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Avatarship and the New Man: Reading Ideology, Technology and Hope

Adrian at the eco and vitalist friendly Immanence has posted some thoughts on Avatar worth directing our gaze over to, as they are in some consonance with my own which I am still mulling: Avatar: Panthea v. the Capitalist War Machine: Bambi Fights Back. Some of his response is in consideration of Russ Douthat’s op-ed review, which I will not entertain here, mostly because I do not like New-York-Times-speak, and actually refrain from reading it when I can. (There is something mind-benumbing about how the Times – its op-editors included – aesthetically presents “thought”.) My resistance to the Times aside, Adrian makes 5 or so which I reproduce here:

  1. Douthat thinks that that’s mainstream and that Hollywood is fully behind it, but it’s really still the insurgent religion to muscular Christianity and militarist nationalism. This is one of the rare films in which the Goddess (Mother Nature & the Natives) takes on the Capitalist War Machine and… well, you’ll have to see who wins.
  2. The good white boy messianically leads the natives in rebellion against their overlord invaders — which makes it Christmassy in more ways than Douthat’s Solstice-timed op-ed suggests.
  3. The Na’vi and their planet, Pandora (Pan-Thea, the tree-forest-rhizome-neural-network Goddess and World Soul, Pandora whose box, when opened, unleashed a million megatons of reality on humanity — it’s pagan mythology with a sledgehammer; gotta love it).
  4. The ethnographic theme — the translation/mediation between two opposed cultural worlds, science and anthropology’s dependence and ultimate answerability only to empire/colonialism/militarism, and the cultural intermediary’s desire to go native, is overly stereotypical but, for the Hollywood thriller format, not badly done. It will propagate the gone-to-Croatan meme for a new generation.
  5. Ideology: Behind it all is the Spielberg factor, i.e., that the overt message (‘Man vs. Nature’, or rather high-modernist techno-capitalism vs. Body-Shop-nature-tech) is undercut by the implicit message that it is science, technology, and Hollywood magic — the Image Industry, the Spectacle — that enchants us and brings us what we really want. And they bring us new life, maybe eternal life, through the New Age science of neuro-energetics, gene-splicing, virtual-reality, and all the rest. ‘Jake Sully’ the Na’vi avatar (not the marine) is, after all, a zombie: his body is a remote-controlled, genetically-engineered robot.

As you can tell from my original review, yes, the film is loaded. And I really like many of the features Adrian brings out. It is a smörgåsbord for anyone seeking to make a symptomatic reading of either the film or, via its achievement, our society.  One can pick and choose any number of dishes and fill your ideological/critical plate. I can’t really address the first two of Adrian’s points other than to say that the contradiction between the two forms of Christianity and whiteness perhaps performs a framework for what becomes an absolute and aesthetic multiplicity. I say “a” framework, and not “the” framework, because I sense that there is a narratological overload that Cameron’s film is operating by, one which can be dichotomized in any number of mapped directions. The counter stories that are embedded in their very lamination, our mythological heritage (which for moderns is made up of cinema), they bristle almost with fracticality underneath as stereotypes wrestle with becoming archetypes, becoming, more importantly. allegorious beings. There is in this film a cartological confusion, as if satellite images all selecting out different features of a landscape were layered confusedly upon each other, combined with some hand-drawn maps of significance, and then animately shuffled through, to expose the alter of our world. The very impacted yet temporally spaced nature of the plot features, perhaps inspired by video-game modulation, serves both as our disorientated potential for renewal, and hone’s our ideologically trained animal-like senses into expert tracking and thus, directed experience. (We scent THIS ground, like an idealized native american hunter, noticing every twig snapped.) This is our land.

I am mostly interested in the last three points: going native, going zombie and going goddess. It is correct I think to mark out the “remote control” aspects of these plot features, it is worth pointing out that the war-machine also had remote-control experiences which extended itself out into environments. It is more the case that if Pandora represents a battleground of a kinds, it is one of a race to seal the breach which is implied in the “remote” in remote control. It is a story of connectivity conducted under a technological matrix which imposes upon its viewer the very conditions under contest narratively. Oddly enough it puts the viewer ecstatically and epistemologically in something of the moral (I want to say, but am not allowed to) position of actant in an enhanced world. What do I mean by this? Spinoza says that when we regard something to be “like” us we become affected with whatever it is experiencing. This is a primarily feature of the aesthetic experience, and I would say groundwork for how we know anything about the world at all. Thus there is something to the alien experience. That is, the dis-embodiment of environments that propels the mind further, tendrilling our knowledge out like so many Pandorean root-synapes, to similarities. Avatarship is a primary relationship to the world, and as such requires the fundamental plot point of the film, that we must be able to become our avatars, and not just inhabit them. We must recognize our bodies in them, not reflexively as if glancing in the ideological mirror, but kinesthetically, mutually.

As I have pointed out in the comments section to Adrian’s post, Cameron spent seven years scuba diving after the wealth the film Titanic brought him. One can easily recognized the diving features of the film, in particular when Sully first playfully and childishly smacks luminescence to stimulate it. A junior diver is the one that touches everything (often killing it to some degree). But it is not the portrayal of diving that Cameron was after, I suggest. It was the kinesthetic transferral, the displacement, the suspension, the alien drift, the wobbly wonder that bombards a diver, no matter how experienced. When every single living thing in an environment is physiologically superior to you. When every single living thing is aesthetically more beautiful. When your own suspension is technological and precarious before what can only be called a witnessing. The effect is ecological. Not in any ideological sense, but in a theorein manner. The spectacle is not remote, it attaches with all the physicality as the Na’vi attatches to its ride animal. It is an over-sense.

I think that this is a message in the construction of this film. Indeed the ideological and plot-character layerings work to dis-fuse the viewer in any number of directions, sending her or him into sweet spots of recognized cover, core inter-relation. But this is only a means for the potential to remove the “remote” in remote control. To assume the avatarship of one’s life. For this reason the racial component is an interesting aspect of the plot telling. There certainly is a “white” amid the ethnicity (and animality). But I think we should be careful not to polarize this into an essential binary (there is a “male” as well, and also a “class”). Instead what the experiments of technological achievement suggested by the film imply is something of the order that anatomy IS destiny, or rather, anatomy is possibility. Sully must take on the anatomy of another species in order to perform their world. Ultimately though, our anatomy is our technology (and not just our signification). Our bodies are made of the fibres, and switches, and tempos of all that extends us into the world. “White” is simply that which consciously refuses this dis-location as a mode of its own affect control. In this way there can be said to be something “white” in the Na’vi as well.

We must transmute our anatomies before the alien of the world. For those viewers that granted innocence to the film, Cameron already has performed a first transmutation. And sometimes those who have not logged hundreds of hours in the technology are better suited for the avatarship.

The Condensation of Specificity: Paul’s Use of “stoicheia”

Paul’s Rhetorical Use of “stoicheia” in Galatians 4:3,9


When contemplating the rapid spread of Christianity, thought often turns to the brilliance of Paul. How else can one account for the meteoric rise of what was initial a local Jewish cult, to the level of a pan-Hellenic spiritual force, if not for that particular conceptual brilliance found in his letters to the early churches? Part of this attribution is making much of what evidence we do have, in absence of other facts, in that the nature of early Christianity remains a mystery. Be that as it may, I would like to participate in this notion that there is something in Pauline writings, the unique way that he was able to handle the pre-conceptions and spiritual needs of a historically diverse audience, as he sought to apply a theology abstracted from the life and teachings of Jesus. In particular, I am taking up his use of a term, the stoicheia, whose translation has received much debate (α), in order to expose the very dextrous nature of his argumentative strategy, the condensed and conceptual subsumption that helped him translate a cult of Judaism into a universally applicable, yet historically defined, message.

My focus is found in the image of slavery that opens the fourth chapter of Paul’s letter to the Galatians, (4:1-9) (β). Here Paul forms a powerful rhetorical condensation, one which expresses the status of those that were “under the law” hupo nomon (4:5). The occasion of his writing is that some of the church are being tempted to undergo circumcision in Paul’s absence (6:12), and Paul is arguing that in Christ no longer are followers subject to the dictates of the Torah. But something more complex is happening here. The nomos is not just the law, be it civic or religious, but the word also means “custom,” the way of doing things. Here he compares the past way of doing things to the status one has as a child, and an heir of an estate (4:1). Though in law an heir, one is also under the authority of “guardians and trustees” (epitropous, oikonomos), a status no different from that of slavery itself (4:1), a slave of slaves. Honing his image, he then tells the Galatians what we were slaves to from the start, the stoicheia of the universe (tou kosmou, 4:3). In seeking to circumcise themselves the people of Galatia risk falling back into a childhood imprisonment to the stoicheia which act as guardians and housekeepers. But what are, or who are the stoicheia of Galatia?

Around this term there has been controversy. For instance Eduard Schweizer has argued against the Revised Standard Version translation of the phrase, “elemental spirits of the universe,” by examining the way that the term had been used throughout Greek and Roman philosophy, from Empedocles to Plutarch to Philo (γ). At most it is to mean the elements of the natural world (for instance fire, water, earth and air), and as such the stoicheia are only powers “feared but not worshipped,” quite distinct from a “group of demons” or spirits governing the world through agency (46eight). In contrast to this sense of natural powers, Clinton Arnold points out that the term stoicheia had a very specific meaning in magical and astrological texts of the era (δ). He cites the Greek Magical Papyrii (PGM IV .40-41) where the term stoicheia are the demons that rule every ten degrees of the zodiac, called “astral decans,” and to which a letter of the alphabet was assigned (57-5eight). This technical meaning of the term was widespread in occult texts of the Roman empire, and is even found in the magical Jewish Testament of Solomon as referring to the same “36 decans also called ‘demons'” (p. fifty-eight) (ε). The question naturally arises: Is “being under law” simply being subject to the forces of the world, the material elements which threaten and batter our lives, or is it being subject to a hierarchy of demons which “by nature are not gods” (4:8)? I suggest that to attempt to answer this kind of question with some finality is precisely to lose out on the brilliance of Paul’s rhetorical, and also conceptual, strategy. 

