Frames /sing


What is “Passing through Infinities”?

Corry Shores has another beautiful, traveling meditation and analysis of some thoughts that I raised (I certainly enjoy seeing my thoughts reflected in that mirror, as I discover things that I must have been thinking however dimly, or should be thinking). Here he takes on the trope of “passing through infinities” that I found in von Kleist’s “On the Marionette Theatre”  and the appeal I made to Leibniz’s triangle. He does such an excellent job of explicating Kleist’s story, I recommend his post if only for this. There is a certain openness and journeying that marks Corry’s analysis of things, as he works his way forward, a real pleasure. And Corry does a wonderful job of bringing out the illustration of the concave mirror, and the reversal/vanishing of the image that occurs as the object approaches the focal point (passing onto Deleuze and Bergson). Again, Spinoza’s optics, his experiences with the building of telescopes (and perhaps likely use of mirrors and/or camera obscuras), is something no one has considered when weighing the meanings of Spinoza’s take on infinities. What Corry brings out, though not explicitly, is that Spinoza’s own position upon infinities was itself shaped by his work with lenses and mirrors.

Transverse Condensation

But I want to think to myself about what it means for us to “pass through an infinity” as Kleist claims that a conscious person must in order to attain grace. What I strongly suspect is that this is what Spinoza has in mind when he talks of the three tiers of knowledge, with emphasis on the latter two of these: the imaginary, the rational and the intuitional. Intuitional knowledge is that which is produced when rule-following, rational description is suddenly acceded, surpassed with a kind of accelerated leap of clarity, a clarity which is necessarily comprehensive and not apparitional: Spinoza uses the example of how we can do mathematics without having to move consciously through all our steps. As we journey down into the details of anything in the world, including ourselves, any rational ordering of “what is” not only employs imaginary separation of things from all else (their causes included), but there is a certain density that is achieved in any contemplation wherein one crosses through to the other side, having absorbed the orderings of our body. The confusions and conflations that mark out our imaginary engagements, bringing together under a certain mode of intensity, are first separated out into rational descriptions of causation, but then these delimitations are transcended. The world itself is not transcended. Only our imaginary/rational structurings of it are. And in this way Spinoza’s “intuition” bears a certain condensive similarity to “imagination” such that the two work to prepare and then exonerate the rational which lies inbetween.

I want to say that it is not enough to be analogical here, or more loosely, metaphorical. It is not that we cross through infinities like passing through the focal point of a curved mirror, or like a line crossing over another. Instead infinities are literally gathered up in bounded limitations, and pursued together along certain lines of traverse, and that then these infinities are passed through, onto the other side so to speak, unto a certain comprehensiveness, the kind of comprehensiveness that Spinoza (contrary to Decartes) urges us to start with.


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