interpretative aims to even a greater degree because Massumi is inventing a position for himself. Insofar as one could extricate such a description from Spinoza, one would have to say that Spinoza works actually to show how this process of “mind” is fundamentally in error, and that betterment of mind consists in unraveling this confusion. To say that the body initially “removes” an effect from its environment (though its recursively organized semiotic effects that make it a “body” in the first place, let us say), in a kind of abstraction, is either in error due to its incompleteness, or in its intention. One must first grant that for Spinoza ideas in the mind of God refuse any such abstraction at all, and that due to this refusal, the quality of being that something has is leveraged upon this refusal of abstraction as well. The abstractly frankly is definitionally never complete, nor is it categorical (certainly not in the fashion that Massumi implies); which is to say the constitution of the effects of the body which make it a body occur via its participation IN its enviroment, its mutuality with its environment, one might say its sharing in its “essence”, and as a mode of Substance simply could not exist/persist without this sharing. The removal of the impingement simply does not fully or even abstractly occur. The ideas (what I read as information), which organize a body, are paticipations. Indeed they have their degrees of intensity, but there is no removal.

Secondly, the second-order of removal that enwraps the organism in consciousness is in fact not a goal or aim of Spinoza’s concept of freedom (he does not or will not move towards a Hegelian conception of reflection or incorporative wholeness, the wholeness that Spinoza pursues is machinic and constructive). One can see from Spinoza’s concept of affect and passion that attribution of intensity to an external cause (a passage from one degree of perfection and power to another, coupled with the idea of a cause, General Definition of the Affects), must be unwoven. In this manner, consciousness is NOT merely the idea of an idea. The trickling from one thought to another is a MODE of consciousness, one that is fundamentally involved in the deprivation of power. What Spinoza is concerned with is a mode of consciousness which is NOT reflective (hence, German Idealism’s dichotomous appropriations of Spinoza, beginning with Schelling and ending with Hegel, are truly wrong-headed, missing what is genuinely novel to Spinoza’s solution of the mind). One can see that Massumi is missing the boat as well, when he seeks to define “mind” specifically in reference the doubling itself, quite in contradistinction to Spinoza own undoubled qualification of mind as mere Attributive expression:

The trace determines a tendency, the potential, if not the appetite, for the autonomic repetition and variation of the impingement. Conscious reflection is the doubling over of this dynamic abstraction upon itself. The order of the connection of such dynamic abstractions among themselves, on the level specific to them, is called mind.

Indeed there are such doublings and such abstractions, but foundational is that this is not ALL that there is to mind. One can see right away that Massumi has made a right turn on Spinoza when he should have made a left, when he attempts to leverage a ghostly double out of Spinoza’s monism at the register of the body. Spinoza’s entire point is that the “body” is not what it thinks it is (and neither is the mind).

Again, these are tentative readings based on the temporal process of engagement.

Plotinus and the Degrees of Being Conception: Ennead V ii, 1

Ennead V ii, 1: On the Genesis and Order of Things Following The Proto

The Hen is all things
but not a single one [oudè hén];
for the arche of all things is not all things,
but in that particular way it is all things, that is to say thither
they run.
Rather, they do not yet exist,
but they will be.

How then does [it all] come out
of a Simple One which has in itself
no intricate appearance,
nor any kind of folds whatsoever?

It is because there is no-thing [oudèn] in itself
that through this out of itself come
all things,
that Being [tò òn] may be;

through this
he himself is not existing [ouk ón],
he, the progenitor of itself. But as such
this is the prime engendering.
Being complete,
to not seek, to not hold, to not need,
in some kind of overflowing,
and overplenteousness of itself
it has made [pepoíêken] another.

So the becoming to itself
is turned and filled,
born toward itself gazing, &
this is the Nous.
& the-standing-towards-that,
the Being of itself she made, as her view
towards itself is Nous.

As it stood towards itself, that it may see,
out of the same nous it becomes and Is.
This one
now being such as that one,
The likeness [tà hómoia] creates the potency [dúnamin],
pouring out the many
– and this image is of itself –
just as before

the prime of itself poured out.
& out of the substance [tês ousías] this energeia
Is the Soul, the becoming of that abiding
& so the Nous-of-the-abiding-before-itself
has become.
Yet not abiding she creates, but
Motioned she is born
a phantom [eídôlon].

However looking there, whence born,
she becomes full,
Advanced into another motion her contrary she engenders ,
a phantom of herself, sensation [aísthêsin],
the nature [phúsin] within natural things [en toîs phutoîs].

& not one thing before itself has been hung up, or cut off.
For this reason
it appears that the upper Soul comes
all the way into natural things.
For in any way she comes,
as if something of herself is in natural

But surely not all of her is in natural things,
but her coming
into being [gignoménê] in natural things
is in this way,
as far & so much as she advanced downward,
into the sub-stasis [hupóstasis]
her other
creating in her going out

and her eagerness [prothumía] for
what’s worse.
Then that before this,
that coming right out of the Nous,
Allows the Nous to abide in itself.

[the Greek text, édition Kirchhoff]

Why Plotinus?

Some recent posts on panpsychism, Spinoza and the such had me returning to the Ur-panpsychist, as least as I read the history of the thought. It was Plotinus who helped structure the very influential, non-dualistic, Neo-Platonist Christian theology of Augustine, to some degree safeguarding from heresy the conception of an ontology of degrees of Being throughout the Medieval ages and the Renaissance. But Plotinus is dramatically under-read, especially in view of his pivotal, and quite influential position within the history of philosophy. Part of this problem has I believe been due to the translation of his work, his writings/lectures compiled and edited by his student Porphry, The Six Enneads. This is not to say that the translations are poor (there are several recent translations out after a historical dearth), but rather that for me they often still grasp at something in the text emphasizing the wrong, or at least importune, threads. They can either verbosely, or somewhat sterilely isolate the “concept” in the writing, and ignore the texture of it, the dexterity and one might say, the luminosity.

For those interested in the history of panpsychism the above is a translation of a passage that is quite important to many of the thinkers that follow. One may recognized immediately aspects of Hegel (reflexivity to the One), Spinoza (radiating degrees of causal dependence upon the One), and even Deleuze (that things that will be “runs through” the One) and Badiou (how Being is created via the Nous) in the framing of the emanation of Being from the Hen. I hope to discuss some of these in future posts, as they are quite intriguing. I present this passage precisely because, although the Enneads is quite long (more than a 1,000 pages in some editions), it may all really come down to this passage (and a few others). If one grasps this, one grasps a whole historical thread of though stretching nearly 2000 years to the present, a thread that has repeatedly dipped beneath the fabric which is has sewn, only to appear again.

Also, this short passage allows one to deal with metaphysics straight on, in a condensed, small space, to try to take it whole and see what one can draw from it. One asks often, what good is metaphysics? Perhaps with this short passage (and another I hope to post), we can see what is being proposed, and even look to what it means for our very lives, the way that we look at and solve problems.

Notes on the Translation

Obviously, I put it into verse. The purpose of this is several fold. The first that the Greek itself if quite condensed, as the language tends to be, but also as the philosopher can push it; and poetry actually is probably the best formal approximation of this condensation of meaning and effect. The verse form forces a reader to pause and consider the kerneling of phrases, just as the Greek would require. In this sense, the line breaks hopefully serve to translate the relationship between the ideas present such that mere prose could not. In this vein I also tried to steer clear of excessive explication within the text itself. Translators of philosophy in Greek often “fill in” the meaning that they think is implied by word-use and word-choice, in effect erasing the fullness of what is being invoked. (With Plato this is disastrous.) Where the implications are open I tried to leave them as open as possible so that one could continue to think along with the writer.

As to the text itself there are several basic decisions I made:

To Hen: This is Plotinus’ crowning concept, and is universally translated as The One. Quite accurately of course. But because “hen” is also the aorist (past) participle of the verb “hiemi” which means anything from  “to set in motion,” “to hurl,” “to let flow, burst” even in context “to speak”, the Hen is The One, but also The-Having-Set-In-Motion. To restrict its conception merely to the former is to dramatically cleave its meaning. Even this simple translation difficulty I think has lead to a misreading of the very core conception of Plotinus’ view. So when thinking about the Hen, think of both a Oneness, but also a flowing out, an activity.

arche: Is both the principle and the origin. It is something like a foundation, but is more active.