In order to unpack the image of childhood and slavery before the law, one has to consider to whom Paul is writing, and the religious milieu into which Christianity has entered to compete. For instance it is tempting to assume that because Paul is writing about circumcision, and warding off of the implementation of Jewish Law, when he speaks of the Law, he is speaking solely of the Torah and its traditions. But in Galatia the dominant cult tradition for nearly the past millennium was the worship of Agdistis (or Roman Cybele), the Great Mother Goddess. Indeed, at the time of the writing of his letter, the cult of Cybele had long spread from Asia Minor, across the Roman Empire, been Hellenized, and had swept back into the region in a wave of re-insemination, as attested to by the excavations at Gordion (see Roller) (ζ). Indeed, if there were a single Hellenic and Asia-minor cult, it was the cult of the Great Goddess Mother, and Galatia at the time of Paul was a historical center; as Susan Elliott writes, “the ‘region of Phygia and Galatia” (Acts 16:6, 18:33) was dense with local expressions of the Mother of the Gods. The list of places in Phygia that show evidence of devotion to the Mother of the Gods basically covers the map” (673) (η). No reference to the law, custom and powers would not include at least a connotative reference to this proliferate deity.

Given this ubiquity, one should hold as relevant that the Mother of the Gods was, throughout the Hellenic world, strongly associated with the keeping of civic authority, at times literally holding that authority and documentation within her temple.

In a number of instances, her temple (Mētrōion ) housed the state’s written records or was associated with protective enforcement. The most prominent example is outside of Anatolia, at Athens, where the temple of the Mother of the Gods adjacent to the bouleuterion was the city’s archives for records such as property deeds and wills as well as laws (Elliott, 675)

 So when Paul talks of inheritance of an estate, and being subject to the law, there is not only a theological point being made, but rhetorical condensation of cosmological forces, and a literal and judicial reality, two things that the modern mind most readily keeps apart. Further, as Paul equates the spiritual minority of believers to slavery, a slavery that was to the principles of the universe, one would imagine that the people of Galatia would turn in mind to the temple state of Pessinus, holy to Agdistis, in Northern Galatia. For of it, as Elliott writes,

In such temple states, many of the residents were referred to as “sacred slaves” (heirodouloi). One especially significant form of a “slave” (doulos) of the goddess was the self-castrated gallus…While under possession of her influence, they castrated themselves. After they put on a special clothing interpreted as female garb (675) 

As we can see, while the immediate topic of Paul’s is circumcision and a “return” to Jewish law, the rhetorical condensation of images is that of falling under the rites and powers of the Goddess Mother, wherein circumcision becomes conflated with castration and feminization; telling then is Paul’s rather un-Christian sounding curse, “As for those agitators, I wish they would go the whole way and emasculate themselves!” (5:12). The return to the nomos of a Jewish revival, among gentiles, becomes for Paul a falling back into the entirety of a previous Aeon, one in which civic authority, the ubiquity of Roman Law, and the castrating figure of the Great Female Goddess, a world ruled by elements of nature, and yes, even a hierarchy of astrological demons, the stoicheia, all collide into a rhetoric of very precise offices and states, which are nonetheless cosmological.

To the consternation to scholars it is not that Paul is vague in reference when he fashions the status “born under a woman, born under the law” (4:4) or the image “in slavery under the stoicheia of the universe” (4:3). Rather, he condenses in these phrases all of their exact and historical manifestations: thus, in image the nomos is both laws kept as records in goddess temples, and customs given by the Torah. He so concludes his reproach of stoicheia by calling them “weak and miserable” asthēne and ptōcha “beggarly” (4:9) (θ), because they are to be seen in their specificity, but as powers to be reckoned with. Paul’s final appeal is not ontological-that is, the stoicheia do exist, as would be obvious to his audience-but in terms of authority and historical change itself. Christ, in the end is a much better Lord to be the slave of (1:10), for he has the greatest power, having been born of a woman and the law, but having overcome them.


