Frames /sing


Graham Harman’s “Evil Twin”, The Quality-Loving Positor

Shadow Jumping

Graham Harman’s embrace of what he takes to be a coin-flip reading of his project begins,

No one can jump over their own shadow, but it’s a feasible reading of me as my own “evil twin” (without the value judgment, of course).

I say, this impossibilty of jumping over one’s shadow notion may point the way forward, for one really can jump over one’s shadow if one simply moves in relation to a new light source (vocabulary set). One may then have a differently oriented shadow, but then understands the solution to such shadow-staring is keeping an eye upon a multiplicity of light sources, and the nature of their varying strengths.

I’m glad that Graham sees the possibilities of this redescription of his work, and love the notion of a philosophy Federation of “Evil Kirks and Spocks.” I say that we embrace somthing of this, but in fine Nietzschean fashion retain the value judgment, the BGE evil of it (if I recall, Evil Spock was able to think himself out of his evil universe, finding common ground with Good Kirk). What I hope is that if indeed Graham is only attempting to save Qualities, and is merely presenting an OOP as a means for a QOP intention, something more is being achieved than flipping a coin around by pointing out this fact. What Nietzsche wants us to know is that the thing that is evil, that seems like the dark side of something, is really its potentiality masked. Without Hegelian pretension, if indeed Graham is seeking to save qualities, and not objects, we can stop asking questions about the exact metaphysical nature of objects, and start asking questions about what is the best way to save, or as I say, ennoble, qualities. It may well be that positing empty, regressing objects IS the best way, that it does more for the stature of qualities than molten postmodern/post-structuralist fantasy, or even another approach, but until we get to the program itself, we can never properly frame the question.

In this way, I am saying more than the common place that makes of everything a coin. Rather, it is if we get to the real, or at least determinative motivation of a philosophical project, its “evil-twin” underside, we can then open up the project to possibilities that a blindness to that underside undershadows. In Graham’s philosophy this limit, as he admits, comes down the occasionalism-like collaspe of objects which fails to account for the nature of their change. What I would say is that it is of the very nature of the armature that Graham has passionately and insightfully constructed, so as to save qualities, that limits the force of their salvation. If he, I and others come to agree, if we make a value judgment that what we are really after is the esteem of qualities, then we can discuss more precisely the failures of esteem in others’ approaches, and invent better strategies for that esteem, rather than simply looking to shore-up and solve what we thought was the central focus of our attention.

Instead of making a nice pair of things, a doppleganger of inseperable concepts, such as those seen in Graham’s wonderfully titled Count Magnus Effect, one proposes a means for satisfying discourse, for finding agreement. There may be some fun in pointing out to others that they are accomplishing one thing when then thought they were accomplishing something else; Nietzsche had tremendous pleasure in this, and modern day Zizek just loves this game. Such a reversal is not really all that valuable unless one returns it to the question of valuation itself. Do we value the same things and just have different projects on how to achieve it? This is not to say that agreement is guaranteed, but at least the nature of disagreement changes.

Campanella: Knowing is Being

The essentializing dyads that Graham expresses himself in, come from a strong Heideggerian genus, retain a certain human-centric heritage which Graham is pushing against. But I suspect that it is the nobility of the quality that keeps Graham on this  side the panpsychist Gate. As I dig like a Latourian engineer attempting to meet up with the tunnel that Graham has dug in the same Ontological mountain, and trace out each of my excavation, and to the best that I can, his own, it is on the question of the salvation of the quality that I think we can find a common ground. What I will propose that instead of instantiating the rights of qualities upon the nothingness of a retreating and empty object, a consideration of Tommaso Campanella’s proto-Cartesian “Cognoscere est esse,” to know is to be. This a core, quality-directed principle which undercuts in history and object some of the founding theoretical dyads which inform a human-centered picture of consciousness. Much akin to the objects of Graham’s fascination with Late Scholasticism, and Late Renaissance theory (Bruno, Suarez), Campanella’s rationalization of Natural Magic, which is the attempt to synthesize the lived (Quality) emphasis of Telesio’s empiricism to the metaphysics of immanent and unified Being (Augustine), provides the substance of the rescue of Quality without the collapse into molten origins. Campanella’s metaphysics are rough-hewn, though voluminously written, and appear to modern commentators often as a hodgepodge of irreconsilable positions and influences. Campanella comes off as a pre-modern fantasticist, as confused by astrology as he was by the Political situation of which he was a victim. But rather, it is Campanella’s love for the world, its embodied, animal-like quality, its magic of effect, which produced the theoretical possibility for a contemporary salvation of qualites, of the sort that I think that Graham pursues. It is not so much that qualities are granted their rightful power because they are in a tension with Substance Objects which invariably retreat from all investigation, a mark of characterized experiences of human consciousness. It is rather, in surpass of any categorical reduction of human consciousness, that qualities has their own nobility and powers. Campanella wanted us to know that when I come to know something (an entity), I literally am transformed into it (an interesting pre-sage of Latour’s Principle of Translation). When I know a cold thing, I literally become cold. Or, if we want to postmodernize it, when I know Capitalism, I literally become Capitalism, I am transformed into that entity. How exactly to read this transformation I think comes from the notion of assemblage, of bodily (and therefore following Spinoza, ideational) combination, under a figure of power.

What I suggest is that once we identify the hidden, as Graham says, evil valuation behind his project, it is towards a panpsychism that qualitative embrace leads. That is, one needs not rent out high-priced object Real Estate on which Qualities are then permitted to live. Instead, qualities become the very mechanism for embodied agreement and power-assemblage, no more warring in tension with the landlord.


3 responses to “Graham Harman’s “Evil Twin”, The Quality-Loving Positor

  1. doctorzamalek January 19, 2009 at 12:47 pm

    Kevin, no one comes up with more appropriate photos faster than you do. (For some reason this link wasn’t working for me last night, so I’m just seeing it now.)

  2. kvond January 19, 2009 at 1:19 pm

    Thanks Graham. There is an interesting thing that happens to the philosophical tradition of text-orientation when words and ideas become illustrated. One wonders what kind of philosophy would be produced if students were taught that any good philosophical essay had to be illustrated, dear monks of Lindisfarne. What of the Logos then?

  3. Pingback: The Coldness of Spinoza: Was He Really a Spock? « Frames /sing

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