(phuton) phutois: I translate this “natural things” instead of “plants” as many rightful translators do (as in the section that follows he makes the distinction between phuton and the animal without logos, the latter having the power of sense-perception. This is because I believe that Plotinus is not thinking of this plant or that, but rather of the entire profusion of “growth” that is shown in both plants and animals, the raw aspect of what we regularly call and imply by “Nature” per se. This is an important translation point for the general argument of panpsychism that I believe that Plotinus holds.

Nous: Of course this is “mind” often translated as “intellect”.

autos, etc.: Plotinus uses the reflexive to great degree here, and in more than one gender. I direct the meaning toward this itself, himself, herself, though it can also mean “the same” with obvious philosophical precedent.

There are several other points of translation where I differ from the main line, so perhaps as always, check with other translations to get the full spectrum of possible readings. For instance, I take care to maintain the shifts in gender accomplished here, where Plotinus moves from neuter Hen, to a masculine progenitor to a female engendering and a female soul, always looking back upon the neuter, itself.

The translation is not meant as anything to be taken as authoritative, but rather an experiment in form so as to largely provide a gateway for those interested in Plotinus who have not read him directly, and perhaps an occasion for thought, for those who have studied him more closely.

Why Mind/Body Dualism is Insufficient

Spinoza’s Notion of Inside and Outside: What is a Passion?

There is a primacy of inside and outside in the philosophy of Spinoza that provokes powerful lines of thought that reach far into the future of systems theory and autopoietic conceptions of Life, not to mention a general pragmatism of how to define an individual in the world, whether it be as a political or biological entity. Here I want to dig into one of the most suggestive of Spinoza’s definitions, one that cuts across his entire ontology of an ethics of power and epistemological increase.

Spinoza conceives of an Affect simply [an affectus which is a passio of the animus], a simplicity that is captured in his definition of Love:

Love is a Joy accompanied by [concomitante] the idea of an external cause. Ethics 3, Definitions of the Affects VI

We already know what Joy is:

Joy is a man’s passage [transitio] from a lesser degree of perfection to a greater one. E3DoA, II

This simplicity is something I have often returned to, something of it always slipping out beyond its immediate and apparent clarity. It seems to capture a dynamic of our experience (and Being) that is more than what it says, and thus there is something about it that in rather un-Spinozist fashion seems to resist explanation. I have to say though that my recent theoretically stretchings have given me a different understanding, one that opens up the definition and concept to a new clarity.

Notably, and this has bearing on any consummate notion of object, the delineation of inside and outside is explicit and fundamental to the definition. There are two parts to it. The first is a change within the object/body which has no explanation, an ontological shift in the real being of it. Spinoza calls this shift a shift in perfection, but increases in perfection in Spinoza are nothing more increases in the capacity to act…the body has become more active, less reactive.

So stage/part one is:

1. An increase in the capacity for activity of the body/object.

As to this, because it lacks causal explanation it could happen because of something internal to the object (some event), or due to something external to it (some event). And the effect is one of a definite change. Understanding Spinoza, this change is read as an increase in the coherence of the parts of the object. They, for whatever reason, harmonize with each other better, and in human beings and perhaps all biotic objects, this is experienced in some way as a Joy [Laetitia].

The second part – and it is important I think to see that this is not second in time, but constitutive of the first part – is specific to the inside/outside divide.

2. A change that occurs within the object which refers to, reflects, represents or signifies what in terms of the object/body is an external state.

Something happens within the object/body which orients it towards something considered by the internal relations of the object/body to be outside of them. Several questions arise regarding the nature of this “idea of an external cause”, some of them opening up paths that philosophy has taken since the coming of Descartes. There has been a tendency to view this “Idea of an external cause” as a Representation of something in the world. I think that this is to the debilitation to the point that Spinoza is making, forgetting the nature of the Scholastic debates that he is at work resolving. (In fact, it is not even clear that Ideas in Descartes himself should be read exclusively, or even specifically as representations.) What Spinoza has in mind here is much better understood in terms of Signification, and not Representation, that is, semiotically. This is to say that internal to the object/body, concordant with a change in its harmony of parts, is a semiotic change, a change which is “a difference that makes the difference” which not only recursively indicates consequences to be followed within, but indicates, or in some sense is taken to be the effect of,  states outside the horizon of its boundary. Thus, internally, the change in a harmony of parts becomes a semiotic change which confirms the boundary of inside and outside, linking that effect to its boundary and some event beyond it.

