Frames /sing


Why Spinoza’s Method of Lens Polishing Might Have Been Integral

How The Clouded Glass Sphere Becomes Opened up to Light

Al Shinn has given me a link to work being done by Alvaro Amaro de Azevedo, which might explain why a hypothesized Spinoza lens polishing expertise could prove decisive in employing a single lens technique. First, Amaro de Azevedo approximated a simple, thread-melting techique thought to have been used by Van Leeuwenhoek, and achieved practical results of about x500 magnification and more, reaching those even achieved by Van Leeuwenhoek himself (x266 is I believe the highest magnification of an existing Leeuwenhoek lens, but Ruestow estimates that x500 could not have been “unusual” (14), noting that a recommended lens by Hartsoeker would “entail a magnification of x770”). Amaro de Azevedo even reached a magnification level of x1000 using soley the melted beads of glass thread, whose proximity to the specimen challenged most 17th century specimen staging capacities. If nothing more, this established the ease of dramatic single lens, beaded magnification achievement. Here his experiments are detailed.

Yet Mr. Amaro de Azevedo later learned that nearly all of existent Leeuwenhoek lenses had been ground lenses, and not simply beaded from melted glass. He set to grounding equally powerful lenses. As I have said, Johannes Hudde is reported to have ground his bead lenses (in salt), and Hooke too ground his bead lenses. It has consternated some modern analyzers of this method as to why a rather effective, tiny glass globule lens should prove insuffient? Why grind glass? The answer to this might help establish why an additional and otherwise guarded means of grinding technique might pave the way towards a more effective beaded lens.

Alvaro Amaro de Azevedo in his second round of experiments actual unveils some of the possibilities for these techniques (improvised on modern equipment), and produced results suggestive of the necessity of the additional polishing means. Here is his article, “The Challenge of Grinding Lenses for Single Lens Microscopes” (keeping a close eye upon the aspects that were feasible in the 17th century).

The first thing I notice is that the grinding abrasive required the use of mills, as Alvaro decides to use sand:

Anyone who has ever read about lens grinding techniques is aware that the main resource for succeeding is the grinding powders…I honestly have no idea where such powders could be found locally but the article mentions that Leeuwenhoek might have employed sand and graded it by levigation. So that was what I did. The sand was collected from a nearby beach and then washed thoroughly. After it had dried, the sand was put into a mill where it was crushed for one hour. The resulting flour was then suspended in water and through levigation six fractions were collected. I named them from 1 (the coarsest) to 6 (the finest).

As an simple point of correspondence, bought at the auction of Spinoza’s estate were various “mills” (molens):

and various instruments for grinding (‘en verscheidene slypgereedschap’) like mills (‘molens’, also plural!) and great and small metal dishes serving for them (‘groote en kleine metale schotels daartoe dienende’) and so on” (en so voort).

The plurality of mills suggests a gradation of grits produced, such as perhaps those used by Amaro de Azevedo. Whether these were of salt as Hudde is said to have used, or of sand, these mills speak to a particular technique of grinding and polishing, something that could be passed on through the equipment alone.

Next I noticed his search for a polishing agent:

For polishing purposes, I tried to find the jewelry rouge (iron oxide) but it was in vain. Then I tried to smash a hematite stone and I got a powder that was too coarse for a good polishing powder. Then I made many attempts to find a good substitute and at the end of the day I made a polishing tool that doesn’t need powder to carry on polishing.

His solution is certainly not one that Spinoza would use, though the iron oxide powder may have been something that Spinoza picked up in Amsterdam when he learned to grind glass, given the plethora of gem and diamond polishers that may have florished in his community (it was one for the few non-Guild regulated buisnesses available to Jews). Robert Hooke used “tripoli” (a diatomaceous material, getting its fineness from the remains of microscopic organisms). This was long used by Venetian spectacle makers, its use forwarded by instructional manuscripts written by Sirturus and then Rheita. Because Van Leeuwenhoek put tripoli under his microscope to examine it, it is quite likely that he used this as well.


Lastly though, as Amaro de Azevedo ground his smaller and smaller lenses, leaving behind a cut glass blank, and eventually grinding melted beads of glass themselves, as did Hooke and Hudde (and likely Van Leeuwenhoek), achieving greater and greater limits of magnfication, he comes to the vital point, illumination and focal distance:

The main advantage of ground lenses are that they can focus at longer distances compared to the same magnification from ball lenses and thus, I could capture images from already mounted slides that wasn’t possible before. I also noticed that ground lenses allow wider apertures and as consequence, the images seemed to be brighter and higher in resolution.

A modern maker of the two comparable lenses, that is, of the simple beads of glass spheres, and their tiny ground counterparts might not readily notice the distinct advantage that Amaro de Azevedo brings out here. The reason is, the quality of glass that is readily available to us simple was not makeable then. Glass, even the best of it, was bubbled, marred with striations, and considerably darker, tinged with colored. Any advantage in opening up the aperture and letting in more light was not simply a convenience, but rather probably marked the difference between being able to see a specimen or not. For instance, when Robert Hooke says that the single bead lens is simply too small, and that he fears for his eyesight, he means not only too small, but too small and too dark.

Aligned with this point was the techniques of lighting the specimen would prove most important. Ruestow infers that Hudde’s microscopic observations may have been impaired for many years for it did not occur to him to look directly at a light source, with the specimen in between, an improvement attributed to Van Leeuwenhoek (22, n.85). Is this why Hudde did not come up with any astounding discoveries despite owning the beading technique for more than decade before Van Leeuwenhoek comes upon the scene?

These three factors, rather poor occluding glass, just discovered techniques in lighting and specimen preparation, and in some cases guarded secrets in grinding and polishing techniques, all point to the difficulty of microscopic discovery, when using bead-lenses. What is suggested is that the best polishing of these tiny melted spheres would open up the aperture and clarity of an otherwise murky ball glass lens, when pushed to the greatest of magnifications. Thus the state of the technology may have demanded an adequate polishing means, one provided by the purchase of Spinoza’s equipment by the Huygenses.



Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: