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Graham Harman’s Bad Poetry

Harman makes a note of the criticism no doubt someone has directed towards his writing:

Another example is when people accuse a philosophical text of degenerating into “bad poetry” (this is a popular one). The people who use this phrase would be no more supportive of good poetry than of bad; they simply want to exclude all poetry from philosophical work. Yet they can’t say: “But that’s poetry!”

I have to say this certainly isn’t a criticism I have leveled at Harman’s writing, though I have been very cautious in aesthetically judging the quality of his sometimes profuse use of adjectives and sensuous illustrations. Honestly at times the verge on the edge of “bad poetry”, and Harman himself has laughed at some of the phrasing he uses in the Vicarious Causation essay. As a poet and a fiction writer I would never exclude the poetic from the expression of a philosophical discourse, but one does have to separate the argumentative claim from its rhetorical force expression, and if the rhetoric is bad poetry, overripe, indulgent, sophomoric, well…its just bad writing. But as well I believe that the metaphors one uses to convince most certainly should be both examined and critiqued, just as they would be in poetry, especially if the theory is of the opinion that metaphors mean something and are the primary ways that all objects interact (as Harman has suggested). I find Deleuze and Guattari quite poetic, and to very good effect. One is swept up in the materiality of the expression and the transformation. Foucault can be like this, and many others. What Graham likely hides in this minimization of the “bad poetry” critique is that he believes he is a better writer than most philosophy writers (he has said that he refuses to apologize for writing so well, when the question of his metaphors has been brought up). I would say that Harman’s writing rises to the level of “entertaining” but seldom breaches the realm of Poetry, and when it does, well, perhaps it is bad. Perhaps it would better to characterize it as bad sports writing.

In the same post Harman goes on a nice rant about the nature of Vampires and Grey Trolls and the usual bestiary of essentializations directed at those who critique him. In this effusion he extends his thesis that the poster named “Eli” who made a rather liquid denunciation of Harman’s philosophical skills. The comment appeared in the comments section of one of my posts, and I reproduced it here. Harman’s claims in the usual incoherent manner that this fine writer was me, as I was reeling from his recent attack on my person. Of course “Eli” is not me. If one even bothered to think about it much one would realize why. I suppose it is interesting when the people you critique start to fantasize about you, either turning you into monsters or persona of every stripe.

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