So really, in a passion, we have three parts or aspects.

1. An internal change of the harmony or coherence of parts.

2. A semiotic change internal to the object/body.

3. The two aspects together produce a reinforcement of the inside/outside boundary along the horizon of its nexus.

Now Spinoza’s beginning point is that all of modal expression, the whole of concrete Being is fundamentally conjoined. Which is to say that any particular inside/outside delineation, although concrete and real, is also only partial in understanding. What he wants us to see is that even in the Passion of Love when there is a real increase in the harmony and coherence of our parts, and in that increase a semiotic change which appears to connect that inside to some outside event or state, this very inside/outside delineation, while the vehicle of our increases in power is also the condition of our limitation, a necessarily passive isolation of perspective, an Ultimate Negative theology of the specific ways of Being. We can only make internal semiotic changes to a particular limit of our capacity to act.

There is something in Spinoza’s definition of Love (and Sadness) which directs our attention away from the external state which is signified to have caused the internal change. Thus,  in the fashion of Chrysippus’s cylinder (Cic. De fat. 43), (which can change its reactive propensity to roll down hills by changing its internal relationship of parts: i.e., if it were rectangular it would cease to roll when hills were encountered), a contrary turn of our attention to external causes for Spinoza presents us with a fundamentally passive understanding wherein the power of our condition seems reliant upon the presence or absence of an external state. In cases of our concrete dependencies this cuts two ways: 1) the absence of oxygen will make us quite sad (as we cannot reconfigure our internal relations such that we do not need oxygen), 2) the absence of our new Ferrari might very well be something that we can internally overcome (our sadness is not necessary).

But I would like to move toward the first part of Spinoza’s definition, the change in the harmony of our internal parts, for it is here that question of dependency opens up something other than this dichotomy of relative freedoms (not free from oxygen, free from Ferraris). In Spinoza’s ontology of effects it is important to keep an eye on the fact that even in concrete inside/outside delineations which constitute an object/body, the external event is already connected to the internal event (regardless of the internal signification of what lies beyond it). When a pin pricks my skin and my body undergoes a great number of physical changes which indicate to itself that something external to it has caused a change in the harmony of its parts, this could not occur unless the pin and my body were not already in conjunction in some manner (for Spinoza  this ultimately comes down to both being expression of Substance). The event of the puncture is merely one that makes us aware of this connection, and what Spinoza wants us to see is that the more adequate (harmonious) our internal semiotic changes, they more they work in ways that embrace this mutual connection. Which is to say, the more that the inside/outside boundary is enforced through internal relations, and the more powerful and active these relations, the more this inside/outside boundary is surpassed.

So for Spinoza the more harmonious the intra-relations in an object or body, the more harmonious the inter-relations between objects/bodies, and this is because at least in some sense any two object/bodies already form something an object/body themselves. In combination, their parts are in communication, and this communication forms its own essential harmony.

It is for this reason that I find that the very best way of reading Spinoza’s approach to the nature of object/bodies is something of a cybernetic one. Whatever concrete inside/outside delineations which seem to constitute a body are ever redrawable to more powerful subsumptions. This does not mean that all the objects collapse into one great soup of effects, for this expression is highly structured and historically specific. The pathways of determined and mutual connection, the specific closures of inside and outside, are not illusions, but only partial perspectives, in the way that a worm in the blood is ignorant of the body that it is in, and the nature of the dependencies of its condition (as Spinoza says to Oldenburg, letter 15/32).

What Spinoza’s combinative ontology of bodies suggests is a view wherein any powerful connections we make with other objects in the world, whether they be “natural” objects such as rocks and trees, or technological objects such as automobiles, or scientific instruments, or cultural objects such as holy texts, or voter ballots, or animal objects such as pets, or endangered species, our senator, our child, these combinations are to be seen and experienced as real, physical combinations of whole cognitive bodies. Our body and the bodies that we combine with assemble a new body (for us new), a mutuality of effects. I discuss elsewhere, and I will expand on the point in time to come that these mutuality of effects are necessarily those of epistemic closure, the way that we inhabit other things and they us, in order to discover connections in the world.