I argue that in the example of the stoicheia of Galatians, in its multiplicty of reference, we come in contact with two things. The first is that the minds of antiquity likely did not categorize things of fact in the same way that we as moderns do. The stoicheia of the universe could at the same time be simply the elements of nature, a fire that breaks out in the house, the crashing of waves on the sea that dash a ship, but also could be the influence of a demonic force, or even the agency of a decan of a specific astrological degree. These are not best seen as competing theories, one of which Paul might have had in mind. In the same way, the nomos is many things, none of which excludes the others. At times it is the Roman authority as much as it is the occult practices of a covenant made between a far-away people, and God. Paul was able, through his rhetorical brilliance, not only fashioned a theology which in its broadest conceptual terms, inspired diverse people, but also was able to speak in very concentrated tropes and images which subsumed a great variety of social facts, many of which would have had specific influence on the daily lives of converted believers. It is in this remarkable skill that some of Christianity’s capacity to convince resided.



α. The most natural English of the word is perhaps simply “element” as it applies fundamentally to parts put in a row, or an order, applying to sounds of speech, letters, components of matter, hours of the sundial, stars, principles of geometry, coins, to name a few. A Greek-English Lexicon. Compiled by Henry George Liddell and Robert Scott., New (ninth) ed., henceforth, LSJ.

β. What I am saying is that as long as the heir is a child, he is no different from a slave, although he owns the whole estate. 2 He is subject to guardians and trustees until the time set by his father. 3 So also, when we were children, we were in slavery under the basic principles [stoicheia] of the world. 4 But when the time had fully come, God sent his Son, born of a woman, born under law, 5 to redeem those under law, that we might receive the full rights of sons. 6 Because you are sons, God sent the Spirit of his Son into our hearts, the Spirit who calls out, “Abba, Father.” 7 So you are no longer a slave, but a son; and since you are a son, God has made you also an heir. 8 Formerly, when you did not know God, you were slaves to those who by nature are not gods. 9 But now that you know God-or rather are known by God-how is it that you are turning back to those weak and miserable principles [stoicheia]? Do you wish to be enslaved by them all over again? (all cited, all Greek text and biblical translations are from New International Version, found in The Interlinear NASB-NIV Parallel New Testament In Greek and English, ed. A. Marshall Zondervan Publishing House, 1993).

γ. Eduard Schweizer, “Slaves of the Elements and Worshippers of Angels: Gal 4:3 and Col. 2:8, 18, 20,” Journal of Biblical Literature, Vol. 107, No. 3. (Sep., 1988), pp. 455-468.

δ. Clinton E. Arnold, “Returning to the Domain of the Powers: “Stoicheia” as Evil Spirits in Galatians 4:3,9,” Novum Testamentum, Vol. 38, Fasc. 1. (Jan., 1996), pp. 55-76.

ε. Such evidence helps Clinton conclude that the stoicheia are best understood as deceiving evil demons commensurate with the “principalities and powers” of Ephesians 6:12 (75).

ζ. Lynn E. Roller, “The Great Mother at Gordion: The Hellenization of an Anatolian Cult,” The Journal of Hellenic Studies, Vol. 111. (1991), pp. 128-143.

η. Susan M. Elliott, “Choose Your Mother, Choose Your Master: Galatians 4:21-5:1 in the Shadow of the Anatolian Mother of the Gods,” Journal of Biblical Literature, Vol. 118, No. 4. (Winter, 1999), pp. 661-683.

θ. The term literally means something like a “cringer” as in one who bends. LSJ: “II. as Adj., beggarly, “ptwxw=| diai/t$” S.OC751; “p. stoixei=a” Ep.Gal.4.9: c. gen., beggared of, poor in, [“phgh\? p. numfw=n” AP9.258 (Antiphan.)”.

Works Cited

Arnold, Clinton E. “Returning to the Domain of the Powers: “Stoicheia” as Evil Spirits in Galatians 4:3,9.” Novum Testamentum, Vol. 38, Fasc. 1. (Jan., 1996), pp. 55-76.

Elliott, Susan M. “Choose Your Mother, Choose Your Master: Galatians 4:21-5:1 in the Shadow of the Anatolian Mother of the Gods.” Journal of Biblical Literature, Vol. 118, No. 4. (Winter, 1999), pp. 661-683.

The Interlinear NASB-NIV Parallel New Testament In Greek and English. Translated and edited by A. Marshall. Michigan: Zondervan Publishing House, 1993.

A Greek-English Lexicon. Compiled by Henry George Liddell and Robert Scott. New (ninth) edition. Oxford: Clarendon Press, 1996. S.v. “ptwxo/j” and   “stoixei=on.”

Roller, Lynn E. “The Great Mother at Gordion: The Hellenization of an Anatolian Cult.” The Journal of Hellenic Studies, Vol. 111. (1991), pp. 128-143.

Schweizer, Eduard. “Slaves of the Elements and Worshippers of Angels: Gal 4:3 and Col. 2:8, 18, 20.” Journal of Biblical Literature, Vol. 107, No. 3. (Sep., 1988), pp. 455-468.