Greatly though, as per my recent thinking on Coinjoined Semiosis, this very inside/outside cognitive barrier itself is problematized in a way that Spinoza did not thoroughly appreciate, if at all conceive of (although his metaphysics lays the groundwork for its analysis). This is to say, yes, in following Spinoza there is a fundamental inside/outside horizon of objects which is cognitively determinative. Yes, the semiotic ordering of our internal parts as it pursues harmonic cohesion is ever reinforcing the boundary between itself and the world, perhaps in terms which link as best as possible the connection between the inside changes to events outside. And lastly yes, understanding the nature of our dependency paves the way for a cybernetic understanding of how our bodies cognitively and affectively combine with other bodies in fluctuating epistemic horizons of their own. But the inside/outside cognitive barrier is even further problematized.

The reason for this is Conjoined Semiosis. There are events, perhaps even a plethora of events which are internal to the cognitive whole of a body, swathes of semiotic differences which make THE difference, which are already participating in other cognitive boundaries which intersect the inside/outside horizon. So, semiotic parts within our body are operating with a relative incoherence to ourselves, while still maintaining a relative harmony to themselves only discoverable by viewing the other cognitive wholes in which they participate and inform. In this way, the causes of these semiotic disruptions are both internal and external to the assembled body, running across its fabric like so much cross-weft, ready to be tugged from both within and without.

In this manner such disturbances point to the very insufficiency of the inside/outside horizon, the incompleteness of its view. When resolute, the inside/outside boundary will be destroyed, given enough invading variance. When flexible and transformative, the semiotic tugging will actually reveal the already constituted mutuality of shared material the enfleshed conjoinment of investments, leading to an expanse of what it means to be a Self.

In a sense, the binary of Subject/Object which plagues so many of the Idealist informed philosophies which followed from Descartes is cross-cut. It is not merely that the Subject and the Object combine like two oscillating bodies around a single center of gravity between them, but rather and also that laterally, obliquely, loxogonispherically – to use my favorite word in the history of words, by the grace of Sir Thomas Urquart – a fabric of interweave is already under assemblage. Much of this cross-weave is invisible, and necessarily will remain invisible, but insofar as contingently the tides of other bodies in interaction with the same world as our own work at vectored variance with our experiences, these semiotic pulls will be experienced as both outside of us and within us. Forcing us to expand or collapse.

What Spinoza’s definition of a Passion, in particularly the Passion of Love (or Sadness) does is direct our attention not only toward within, and the very generative matrix of the conditions of our freedom, or without at the apparent locus of our engagement, but towards the horizon itself. The result is not just that in our internal workings, our self-reflections, we think of how to overcome this horizon in a vertical way searching for a hierarchical understanding of what subsumes both of us (my body, and that body), like a body contains its cells, a society its citizens; or even that we turn toward the productive cybernetics of finding more and more bodies to become cognitively cybernetic to (both of these are informative). It is also to our understanding to look at the investments oblique to the very border concept we have which gives us a sense of the priority of the object above all else, a priority which casts it shadow across metaphysics in the illusionary binary of Being and Non-Being. It is the partiality of very specific, concrete, semiotic investments across bodies, the way that we incompletely invade and are invaded by others, which serves as a groundwork for a real mutuality of action.

Where there is a strict and strong experience of Inside and Outside, that is when the oblique investment is most obscured, and has its greatest, unconscious effect.

Pythagorian Spinoza?

Leibniz’s Summation

Of some significance, here I post a summation of Spinoza’s philosophy, as passed through the mouth of a loyal friend, Tschirnhaus, and as relayed to Leibniz in 1675, originally published in English by Wim Klever. It draws out some curious Klever might say esoteric aspects of Spinoza’s thinking. Most distinct about it is the notion that Spinoza held a Pythagorian idea of a transmigration of the Mind. Besides the obvious distortions that can be brought about through one man telling another man what someone else believes, there remains the possibility that the account is somehow intentionally colored in details, either to couch Spinoza, or to put him in a personally favorable light:

As Klever relates:

“In spite of Spinoza’s warning that Tschirnhaus should be reluctant in communicating what he had received for private use, we know that Tschirnhaus nonetheless revealed many secrets to the inquisitive Leibniz. This appears from a note written by Leibniz which he must have made shortly after a meeting. I think it worthwhile to quote this note here in full because it enables us to see how Spinoza’s doctrine was perceived, understood, and explained by his friends and followers in or around 1675. A second reason is that this note which is not known by many scholars and iis not yet available otherwise in English contains several interesting points which cannot be found elsewhere and is also for that reason relevant:

Sir Tischirnhaus told me many things about the handwritten book of Spinoza. There is a merchant in Amsterdam, called Gerrit Gilles [Jarig Jelles] I think who supports Spinoza. Spinoza’s book will be about God, mind, happiness or the idea of the perfect man, the recovery of the mind and the recovery of the body. He asserts the demonstration of a number of things about God. The he alone is free. He supposes that freedom exists when the action or determination originates not from an external impact, but only from the nature of the actor. In this sense he justly ascribes freedom to God alone.

According to him the mind itself is in a certain sense a part of God. He thinks that there is a sense in all things to the degrees of their existence. God is defined by him as an absolutely infinite Being, which contains all perfections, i.e. affirmations or realities or what may be conceived. Likewise only God would be substance or a Being which exists in itself, or which can be understood by itself; all creatures are nothing else other than modes. Man is free insofar as he is not determined by any external things. But because this is never the case, man is not free at all, though he participates more in freedom than the bodies.

The mind would be nothing but the idea of the body. He thinks that the unity of the bodies is caused by a certain pressure. Most people’s philosophy starts with creatures, Des Cartes started with the mind, he [Spinoza] starts with God. Extension does not imply divisibility as was unduly supposed by Descartes; although he supposed to see this also clearly, he fell into the error that the mind acts on the body or is acted upon by the body.

He thinks that we will forget most things when we die and retain only those things that we know with the kind of knowledge that he calls intuitive, of which of which only a few are conscious. Because knowledge is either sensual, imaginative, or intuitive. He believes a sort of Pythagorical transmigration, namely that the mind goes from body to body. He says that Christ is the very best philosopher. He thinks that apart from thought and extension there are an infinity of other positive attributes, but that in all of them there is thought like here in extension. How they are constituted cannot be conceived by us but every one is infinite like space here (“Spinoza’s life and works” Cambridge Companion to Spinoza, 46-47)


I posted below some rough thoughts I had some time ago, and their related Spinoza texts. Klever’s evidence of a kind of at least percieved Pythagorian transmigration adds an esoteric meaning to Spinoza’s mathematization. And while I cannot conceive how such a transformation could be understood within the propositions of the Ethics [on what account is the preservation of identity maintained], it does give conceptual context for some of the more difficult to interpret passages on this issue.

Notable as well is the summation’s deviation from Spinoza’s theory of the three knowledges as found in the Ethics. Here, the trinity of “imaginary, rational, intuitive” has become “sensual, imaginary, intuitive”. Assuming an accurate translation of the passage, this may give some clue to the differences of Spinoza’s treatment of the Imaginary and Order (spoken about here, in Spinoza’s Two Concepts of Order). Professor Della Rocca in correspondence had affirmed his belief that Spinoza is somewhat inconsistent in his treatment of “order” in the various parts of the Ethics. What is suggested by the Leibniz summation, perhaps, is that even the rational, propositional conception of true and free in Spinoza is still imaginary; this may be linked to Spinoza’s variation on whether we can or cannot ever have wholly Adequate Ideas.

Spinoza, On The Immortality of the Soul

Controversially, the question of the immortality of the soul/mind arises in Spinoza’s writings, and with it the definition of personal identity. At one point he takes up thoughts about a poet who has, in an Altzheimer’s way, has lost contact with his person. In what sense is the poet still himself? To answer this, Spinoza argues for the existent essence of non-existent modes, a position which Deleuze sums as such:

“A mode’s essence is not a logical possibility, nor a mathematical structure, nor a metaphysical entity, but a physical reality, a res physica. Spinoza means that the essence, qua essence, as an existence. A modal essence has an existence distinct from that of the corresponding mode.” Expression in Philosophy (192)

Despite Deleuze’s assurance that this reality is not mathematical, Spinoza does take recourse to mathematical analogy to make clear his meaning, for instance (cited below), the existence of essence of an infinity of equal rectangles within the essence of a circle (Theorem 35, Euclid) which exist even if only one or even none exist modally.


So the essence of a mind is said to exist within the mind of God, eternally, despite its own limited duration. What this does is give the human mind a kind of eternity, an existence outside of the brief flicker of expression, but what this also does is place that eternal existence in relation to all other essences, of all other things, animate and inanimate, which are also produced by God/Nature. The human mind is eternal in essence as all other things are eternal in essence. But further, (as is shown in the note to EIV39 below), identity itself, our preservation of ourselves as ourselves in duration, is also not guaranteed, and is in fact likely an illusion of perspective. Just as his Spanish poet has died to himself, despite the continuity of his body, unable to recognize even his own writings, we too would only be an infinite series of eternal essences – slight modifications of a rectangle within its circle – defined only by our momentary consonance of parts – both ideational and extended. It is not so much that Spinoza has awarded undue eternity to the human mind, but rather has radically (categorically) undermined the basis upon which the human mind privileges itself to be unique among things in this world, given eternal life, but a life fused with all other things, capable as alien to its own “past” as akin to another thing. I list below relevant passages and definitions to this thinking:

EV29- The human mind cannot be absolutely destroyed with the body, but there remains of it something which is eternal.

(Proof) There is necessarily in God a concept or idea which expresses the essence of the human body, which, therefore is necessarily something appertaining to the essence of the human mind. But we have not assigned to the human mind any duration, definable by time, except insofar as it expresses the actual existence of the body, which is explained through duration, and may be defined by time – that is we do not assign to it duration, except while the body endures. Yet there is something, notwithstanding, which is conceived by a certain eternal necessity through the very essence of God; this something, which appertains to the essence of the mind, will necessarily be eternal.

EIV39note – …But here it should be noted that I understand the Body to die when its parts are so disposed that they acquire a different ratio of motion and rest to one another. For I dare not deny that – even though the circulation of the blood is maintained, as well as the other [signs] on account of which the Body is thought to be alive – the human Body can nevertheless be changed into another nature completely different from its own. For no reason forces me to think that the Body does not die unless it is changed into a corpse. And, indeed, experience seems to urge the opposite conclusion. Sometimes a man undergoes such changes that I should hardly believe that he was the same man. For example, I have heard tell of a Spanish poet who was struck by an illness; though he recovered, he remained so oblivious to his past life that he did not believe the tales and tragedies he had written were his own. He might have been taken for a grown-up infant had he also forgotten his native tongue.

EIp8 – By eternity, I mean existence itself, insofar as it is conceived necessarily to follow solely from the definition of that which is eternal. (Explanation) – Existence of this kind is conceived as an eternal truth, like the essence of a thing, and, therefore, cannot be explained by means of continuance or time, though continuance may be conceived without a beginning or end.

EIp24- The essence of things produced by God does not involve existence. (Corollary)… God must be the sole cause, inasmuch as to him alone existence appertain.

EIp25 – God is the efficient cause not only of the existence of things, but also of their essence.

EIIp8 – The ideas of particular things, or of modes, that do not exist, must be comprehended in the infinite idea of God, in the same way as the formal essences of particular things or modes are contained in the attributes of God. Note – If anyone desires an example to throw more light on this question, I shall, I fear, not be able to give him any, which adequately explains the thing of which I here speak, inasmuch as it is unique; however, I will endeavour to illustrate it as far as possible. The nature of a circle is such that if any number of straight lines intersect within it, the rectangles formed by their segments will be equal to one another; thus, infinite equal rectangles are contained in a circle. Yet none of these rectangles can be said to exist, except in so far as the circle exists; nor can the idea of any of these rectangles be said to exist, except in so far as they are comprehended in the idea of the circle. Let us grant that, from this infinite number of rectangles, two only exist. The ideas of these two not only exist, in so far as they are contained in the idea of the circle, but also as they involve the existence of those rectangles; wherefore they are distinguished from the remaining ideas of the remaining rectangles.